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Recounts the personal and professional life of the country singer and songwriter whose music bridged the gap between country and pop music and established country music within popular culture.
When Hank Williams died on New Year's Day 1953 at the age of twenty-nine, his passing appeared to bring an abrupt end to a saga of rags-to-riches success and anguished self-destruction. As it turned out, however, an equally gripping story was only just beginning, as Williams's meteoric rise to stardom, extraordinary musical achievements, turbulent personal life, and mysterious death all combined to make him an endlessly intriguing historical figure. For more than sixty years, an ever-lengthening parade of journalists, family and friends, musical contemporaries, biographers, historians and scholars, ordinary fans, and novelists have attempted to capture in words the man, the artist, and the legend. The Hank Williams Reader, the first book of its kind devoted to this giant of American music, collects more than sixty of the most compelling, insightful, and historically significant of these writings. Among them are many pieces that have never been reprinted or that are published here for the first time. The selections cover a broad assortment of themes and perspectives, ranging from heartfelt reminiscences by Williams's relatives and shocking tabloid exposés to thoughtful meditations by fellow artists and penetrating essays by prominent scholars and critics. Over time, writers have sought to explain Williams in a variety of ways, and in tracing these shifting interpretations, this anthology chronicles his cultural transfiguration from star-crossed hillbilly singer-songwriter to enduring American icon. The Hank Williams Reader also features a lengthy interpretive introduction and the most extensive bibliography of Williams-related writings ever published.
"A compassionate yet clear-eyed" (Washington Post) portrait of country music’s founding father and "Hillbilly King." Mark Ribowsky’s Hank has been hailed as the "greatest biography yet" (Library Journal, starred review) of the beloved icon. Hank Williams, a frail, flawed man who had become country music’s first real star, instantly morphed into its first tragic martyr when he died in the backseat of a Cadillac at the age of twenty-nine. Six decades later, Ribowsky traces the miraculous rise of this music legend?from the dirt roads of rural Alabama to the now-immortal stage of the Grand Ole Opry, and, finally, to a lonely end on New Year’s Day in 1953. Examining Williams’s chart-topping hits while also re-creating days and nights choked in booze and desperation, Hank uncovers the real man beneath the myths, reintroducing us to an American original whose legacy, like a good night at the honkytonk, promises to carry on and on.
An authoritative separation of myth from fact in the life of the great country music star
Over its eighty-year history, country music has evolved from little-known local talents to multimillion-dollar superstar musicians. In the 1920s, the first country music was broadcast from WSB radio in Atlanta and WBAP in Fort Worth, and the first records were recorded for Victor. In the 1930s, the first singing cowboys, among them Gene Autry and Roy Rogers, became film stars. After the war years, recordings boomed, and the Country Music Association was founded in 1958. Country music programs began on television with Porter Waggoner's program in 1960, followed by The Johnny Cash Show and Hee Haw. The Nashville Network channel was established in 1993, and from then on, the popular stars of country music have continued to break records, selling millions of copies of their albums. This book examines country music as it developed in regions throughout the United States, noting characteristics of its various subgenres such as bluegrass, honkytonk, and neotraditional music. It provides an indepth look at the people and events that have shaped the industry, and identifies the landmark recordings that old and new fans alike will want to add to their collections. Provides a detailed history of the following subgenres: hillbilly music, cowboy music, western swing, country rock, bluegrass, Nashville sound, and neotraditional, among others. Includes a chronology of country music and an extensive chapter of biographical sketches of all the major songwriters, musicians, and people in the industry.
This is the first study of "hard" country music as well as the first comprehensive application of contemporary cultural theory to country music. Barbara Ching begins by defining the features that make certain country songs and artists "hard." She compares hard country music to "high" American culture, arguing that hard country deliberately focuses on its low position in the American cultural hierarchy, comically singing of failures to live up to American standards of affluence, while mainstream country music focuses on nostalgia, romance, and patriotism of regular folk. With chapters on Hank Williams Sr. and Jr., Merle Haggard, George Jones, David Allan Coe, Buck Owens, Dwight Yoakam, and the Outlaw Movement, this book is written in a jargon-free, engaging style that will interest both academic as well as general readers.
This text presents a comprehensive and up-to-date reference work on popular music, from the early 20th century to the present day.
This collection of essays examines modern country music in America, from its roots to today's music. Contributors look at aspects of the music as diverse as the creation of country culture in the honky tonk; the development of the Nashville music industry; and why country music singers are similar to the English romantic poets. Historians, sociologists, musicologists, folklorists, anthropologists, ethnographers, communication specialists, and journalists are all represented.