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Study with reference to Orissa, India.
Weaving Histories looks at the economic history of South Asia from a fresh perspective, through a detailed study of the handloom industry in colonial South India between 1800 and 1960 and its wider implications for the Indian economy. It employs an unusual array of sources, including paintings and textile samples as well as archival records, to excavate the links between cotton growing, spinning and weaving before the nineteenth century. The rupture of these connections produced a sea-change in the lives of ordinary weavers. New technologies reshaped production systems, and markets for cotton and cloth were transformed under the pressure of global trade. Weaving Histories uncovers these global connections and their human impact, especially on makers of coarse cloth and women workers. After the First World War, the handloom industry became a key battleground for struggles over workers' rights, and this emerging regulatory framework, in turn, exerted a strong influence on the economic trajectory of India after independence. This book examines the transformation of production systems, working conditions and state policies towards workers and owners, ending with a brief consideration of their long-term effects after 1947, when India became independent.
The outstanding textiles represented in this book were displayed at the Visvakarma series of exhibitions and have a wide-ranging vocabulary of design, technical skill and aesthetic brilliance. Written and edited by renwned names in textile design, this book is a treasure for both the textile aficionado and the designer.
This book presents a comprehensive history of handloom weaving industry in India to challenge and revise the view that competition from machine-produced textiles destroyed the country’s handicrafts as claimed by historians until recently. It shows that skill-intensive handmade textiles survived the competition on a large scale, and that handmade goods and high-quality manual labour played a positive role in the making of modern India. Rich in archival material, The Crafts and Capitalism explores themes such as the historiography of craft technologies; statistical work on nineteenth-century cotton cloth production trends; narratives of merchants, the social leaders, the factory-owners; tools and techniques; and, shift from handloom to power loom. The book argues that changes in the handloom industry were central to the consolidation of new forms of capitalism in India. An important intervention in Indian economic history, this book will be useful to scholars and researchers of Indian history, economic history, colonial history, modern history, political history, labour history and political economy. It will also interest nongovernmental organizations, textile historians, and design specialists.
Contents: Introduction and Methodology, Position and Development of Handloom Industry During Five-Year Plans, Organisational Pattern and Socio-Economic Profile of the Handloom Weavers, Employment Generation and Income Generation of Handloom Weavers, Capacity Utilisation and Indebtedness of the Handloom Weavers, Problems and Prospects of the Handloom Industry.
This study attempts to present an integrated and comprehensive analysis of cotton handloom industry industry in Orissa, India. Text clean, condition good.
The Handloom Industry of Begampur in Transition: Technology, Disjuncture and Development provides an ethnographic description of the handloom industry of the Begampur region, Hooghly district, West Bengal, India. While explaining the process of transformation within the industry, Abhradip Banerjee explores the uneasy relationship between technology, disjuncture, and development that has impacted the lives of this particular group of artisans for more than two decades. The novelty of this book lies in Banerjee’s approach, which allowed him to perceive and analyze the process of transition within the handloom weaving tradition of Begampur region from a more inclusive perspective, miles away from the pitfall of gross “technological determinism.” The “sociotechnical approach allowed him to gauge, analyze, and incorporate several important but neglected dimensions of this transformation, which were otherwise missing in many historiographic or empirical accounts regarding the process of industrialization, deindustrialization, and class formation in India.
"[A] handsome digest of commercial, tribal, and folk textiles." —Fiberarts The production of textiles in India continues to flourish just as it has for many centuries. The interactions of indigenous tribes, invaders, traders, and explorers throughout history has built a culture legendary for its variety and color. From the Rann of Kutch to the Coromandel coast, handloom weavers, block printers, painters, dyers, and embroiderers are creating the most extraordinary textiles. This all-encompassing survey of textiles from every region of the Indian subcontinent runs the gamut of commercial, tribal, and folk textiles. The authors first place them in context by examining the cultural background: the history, the materials, and the techniques—weaving, printing, painting, and tie-dye. They then give a detailed region-by-region account of traditional textiles production, including chapters on Pakistan, Bangladesh, and Sri Lanka. A dazzling array of images provides an unsurpassed visual representation of the textiles, while a detailed reference section with further reading, museums, and information on technical terms completes this essential guide.