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The title is perhaps a bit deceptive, for this is assuredly more than `handbook' might indicate. . . . Fried's anthology is a truly complex work, bringing together eighteen essays of mostly uniform high quality, and masses of bibliographic resources to present a comprehensive overview. . . . Fried's book does not present the original works themselves, but rather culls mostly outstanding essays on the prose, poetry, drama, and literary criticism produced by Jewish writers in America from the final decades of the last century to the present. Studies in American Jewish Literature Focusing on the Jewish contribution to American writing, this guide offers a comprehensive view of Jewish identity and experience in American society, together with important bibliographic information for the scholar or researcher. In eighteen essays written by a distinguished group of specialists, it provides a wealth of fact, interpretation, and commentary relating to American-Jewish literature, criticism, and other writing published since the 1880s. In his introduction, Fried reviews the history of American-Jewish writing and the major social, moral, and political concerns that have affected it. The essays that follow focus primarily on the literary culture created by Eastern-European Jewish immigrants and their children, as they shaped and were shaped by their experiences in America. The first several chapters look at American-Jewish fiction from 1880 to the present. Drama and autobiographical works also are discussed as are American-Yiddish poetry, criticism, and other writing. Other chapters assess the influence of theology, Zionism, and the Holocaust on American-Jewish writers, as well as the relationship of their works to other literatures and international critical perspectives. Themes that are explored from several perspectives include the relevance of the diaspora to the American-Jewish literary imagination; the forging of multiple loyalties and reconciliation into an American-Jewish culture; and the making of an American-Jewish identity.
This new volume in the JPS Guides series is a fiction reader?s dream: a guide to 125 remarkable works of fiction. The selection includes a wide range of classic American Jewish novels and story collections, from 1867 to the present, selected by the author in consultation with a panel of literary scholars and book industry professionals. Roth, Mailer, Kellerman, Chabon, Ozick, Heller, and dozens of other celebrated writers are here, with their most notable works. Each entry includes a book summary, with historical context and background on the author. Suggestions for further reading point to other books that match readers? interests and favorite writers. And the introduction is a fascinating exploration of the history of and important themes in American Jewish Fiction, illustrating how Jewish writing in the U.S. has been in constant dialogue with popular entertainment and intellectual life. Included in this guide are lists of book award winners; recommended anthologies; title, author, and subject indexes; and more.
The title is perhaps a bit deceptive, for this is assuredly more than `handbook' might indicate. . . . Fried's anthology is a truly complex work, bringing together eighteen essays of mostly uniform high quality, and masses of bibliographic resources to present a comprehensive overview. . . . Fried's book does not present the original works themselves, but rather culls mostly outstanding essays on the prose, poetry, drama, and literary criticism produced by Jewish writers in America from the final decades of the last century to the present. Studies in American Jewish Literature Focusing on the Jewish contribution to American writing, this guide offers a comprehensive view of Jewish identity and experience in American society, together with important bibliographic information for the scholar or researcher. In eighteen essays written by a distinguished group of specialists, it provides a wealth of fact, interpretation, and commentary relating to American-Jewish literature, criticism, and other writing published since the 1880s. In his introduction, Fried reviews the history of American-Jewish writing and the major social, moral, and political concerns that have affected it. The essays that follow focus primarily on the literary culture created by Eastern-European Jewish immigrants and their children, as they shaped and were shaped by their experiences in America. The first several chapters look at American-Jewish fiction from 1880 to the present. Drama and autobiographical works also are discussed as are American-Yiddish poetry, criticism, and other writing. Other chapters assess the influence of theology, Zionism, and the Holocaust on American-Jewish writers, as well as the relationship of their works to other literatures and international critical perspectives. Themes that are explored from several perspectives include the relevance of the diaspora to the American-Jewish literary imagination; the forging of multiple loyalties and reconciliation into an American-Jewish culture; and the making of an American-Jewish identity.
The Oxford Handbook of Jewish Studies reflects the current state of scholarship in the field as analyzed by an international team of experts in the different and varied areas represented within contemporary Jewish Studies. Unlike recent attempts to encapsulate the current state of Jewish Studies, the Oxford Handbook is more than a mere compendium of agreed facts; rather, it is an exhaustive survey of current interests and directions in the field.
A collection of Jewish-American literature written by various authors between 1656 and 1990.
A multilingual, transnational literary tradition, Jewish American writing has long explored questions of personal identity and national boundaries. These questions can engage students in literature, writing, or religion; at Jewish, Christian, or secular schools; and in or outside the United States. This volume takes an expansive view of Jewish American literature, beginning with writing from the earliest colonies in the Americas and continuing to contemporary Soviet-born authors in the United States, including works that engage deeply with religious concepts and others that embrace assimilation. It invites readers to rethink the nature of American multiculturalism, suggests pairings of Jewish American texts with other ethnic American literatures, and examines the workings of whiteness and privilege. Contributors offer varied perspectives on classic texts such as Yekl, Bread Givers, and "Goodbye, Columbus," along with approaches to interdisciplinary topics including humor, graphic novels, and musical theater. The volume concludes with an extensive resources section.
CHOICE 1997 Outstanding Academic Books Analyzing a wide array of Jewish-American fiction on Israel, Andrew Furman explores the evolving relationship between the Israeli and American Jew. He devotes individual chapters to eight Jewish-American writers who have "imagined" Israel substantially in one or more of their works. In doing so, he gauges the impact of the Jewish state in forging the identity of the American Jewish community and the vision of the Jewish-American writer. Furman devotes individual chapters to Meyer Levin, Leon Uris, Saul Bellow, Hugh Nissenson, Chaim Potok, Philip Roth, Anne Roiphe, and Tova Reich. To chart the evolution of the Jewish-American relationship with Israel from pre-statehood until the present, he considers works from 1928 to 1995, examining them in their historical and political contexts. The writers Furman examines address the central issues which have linked and divided the American and Israeli Jewish communities: the role of Israel as both safe haven and spiritual core for Jews everywhere pitted against its secularism, militarism, and entrenched sexism. While the writers Furman examines depict contrasting images of the Middle East, the very persistence of Israel in occupying that imagination reveals, above all, how prominent a role Israel played and continues to play in shaping the Jewish-American identity.
Benjamin Schreier argues that Jewish American literature's dominant cliché of "breakthrough"—that is, the irruption into the heart of the American cultural scene during the 1950s of Jewish American writers like Bernard Malamud, Philip Roth, Saul Bellow, and Grace Paley—must also be seen as the critically originary moment of Jewish American literary study. According to Schreier, this is the primal scene of the Jewish American literary field, the point that the field cannot avoid repeating and replaying in instantiating itself as the more or less formalized academic study of Jewish American literature. More than sixty years later, the field's legibility, the very condition of its possibility, remains overwhelmingly grounded in a reliance on this single ethnological narrative. In a polemic against what he sees as the unexamined foundations and stagnant state of the field, Schreier interrogates a series of professionally powerful assumptions about Jewish American literary history—how they came into being and how they hardened into cliché. He offers a critical genealogy of breakthrough and other narratives through which Jewish Studies has asserted its compelling self-evidence, not simply under the banner of the historical realities Jewish Studies claims to represent but more fundamentally for the intellectual and institutional structures through which it produces these representations. He shows how a historicist scholarly narrative quickly consolidated and became hegemonic, in part because of its double articulation of a particular American subject and of a transnational historiography that categorically identified that subject as Jewish. The ethnological grounding of the Jewish American literary field is no longer tenable, Schreier asserts, in an argument with broad implications for the reconceptualization of Jewish and other identity-based ethnic studies.
In American Talmud, Ezra Cappell redefines the genre of Jewish American fiction and places it squarely within the larger context of American literature. Cappell departs from the conventional approach of defining Jewish American authors solely in terms of their ethnic origins and sociological constructs, and instead contextualizes their fiction within the theological heritage of Jewish culture. By deliberately emphasizing historical and ethnographic links to religions, religious texts, and traditions, Cappell demonstrates that twentieth-century and contemporary Jewish American fiction writers have been codifying a new Talmud, an American Talmud, and argues that the literary production of Jews in America might be seen as one more stage of rabbinic commentary on the scriptural inheritance of the Jewish people.
An accessible introduction to the classics of Jewish literature, from the Bible to modern times, by "one of America’s finest literary critics" (Wall Street Journal). Jews have long embraced their identity as “the people of the book.” But outside of the Bible, much of the Jewish literary tradition remains little known to nonspecialist readers. The People and the Books shows how central questions and themes of our history and culture are reflected in the Jewish literary canon: the nature of God, the right way to understand the Bible, the relationship of the Jews to their Promised Land, and the challenges of living as a minority in Diaspora. Adam Kirsch explores eighteen classic texts, including the biblical books of Deuteronomy and Esther, the philosophy of Maimonides, the autobiography of the medieval businesswoman Glückel of Hameln, and the Zionist manifestoes of Theodor Herzl. From the Jews of Roman Egypt to the mystical devotees of Hasidism in Eastern Europe, The People and the Books brings the treasures of Jewish literature to life and offers new ways to think about their enduring power and influence.