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"Handbook of Forensic Photography is the most-comprehensive, definitive reference for the use of photography in the capture and presentation of forensic evidence. The intent is to inform the reader about the most complete and up-to-date methods to capture and reproduce images that most accurately representing the evidence. With the rise in importance of forensic science, crime and accident scene documentation has likewise increased on importance-not the least of which has been forensic photography. The need to use excepted practice and protocols to guarantee the authenticity of images for evidence documentation is paramount for using it in court. And as with any discipline, there is an art to the science of forensic photography. Contributing authors from various backgrounds-each experts in their field-have provided numerous case examples, best practices, and recommendations for recognizing, recording, and preserving evidence using cameras and the latest digital image technology, including video and other imaging technologies. Chapters present such topics such as videography, drone photography, underwater photography, crime scene photography, autopsy photographs, fire documentation, forensic odontology, and more. The book closes with coverage of courtroom displays, presenting imaging evidence, and expert witness testimony in the courtroom. Handbook of Forensic Photography is a must-have reference for experienced crime scene photographers, death and crime scene investigators, police, and forensic professionals-including medical examiners, odontologists, engineers, and forensic anthropologists-who frequently need to capture investigative photographs in the course of investigations"--
Forensic photography plays a vitally important part in the investigation of crime and the subsequent administration of justice. Written by a practitioner with many years professional experience, this book provides an overview of the most common forensic photography techniques in use today for those readers who may not have a detailed understanding of camera techniques and who need to get to grips with the use of light and other key scientific aspects of the job. It covers image capture issues, file handling and relevant equipment, such as lasers and UV lights, and explores how they work. The predominance of the digital camera has resulted in an increasing trend for police forces across the world to use untrained camera users, rather than expert photographers. Therefore, this book will prove invaluable for those practitioners who need to produce accurate and clear photographic evidence, above and beyond the point and shoot mode on their cameras.
"This hands-on guide clarifies the difference between what can be done digitally and what should be done in a forensic setting, and helps the reader "learn by doing" with exercises and step-by-step instructions. The images and exercises in the CD-ROM provide practical examples of the techniques described in the book." "Law enforcement professionals who follow the recommendations in this text can feel confident that their handling of imaging evidence will stand up to the high standards necessary for prosecuting criminal cases."--BOOK JACKET.
The analysis of plants, insects, soil and other particulates from scenes of crime can be vital in proving or excluding contact between a suspect and a scene, targeting search areas, and establishing a time and place of death. Forensic Ecology: A Practitioner’s Guide provides a complete handbook covering all aspects of forensic ecology. Bringing together the forensic applications of anthropology, archaeology, entomology, palynology and sedimentology in one volume, this book provides an essential resource for practitioners in the field of forensic science, whether crime scene investigators, forensic science students or academics involved in the recovery and analysis of evidence from crime scenes. Forensic Ecology: A Practitioner’s Guide includes information not only on the search, location, recovery and analysis of evidence, but includes sampling strategies for diatom analysis, pollen and soils samples and entomology and provides guides for good practice. Each chapter provides background information on each discipline and is structured according to pre-scene attendance (what questions should the scientist ask when receiving a call? What sort of preparation is required?), scene attendance (including protocols at the scene, sampling strategies, recording), scientific examination of analysis of the evidence up to the stages and guidelines for witness statement and presenting evidence in court. The book is written by specialists in all fields with a wealth of experience who are current forensic practitioners around the world. It provides an essential and accessible resource for students, academics, forensic practitioners and police officers everywhere.
A convenient guide for practicing clinicians who take clinical photographs for documentation, teaching, publication, and medical-legal purposes. Written by physicians and professional medical photographers, this handbook discusses the equipment, principles, and techniques used to take effective medical photographs. It will equip health care providers with the skills they need to obtain excellent clinical images, reproductions of radiographs, and other data such as ECGs. Comparisons of the various images can be made to determine changes in medical conditions. Beginners and experienced users alike will benefit from chapters pertaining to their specific needs. An important section on Technique by Body Location discusses how to take photographs of all parts of the body. The reader simply turns to the information that describes the technique of the body location of interest, reviews the brief text, intended results, and illustrations which demonstrate the technique, and he/she is equipped to take the photograph. 350 high-quality original line drawings created especially for this book (200 of these are in full color) Includes procedures for operating room photography, medical photojournalism, forensic photography, digital cameras in medical photography, and medical image archival and storage Distinguished teachers, authors, illustrators, and lecturers, in medical photography have contributed their expertise to produce this book
Handbook of Forensic Photography is the most-comprehensive, definitive reference for the use of photography in the capture and presentation of forensic evidence. The intent is to inform the reader about the most complete and up-to-date methods to capture and reproduce images that most accurately represent the evidence. With the rise in importance of forensic science, crime and accident scene documentation has likewise increased in importance—not the least of which has been forensic photography. The need to use accepted practice and protocols to guarantee the authenticity of images for evidence documentation is paramount for using it in court. And as with any discipline, there is an art to the science of forensic photography. Contributing authors from various backgrounds—each experts in their field—have provided numerous case examples, best practices, and recommendations for recognizing, recording, and preserving evidence using cameras and the latest digital image technology, including video and other imaging technologies. Chapters present such topics as videography, drone photography, underwater photography, crime scene photography, autopsy photographs, fire documentation, forensic odontology, and more. The book closes with coverage of courtroom displays, presenting imaging evidence and expert witness testimony in the courtroom. Handbook of Forensic Photography is a must-have reference for experienced crime scene photographers, death and crime scene investigators, police, and forensic professionals—including medical examiners, odontologists, engineers, and forensic anthropologists—who frequently need to capture investigative photographs in the course of investigations.
Crime Scene Photography is a book wrought from years of experience, with material carefully selected for ease of use and effectiveness in training, and field tested by the author in his role as a Forensic Services Supervisor for the Baltimore County Police Department.While there are many books on non-forensic photography, none of them adequately adapt standard image-taking to crime scene photography. The forensic photographer, or more specifically the crime scene photographer, must know how to create an acceptable image that is capable of withstanding challenges in court. This book blends the practical functions of crime scene processing with theories of photography to guide the reader in acquiring the skills, knowledge and ability to render reliable evidence. - Required reading by the IAI Crime Scene Certification Board for all levels of certification - Contains over 500 photographs - Covers the concepts and principles of photography as well as the "how to" of creating a final product - Includes end-of-chapter exercises
The most exhaustive book on forensic dentistry, the fourth edition of this volume covers the latest advances in the field, including regulations affecting forensic dental practice and procedures in light of the Health Insurance Portability and Accessibility Act, updated ABFO guidelines, and new digital radiographic and photographic developments. Th
This book is devoted to the phenomenon of removal of people declared "public enemies" from group photographs in Stalin’s Russia. The book is based on long-term empirical research in Russian archives and includes 57 photographs that are exceptional in terms of historical interest: all these images bear traces of editing in the form of various marks, such as blacking-out, excisions or scratches. The illustrative materials also include a group of photographs with inscriptions left by officers of Stalin’s secret police, the NKVD. To approach this extensive visual material, Denis Skopin draws on a wealth of Stalin-era written sources: memoirs, diaries and official documents. He argues that this kind of political iconoclasm cannot be confused with censorship nor vandalism. The practice in question is more harrowing and morally twisted, for in most cases the photos were defaced by those who were part of victim’s intimate circle: his/her colleagues, friends or even close family members. The book will be of interest to scholars working in history of photography, art history, visual culture, Russian studies and Russian history and politics.