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Kerplunk, a.k.a. Steve Kirby, played a drunken tramp clown character on TV so no one realized, at first, that he was actually dying when he staggered and collapsed, bleeding, in front of a large group of delighted day-camp children during Woodendale's annual Fourth of July Parade. Detective Hudson R. Putnam is retired LAPD, now living in northwestern U.S. and operating his own agency. Claire Stone is his dead partners' daughter. Hud is teaching Claire the ropes of investigation and breaks her in on his new case: the dead clown. Follow Hud and Claire through the twists and turns of a quick-read murder as they crack their first serious case together.
A gorgeously rendered graphic novel of Daniel Alarcón’s story City of Clowns. From the author of The King Is Always Above the People, which was longlisted for the 2017 National Book Award for Fiction. Oscar “Chino” Uribe is a young Peruvian journalist for a local tabloid paper. After the recent death of his philandering father, he must confront the idea of his father’s other family, and how much of his own identity has been shaped by his father’s murky morals. At the same time, he begins to chronicle the life of street clowns, sad characters who populate the violent and corrupt city streets of Lima, and is drawn into their haunting, fantastical world. This remarkably affecting story by Daniel Alarcón was included in his acclaimed first book, War by Candlelight, and now, in collaboration with artist Sheila Alvarado, it takes on a new, thrilling form. This graphic novel, with its short punches of action and images, its stark contrasts between light and dark, truth and fiction, perfectly corresponds to the tone of Chino’s story. With the city of Lima as a character, and the bold visual language from the story, City of Clowns is moving, menacing, and brilliantly vivid.
David LaLone is a native of Lansing Michigan, where he lives with wife and two daughters. David has a degree in theology, which he thought would be used in full time pastoral ministry. This however was not the path his life would take. He wrote many of these poems while struggling to understand his role in ministry. He identifies with the persona of the Sad Clown. This clown is a marionette waiting for God to pull the strings. He is sad, and yet he is meant to make people smile. His poetry often swings along such pendulum emotions. His faith is stitched into every line. David is a lamenting prophet using his god given gift of words to paint the images that rise up from within and without. These are poems written in his late twenties. He has felt the thrill of graduation and the fear of the real world. He has started a church and watched it fall. He has invested in ministry to watch him fail. He has seen death and prayed for life from his wife's womb. David shares his life. His poetry is a window into his soul.Everyone knows that clowns are supposed to make you happy. So when as clown looks sad we are perplexed on what to do. I think this is a good image of the poetry in this book. When I wrote them I felt like I was in a sad clown season of life. This is not poetry meant to be depressing but like a sad clown it may make you a bit uncomfortable. I hope that these poems are able to impact you in a powerful way.
With texts by premier comedians such as Steve Martin, Jay Leno, Woody Allen, Goldie Hawn, Lisa Kudro, Whoopi Goldberg, Gary Shandling, Martin Short and more. CLOWN PAINTINGS is a twisty illustrated book that showcases 65 full-colour, outrageously compelling clown portraits, painted by amateurs and selected by actor and director Diane Keaton. By turns hilarious and heartfelt, joyful and mortifying, Keaton found herself as mesmerised by their mute eloquence as by their bad taste, and culled these wild images from her own private collection.
Original and ambitious poetry that makes readers pay attention to the current conversation about the nature of lyric and human relationships in the 21st century.
ICE CREAM MAN writer W. MAXWELL PRINCE brings his signature style of one-shot storytelling to the world of clowns—and he’s invited SOME OF THE BEST ARTISTS IN COMICS to join him for the ride. HAHA is a genre-jumping, throat-lumping look at the sad, scary, hilarious life of those who get paid to play the fool—but these ain’t your typical jokers. With chapters drawn by VANESA DEL REY (REDLANDS), GABRIEL WALTA (Vision), ROGER LANGRIDGE (Thor), and more, HAHA peeks under the big top, over the rainbow, and even inside a balloon to tell a wide-ranging slew of stories about “funny” men and women, proving that some things are so sad you just have to laugh. Collects HAHA #1-6 Select praise for HAHA: “Full of pathos, pitch perfect art, and literary maturity, this story has the markings of a true classic.”—Multiversity Comics “While the initial premise might mirror iconic trajectories, readers will surely be won over by what looks to be a more nuanced and sophisticated exploration of Bartleby's desperation that won't have to rely on gimmicks or gags to delight its audience.”—ComicBook.com “While HAHA treads deeply into clown-fueled misery… Cover-to-cover this is a comic of broken dreams with sinister undertones all behind a veneer of cheap make-up; that narrative spoonful of sugar to help the medicine go down.”—Comic Book Resources
At the heart of our current moment lies a universal yearning, writes David Zahl, not to be happy or respected so much as enough--what religions call "righteous." To fill the void left by religion, we look to all sorts of everyday activities--from eating and parenting to dating and voting--for the identity, purpose, and meaning once provided on Sunday morning. In our striving, we are chasing a sense of enoughness. But it remains ever out of reach, and the effort and anxiety are burning us out. Seculosity takes a thoughtful yet entertaining tour of American "performancism" and its cousins, highlighting both their ingenuity and mercilessness, all while challenging the conventional narrative of religious decline. Zahl unmasks the competing pieties around which so much of our lives revolve, and he does so in a way that's at points playful, personal, and incisive. Ultimately he brings us to a fresh appreciation for the grace of God in all its countercultural wonder.
ICE CREAM MAN writer W. MAXWELL PRINCE brings his signature style of one-shot storytelling to the world of clowns—and he’s invited SOME OF THE COMIC INDUSTRY’S BEST ARTISTS to join him for the ride. HAHA is a genre-jumping, throat-lumping look at the sad, scary, hilarious life of those who get paid to play the fool—but these ain’t your typical jokers. With issues drawn by VANESA DEL REY (REDLANDS), GABRIEL WALTA (Vision), ROGER LANGRIDGE (Thor), and more, HAHA peeks under the big top, over the rainbow, and even inside a balloon to tell a wide-ranging slew of stories about “funny” men and women, proving that some things are so sad you just have to laugh.
Shalimar the Clown is a masterpiece from one of our greatest writers, a dazzling novel that brings together the fiercest passions of the heart and the gravest conflicts of our time into an astonishingly powerful, all-encompassing story. Max Ophuls’ memorable life ends violently in Los Angeles in 1993 when he is murdered by his Muslim driver Noman Sher Noman, also known as Shalimar the Clown. At first the crime seems to be politically motivated—Ophuls was previously ambassador to India, and later US counterterrorism chief—but it is much more. Ophuls is a giant, an architect of the modern world: a Resistance hero and best-selling author, brilliant economist and clandestine US intelligence official. But it is as Ambassador to India that the seeds of his demise are planted, thanks to another of his great roles—irresistible lover. Visiting the Kashmiri village of Pachigam, Ophuls lures an impossibly beautiful dancer, the ambitious (and willing) Boonyi Kaul, away from her husband, and installs her as his mistress in Delhi. But their affair cannot be kept secret, and when Boonyi returns home, disgraced and obese, it seems that all she has waiting for her is the inevitable revenge of her husband: Noman Sher Noman, Shalimar the Clown. He was an acrobat and tightrope walker in their village’s traditional theatrical troupe; but soon Shalimar is trained as a militant in Kashmir’s increasingly brutal insurrection, and eventually becomes a terrorist with a global remit and a deeply personal mission of vengeance. In this stunningly rich book everything is connected, and everyone is a part of everyone else. A powerful love story, intensely political and historically informed, Shalimar the Clown is also profoundly human, an involving story of people’s lives, desires and crises, as well as—in typical Rushdie fashion—a magical tale where the dead speak and the future can be foreseen.
This beautiful new edition of Tomie dePaola’s 1978 classic retelling of a French legend stars a little juggler whose unique talent leads him to what might be a Christmas miracle. Little Giovanni is poor and homeless, but he can do something wonderful: he can juggle. The people of Sorrento marvel at his talents, and before long, he becomes famous throughout Italy for his rainbow of colored balls that delight the nobility and townspeople alike. But as the years pass, Giovanni grows old, and his talents begin to fail him. No longer a celebrated performer, he is once again poor and homeless, begging for his food. Until one Christmas Eve, when Giovanni picks up his rainbow of colored balls once more. And what happens next just might be a miracle…