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More than a half-century ago, C. G. Chamberlayne, under the sponsorship of the Virginia State Library, transcribed, edited, and indexed a number of original Virginia parish vestry books, four of which are reprinted here. While the dates of coverage and lengths of the volumes vary, they are nonetheless similar in terms of scope and content. Each volume contains the oldest known records pertaining to that parish, in most cases beginning only a few years following the parish's date of formation. Mr. Chamberlayne begins each vestry book with an Introduction that pieces together the formation of the parish and important milestones in its history from published and original sources. Facsimilies of pages from the original vestry books, maps, and photographs help to put each volume into greater context, moreover. Appended to the vestry books are brief lists of the various parish ministers, with an indication of their earliest date of service as found in the records. The transcriptions themselves, ranging from about 250 to more than 600 pages of text, relate to the following issues growing out of the business affairs of colonial parish vestries; namely, payments to persons for services rendered to the parish, oaths and lists of oath-takers, news of the arrival of ministers, the appointment of church wardens, issues related to indentured servants, lists of tithables, payment of salaries and other obligations, the formation of parish precincts with the names of the families apportioned therein, the warding of children, and so on. In each case, these four scarce collections of colonial church records establish the existence of thousands of Virginia inhabitants, each of whom is easily found in the index or indexes at the back of the book.
Colonization, political and religious reform, revolution and Civil War have left footprints on the varied landscape of Hanover County. Centrally located within the state, Hanovertown on the Pamunkey River missed being the capital of Virginia by a slim margin. It was at the Hanover Courthouse that Statesman Patrick Henry gave a voice to the spirit of the Revolutionary War. During the Civil War, Grant and Lee would journey through the county struggling for control of Richmond in some of the state's fiercest fighting. This volume celebrates these emblematic images of history, and also delves into the daily lives of those who have shaped Hanover County for three centuries.Through vintage photographs, diaries, and articles from the pages of the Herald Progress, the voice of Hanover since 1913, Images of America: Hanover County captures the days gone by.
In this very scarce two-volume work, Mr. and Mrs. Glazebrook succeeded in extracting those documents pertaining to Hanover County that survived the burning of Richmond in April 1865 and that were not published in William Ronald Cocke's "Hanover County Chancery Wills and Notes." The surviving materials consist of a great many deeds, wills, inventories, accounts, letters, depositions, etc., pertaining to Hanover County for the colonial and early Federal periods.
"This account does not include all of St. Martin's Parish; to help identify diverse person herein, many records from numerous publications of historic researchers have been used."--Foreword.
Hanover County, Virginia was erected from New Kent in 1720, which itself had been formed from York County in 1654. (In 1742 Hanover lost that portion now embraced by Louisa County.) Most of the records of the Hanover County Court were destroyed at the end of the Civil War, which is why those that did survive, the subject of this book, are of the utmost importance. Confining itself to Chancery Wills and Notes, this work consists of copies or abstracts of bills and petitions, wills and deeds, powers of attorney, administrators' accounts, depositions, receipts, and letters, bearing reference, in total, to some 7,000 persons. In the treatment and presentation of the Notes the object was to extract every detail of genealogical, biographical, and historical significance, and to arrange such matter alphabetically and chronologically in relation to families. In the treatment of the wills the aim was to provide either a comprehensive abridgement or an authentic verbatim copy. Possessing a complete name index, this is the starting point for genealogical research in Hanover County.
U.S. Army Captain Jack Ludwig, a military doctor stationed in Oregon, begins writing to Louise Rabiner, an aspiring actress and dancer in New York City, hoping to meet her someday if the war will allow. But as the war continues, it threatens to end their relationship before it even starts. Tony Award-winning playwright Ken Ludwig (Baskerville: A Sherlock Holmes Mystery, Lend Me a Tenor) tells the joyous, heartwarming story of his parents' courtship during World War II and the results are anything but expected. "Ludwig's play, though about a particular moment in his personal history as well as our collective history, also resonates today. Dear Jack, Dear Louise is a moving, funny, and heartbreaking reminder of what we should strive to become, individually and as a country." - BroadwayWorld "Moving and cinematic... The play, based on the correspondence of Ludwig's parents-to-be, crackles with humor and real feeling." - DC Theatre Scene "An intimate play with tremendous breadth... Ken Ludwig's Dear Jack, Dear Louise plumbs the depths of human courage, commitment, and connection when the world and your heart are at stake." - DC Metro Theater Arts "Strikes the touchstones of the online dating age with uncanny precision." - The Washington Post
“An absolute gem of a history” for the Confederacy’s Branch-Lane North Carolina Brigade: “His clear and engaging narrative keeps the reader entranced” (Thomas G. Clemens, editor of The Maryland Campaign of 1862). This storied brigade was first led by Lawrence Branch, and then by James Henry Lane, and served with Lee’s Army of Northern Virginia for its entire existence. These Tar Heels fought in nearly every major battle in the Eastern Theater, including the Seven Days’ Battles, Second Manassas, Sharpsburg (where Branch was killed), Fredericksburg, Chancellorsville (where its members mistakenly shot Stonewall Jackson), Gettysburg (including Pickett’s Charge), the Wilderness, Spotsylvania, North Anna, Cold Harbor, the Petersburg Campaign, and the final retreat to Appomattox. Originally part of A. P. Hill’s famous “Light Division,” the brigade earned high plaudits for its disciplined defensive efforts, hard-hitting attacks, and incredible marching abilities. Its heavy combat exposure, however, resulted in devastating losses. By war’s end, its roll call of casualties far exceeded its number of survivors. Michael Hardy’s General Lee’s Immortals is based upon years of study and grounded on an impressive foundation of sources, which allows the men to speak for themselves as they describe their time in camp, endless hardships, long marches, bloody battles, increasing hunger, and much more. In addition to a dozen original maps, General Lee’s Immortals also includes scores of rare photos—many of which were previously unpublished—all of which enhance this well-written and engrossing account. “Combining rigorous research and an innovative organization, General Lee’s Immortals demonstrates what an exceptional unit history can teach us about the Civil War.” —The Civil War Monitor
The “riveting”* true story of the fiery summer of 1970, which would forever transform the town of Oxford, North Carolina—a classic portrait of the fight for civil rights in the tradition of To Kill a Mockingbird *Chicago Tribune On May 11, 1970, Henry Marrow, a twenty-three-year-old black veteran, walked into a crossroads store owned by Robert Teel and came out running. Teel and two of his sons chased and beat Marrow, then killed him in public as he pleaded for his life. Like many small Southern towns, Oxford had barely been touched by the civil rights movement. But in the wake of the killing, young African Americans took to the streets. While lawyers battled in the courthouse, the Klan raged in the shadows and black Vietnam veterans torched the town’s tobacco warehouses. Tyson’s father, the pastor of Oxford’s all-white Methodist church, urged the town to come to terms with its bloody racial history. In the end, however, the Tyson family was forced to move away. Tim Tyson’s gripping narrative brings gritty blues truth and soaring gospel vision to a shocking episode of our history. FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD “If you want to read only one book to understand the uniquely American struggle for racial equality and the swirls of emotion around it, this is it.”—Milwaukee Journal Sentinel “Blood Done Sign My Name is a most important book and one of the most powerful meditations on race in America that I have ever read.”—Cleveland Plain Dealer “Pulses with vital paradox . . . It’s a detached dissertation, a damning dark-night-of-the-white-soul, and a ripping yarn, all united by Tyson’s powerful voice, a brainy, booming Bubba profundo.”—Entertainment Weekly “Engaging and frequently stunning.”—San Diego Union-Tribune