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Whether you're a seasoned traveler or making your first trip to Europe to study or work as a musician, this book will simplify your life. the Handbook for American Musicians Overseas describes details of understanding the different European music school systems, finding and getting into a school, and adjusting to a new country. A dictionary of contemporary music terms gives you the musical vocabulary that you'll need in French, German and Italian on a daily basis. Whether you're going to work or study music in Europe, this book is going to make life easier!
Whether youre a seasoned traveler or making your first trip to Europe to study or work as a musician, this book will simplify your life. The Handbook for American Musicians Overseas describes details of understanding the different European music school systems, finding and getting into a school, and adjusting to a new country. A dictionary of contemporary music terms gives you the musical vocabulary that youll need in French, German and Italian on a daily basis. Whether youre going to work or study music in Europe, this book is going to make life easier!
This volume offers a comprehensive overview of the many facets of musical experience, behaviour and development in relation to the diverse variety of educational contexts in which they occur.
This text presents keywords and critical terms that deepen analysis and interpretation of the musical. Taking into account issues of composition, performance, and reception, the book's contributors bring a range of practical and theoretical perspectives to bear on their considerations of American musicals.
A directory with 5,000 annotated entries, covering composers, organizations, contests, schools, periodicals, and industries, etc.
Hollywood's conversion to sound in the 1920s created an early peak in the film musical, following the immense success of The Jazz Singer. The opportunity to synchronize moving pictures with a soundtrack suited the musical in particular, since the heightened experience of song and dance drew attention to the novelty of the technological development. Until the near-collapse of the genre in the 1960s, the film musical enjoyed around thirty years of development, as landmarks such as The Wizard of Oz, Meet Me in St Louis, Singin' in the Rain, and Gigi showed the exciting possibilities of putting musicals on the silver screen. The Oxford Handbook of Musical Theatre Screen Adaptations traces how the genre of the stage-to-screen musical has evolved, starting with screen adaptations of operettas such as The Desert Song and Rio Rita, and looks at how the Hollywood studios in the 1930s exploited the publication of sheet music as part of their income. Numerous chapters examine specific screen adaptations in depth, including not only favorites such as Annie and Kiss Me, Kate but also some of the lesser-known titles like Li'l Abner and Roberta and problematic adaptations such as Carousel and Paint Your Wagon. Together, the chapters incite lively debates about the process of adapting Broadway for the big screen and provide models for future studies.