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After the deaths of his wife and brother, John Kerney gives up his West Texas ranch and heads south in search of a new home. Soon Kerney is offered work trailing cattle to the New Mexico Territory--a job that will forever change his life.
In the past decade Pakistan has become a country of immense importance to its region, the United States, and the world. With almost 200 million people, a 500,000-man army, nuclear weapons, and a large diaspora in Britain and North America, Pakistan is central to the hopes of jihadis and the fears of their enemies. Yet the greatest short-term threat to Pakistan is not Islamist insurgency as such, but the actions of the United States, and the greatest long-term threat is ecological change. Anatol Lieven's book is a magisterial investigation of this highly complex and often poorly understood country: its regions, ethnicities, competing religious traditions, varied social landscapes, deep political tensions, and historical patterns of violence; but also its surprising underlying stability, rooted in kinship, patronage, and the power of entrenched local elites. Engagingly written, combining history and profound analysis with reportage from Lieven's extensive travels as a journalist and academic, Pakistan: A Hard Country is both utterly compelling and deeply revealing.
*Finalist for the National Book Award* *Finalist for the Kirkus Prize* *Instant New York Times Bestseller* *Named a Best Book of the Year by NPR, New York Post, BuzzFeed, Shelf Awareness, Bustle, and Publishers Weekly* An essential read for our times: an eye-opening memoir of working-class poverty in America that will deepen our understanding of the ways in which class shapes our country and “a deeply humane memoir that crackles with clarifying insight”.* Sarah Smarsh was born a fifth generation Kansas wheat farmer on her paternal side, and the product of generations of teen mothers on her maternal side. Through her experiences growing up on a farm thirty miles west of Wichita, we are given a unique and essential look into the lives of poor and working class Americans living in the heartland. During Sarah’s turbulent childhood in Kansas in the 1980s and 1990s, she enjoyed the freedom of a country childhood, but observed the painful challenges of the poverty around her; untreated medical conditions for lack of insurance or consistent care, unsafe job conditions, abusive relationships, and limited resources and information that would provide for the upward mobility that is the American Dream. By telling the story of her life and the lives of the people she loves with clarity and precision but without judgement, Smarsh challenges us to look more closely at the class divide in our country. Beautifully written, in a distinctive voice, Heartland combines personal narrative with powerful analysis and cultural commentary, challenging the myths about people thought to be less because they earn less. “Heartland is one of a growing number of important works—including Matthew Desmond’s Evicted and Amy Goldstein’s Janesville—that together merit their own section in nonfiction aisles across the country: America’s postindustrial decline...Smarsh shows how the false promise of the ‘American dream’ was used to subjugate the poor. It’s a powerful mantra” *(The New York Times Book Review).
The inspiring and entertaining story of a determined woman and an isolated farming life in Golden Bay. Robby Robilliard and her husband Garry arrived in Golden Bay in 1957. Married in their early twenties, and with a child on the way, they longed to own their own sheep station. When they bought Rocklands, a marginal farm on the fringe of the Takaka Valley, bordering Abel Tasman National Park, their dream had come true - but it wasn’t the life they had envisaged. It was a property no one else wanted, described by the agent as ‘one hell of run-down place’. Robby even came to call it ‘nightmare land’. The three previous owners of Rocklands had gone bankrupt. Yet it was all they could afford. Sixty years on, Robby and Garry still call Rocklands home. In fact, Gary is referred to as the 'oldest sheep farmer in Golden Bay'. This engaging book is Robby's story of the decades in which she and Garry eked a living out of Rocklands and of her encounters with the many and the varied local characters of Golden Bay.
"Thriller writing of the highest order" —Jon Land, USA Today bestselling author of the Caitlin Strong series "An action fan's dream. Non-stop excitement. Wonderful characters. A terrific locale. And a startling bulletin about how your car is watching you." —David Morrell, New York Times bestselling author of First Blood There is no peace in the hard country Tucker Snow is as tough as they come, hardened by decades working as an undercover narcotics agent for the Texas Department of Public Safety. Through special dispensation from the governor, he and his brother Harley cut a wide swath through the criminal element of Northeast Texas. But tragedy comes calling after taking a dream job as a special ranger with the Texas and Southwestern Cattle Raisers Association, when Tucker's wife and toddler are killed in a horrific traffic accident caused by a drug addled felon. Close to breaking, Tucker sets his badge aside to move his surviving teenage daughter outside of Ganther Bluff, a quiet town with enough room for them to mourn their unexpected loss. But peace doesn't last long for a man like Tucker Snow. Instead of settling into small-town life to heal from such an unimaginable loss, a fresh kind of hell hits them with full force. Crimes and secrets strangle this rural community, and when a new form of meth with the street name of gravel gets too close to home, it's enough for Tucker to put his badge back on and call Harley for help. The town will ultimately be better off with him as a resident lawman, but this unforgiving landscape will threaten everything Tucker holds dear.
In the New York Times bestselling Hard Country, Michael McGarrity gave readers “an expansive, lyrical period Western in the tradition of A. B. Guthrie Jr. and Larry McMurtry” (Hampton Sides). Now McGarrity continues his richly authentic epic of life on the last vestiges of the twentieth-century American frontier. Scarred by the loss of an older brother he idolized, estranged from a father he barely knows, and deeply troubled by the failing health of a mother he adores, young Matthew Kerney is suddenly and irrevocably forced to set aside his childhood and take on responsibilities far beyond his years. When the world spirals into the Great Depression and drought settles like a plague over the nation, Matt must abandon his own dreams to salvage the Kerney ranch. Plunged into a deep trough of dark family secrets, hidden crimes, broken promises, and lies, Matt must struggle to survive on the unforgiving, sun-blasted Tularosa Basin.
The former VA secretary describes his fight to save health care from politics and money-and how it was ultimately derailed by a small group of unelected officials with influence in the Trump White House. Known in health care circles for his ability to fix ailing hospitals, Dr. David Shulkin was originally brought into government by President Obama, in an attempt to save the broken Department of Veterans Affairs. When President Trump made him VA secretary, Dr. Shulkin was as shocked as anyone. Yet this surprise was trivial compared to what Shulkin encountered as the VA secretary: a team of political appointees devoted to stopping anyone-including the secretary himself-who stood in the way of privatizing the organization and implementing their agenda. In this uninhibited memoir, Shulkin opens up about why the government has long struggled to get good medical care to military veterans and the plan he had for how to address these problems. This is a book about the commitment we make to the people who risk their lives for our country, how and why we've failed to honor it, and why the new administration may be taking us in the wrong direction.
This is the first study of "hard" country music as well as the first comprehensive application of contemporary cultural theory to country music. Barbara Ching begins by defining the features that make certain country songs and artists "hard." She compares hard country music to "high" American culture, arguing that hard country deliberately focuses on its low position in the American cultural hierarchy, comically singing of failures to live up to American standards of affluence, while mainstream country music focuses on nostalgia, romance, and patriotism of regular folk. With chapters on Hank Williams Sr. and Jr., Merle Haggard, George Jones, David Allan Coe, Buck Owens, Dwight Yoakam, and the Outlaw Movement, this book is written in a jargon-free, engaging style that will interest both academic as well as general readers.
Arizona's Arivaca Valley lies only a short distance from the Mexican border and is a rugged land in which to put down stakes. When Arizona Territory was America's last frontier, this area was homesteaded by Anglo and Mexican settlers alike, who often displaced the Indian population that had lived there for centuries. This frontier way of life, which prevailed as recently as the beginning of the twentieth century, is now recollected in vivid detail by an octogenarian who spent her girlhood in this beautiful, cruel country. Eva Antonia Wilbur inherited a unique affinity for the land. Granddaughter of a Harvard-educated physician who came to the Territory in the 1860s, she was the firstborn child of a Mexican mother and Anglo father who instilled in her an appreciation for both cultures. Little Toña learned firsthand the responsibilities of ranching—an education usually reserved for boys—and also experienced the racial hostility that occurred during those final years before the Tohono O'odham were confined to a reservation. Begun as a reminiscence to tell younger family members about their "rawhide tough and lonely" life at the turn of the century, Mrs. Wilbur-Cruce's book is rich with imagery and dialogue that brings the Arivaca area to life. Her story is built around the annual cycle of ranch life—its spring and fall round-ups, planting and harvesting—and features a cavalcade of border characters, anecdotes about folk medicine, and recollections of events that were most meaningful in a young girl's life. Her account constitutes a valuable primary source from a region about which nothing similar has been previously published, while the richness of her story creates a work of literature that will appeal to readers of all ages.
From the bestselling author of The Passenger and the Pulitzer Prize–winning novel The Road comes a "profoundly disturbing and gorgeously rendered" novel (The Washington Post) that returns to the Texas-Mexico border, setting of the famed Border Trilogy. The time is our own, when rustlers have given way to drug-runners and small towns have become free-fire zones. One day, a good old boy named Llewellyn Moss finds a pickup truck surrounded by a bodyguard of dead men. A load of heroin and two million dollars in cash are still in the back. When Moss takes the money, he sets off a chain reaction of catastrophic violence that not even the law—in the person of aging, disillusioned Sheriff Bell—can contain. As Moss tries to evade his pursuers—in particular a mysterious mastermind who flips coins for human lives—McCarthy simultaneously strips down the American crime novel and broadens its concerns to encompass themes as ancient as the Bible and as bloodily contemporary as this morning’s headlines. No Country for Old Men is a triumph. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.