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Perhaps because 19th-century German writer Theodor Storm wrote mostly Novellen -- tightly sturctured long stories composed in lyrical prose -- little of his work is available in English. Hans and Heinz Kirch consists of three of these Novellen, two
Written in the language of the man in the street, Zoshchenko's stories enshrine the gallows humour of the Soviet Union people as he depicts everyday life during the first years of Soviet rule, with its impenetrable new ideological language.
Here are three contrasting works from Theodor Storm's middle period-the 1870s. The title story is an affectionate portrayal of the vanishing world of the marionette theatre with its guild-dominated society of the traveling puppeteers and their gypsy-
Steeped in the social and religious culture of prerevolutionary Russia, Andrey Bely's first novel is inspired by theosophy, the myth of Dionysus, and the author's own thoughts on the relationship between artistic and religious creation. The story of an idle intellectual who pursues transcendence, The Silver Dove is also Bely's study of the unbridgeable chasm between his country's Westernized intelligentsia and the mysterious, apocalyptic passions of its peasants.Dissatisfied with the life of the intellectual, the poet Daryalsky joins a rural mystic sect, the Silver Doves. The locals, and in particular the peasant woman Matryona, are fascinated by the dashing stranger. Daryalsky is taken in by the Doves' intimacy with the mystical and spiritual -- and by Matryona. Under the influence of the cult leader, the carpenter Kudeyarov, Daryalsky is ruthlessly used in a bid to produce a sacred child -- a dove who will descend on silvered plummage and usher in a new age.Bely, fascinated by the theosophical beliefs of the nineteenth century, places his hero at the center of a cycle in which elements of the past are eternally present, suggesting a parallel between Daryalsky and the figures of Dionysus and Christ. In time, Daryalsky disappoints the Doves and must face their all-too-mortal suspicions and jealousies, as well as his own doubts. As the story concludes, Bely invokes the primitive rituals of the bacchanals -- and the symbols of the Crucifixion -- to reveal Daryalsky's dire fate.
This is the fourth selection of novellas in the translator's definitive series of translations of a major 19th-century German writer. The Last Farmstead' and the title-story depict reversals of fortune for farming and burgher families in the economic aftermath of the Napoleonic Wars. The Swallows of St George's' is a poignant love story and a narrative tour de force. In the high-spirited By the Fireside' a teller of ghost stories finally wins over an initially skeptical audience. The first-and last-mentioned stories appear in English for the first time. Denis Jackson won the 2005 Oxford Weidenfeld Translation prize for his previous volume of Storm translations, Paul the Puppeteer.