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British agent Joe Wilderness returns in “Lawton’s ongoing recreation of Cold War chicanery . . . one of the great pleasures of modern spy fiction” (Mick Herron, award-winning author of the Slough House series). It’s London, the swinging sixties, and by all rights, MI6 spy Joe Wilderness should be having as good a time as James Bond. But alas, his postings are more grim than glamorous. In the wake of an embarrassing disaster for MI6 in a divided Berlin, Wilderness is reprimanded with a posting to remote northern Finland under the guise of a cultural exchange program to promote Britain abroad. Bored by his work, with nothing to spy on, Wilderness strikes a deal with his old KGB pal Kostya to smuggle vodka into the USSR. But there is something fishy about why Kostya has suddenly turned up in Finland—and MI6 intelligence from London points to a connection with cobalt mining in the region, a critical component in the casing of the atomic bomb. Wilderness’s posting is getting more interesting by the minute, but more dangerous too. Moving from the no-man’s-land of Cold War Finland to the wild days of the Prague Spring, and populated by old friends—including Inspector Troy—and old enemies alike, Hammer to Fall is a gripping tale of deception and skullduggery, of art and politics—a page-turning story of the always-riveting life of the British spy. “Lawton scores another hit.” —Publishers Weekly (starred review) “A jaw-dropping finale that will leave readers palpitating for more.” —Booklist (starred review) “A terrific thriller: fun, satisfying, and humane.”—Kirkus Reviews (starred review)
A British agent is drawn to Berlin’s bridge of spies in this “superlative Cold War espionage story” from the author of the acclaimed Inspector Troy Novels (The Seattle Times). It’s the summer of 1961, and the inscrutable Khrushchev is developing plans for something that could change the course of the Cold War. As he and Kennedy gamble with the fate of millions of lives, Cockney East-Ender-turned-spy Joe Wilderness is thrust into the conflict. Enlisted by MI6 to set up shop in Berlin, Wilderness returns to the city where he spent his postwar years, where a former paramour is under threat, and where the dividing line between the West and the Soviets will soon be crossed. As the Russians start building the wall, two agents find themselves trapped on opposing sides: an unfortunate Englishman in the Lubyanka in Moscow, and a KGB operative in London’s Wormwood Scrubs. Now, Wilderness has a new mission: Swap the prisoners on Berlin’s bridge of spies. But, as a former black marketer, Wilderness is also working a personal angle—just to make it interesting, just to make it profitable, just to make it a little more dangerous. What can possibly go wrong? Named by the Daily Telegraph as one of “50 Crime Writers to Read before You Die,” John Lawton is “quite possibly the best historical novelist we have” (The Philadelphia Inquirer). “[The Joe Wilderness novels] are meticulously researched, tautly plotted, historical thrillers in the mold of . . . Alan Furst, Phillip Kerr, Eric Ambler, David Downing and Joseph Kanon.” —The Wall Street Journal “Rich, inventive, surprising, informed, bawdy, cynical, heartbreaking and hilarious. However much you know about postwar Berlin, Lawton will take you deeper into its people, conflicts and courage. . . . Spy fiction at its best.” —The Washington Post
Jared "Hammer" Caufield is a former Army Ranger and retired professional MMA champion that had to give up his fighting career due to a knee injury. He is a bad boy through and through, but that doesn't stop him from craving the sweet little bakery owner, even though he knows she is too good for him... Kalista Redford has always struggled with her self-esteem, and her last breakup hasn't done anything to help improve her opinion of herself. When she finds herself pursued by the dark and dangerous man she has secretly dreamed about, will she be able to follow her heart, or will past insecurities threaten to ruin her chance at true love?NOTE: This book was previously published but has been revised and edited.
“The first satisfying end-of-the-world novel in years . . . an ultimate one . . . massively entertaining.”—Cleveland Plain-Dealer The gigantic comet had slammed into Earth, forging earthquakes a thousand times too powerful to measure on the Richter scale, tidal waves thousands of feet high. Cities were turned into oceans; oceans turned into steam. It was the beginning of a new Ice Age and the end of civilization. But for the terrified men and women chance had saved, it was also the dawn of a new struggle for survival—a struggle more dangerous and challenging than any they had ever known. . . . “Take your earthquakes, waterlogged condominiums, swarms of bugs, colliding airplanes and flaming what-nots, wrap them up and they wouldn’t match one page of Lucifer’s Hammer for sweaty-palmed suspense.”—Chicago Daily News
(Faber Piano Adventures ). BigTime Studio Collection draws from the best pieces in the BigTime Level 4 Supplementary Library, offering nine exceptional student favorites in a full array of genres and styles. A current song from the pop charts is featured as a Bonus Hit to entertain and inspire the intermediate pianist! Songs include: Canon in D * The Pink Panther * Can You Feel the Love Tonight * Morning Has Broken * Rock Around the Clock * 100 Years * Autumn Leaves * Deep River * Solace. Plus the Special Bonus Hit: Gangnam Style!
(Book). In 2011, the world celebrated the 40th anniversary of Queen one of the most innovative, glamorous, and influential bands in history. Over the course of the band's career, they have grossed 170 million album sales worldwide, have written 18 number one hits, and performed 700 concerts. While some acts enjoy a forte of incredible showmanship, a virtuoso instrumentalist, a strong, charismatic leader, or a prolific sole songwriter, Queen beholds all of these strengths. Although Freddie Mercury and Brian May are recognized as the prime songwriters, each of the members have penned number one hits, including classics such as "Bohemian Rhapsody" (Freddie Mercury), "Another One Bites the Dust" (John Deacon), "A Kind of Magic" (Roger Taylor), and "We Will Rock You" (Brian May). The fates brought the four creative and cerebral youths together in London in 1971 (Mercury was by then an established fine and graphic artist, May was enveloped in the study of astrophysics, Roger Taylor enrolled in dental school, and John studying electronics). Since then, they have made history with their sophisticated fusion of operatic expression, theatrical performance, symphonic melody, and raw rock-and-roll. Beginning with their debut Queen in 1973 (EMI/Electra Records), the band took the UK by storm, then conquered the United States along with rest of the world, serving as pioneers of stadium rock and enjoying commercial success and momentum well into the 1980s (marked by the famous Live Aid appearance in 1985) through the early 1990s. The whirlwind took a startling pause when singer Freddie Mercury passed away from AIDS on November 24, 1991. The living members have forged ahead and remain great music makers. The Complete Illustrated Lyrics is the first book of its kind. Never before has there been a complete Queen lyric book. The hundreds of images that accompany the songs range from handwritten lyrics to rare photographs from the stage to the studio. Also included is a complete discography, pairing each song to the album on which it was originally released. Designed by the band's longtime creative director, Richard Gray, the book is as true to the band as can be, carrying with it the flamboyance, expression, and depth that Queen embodies as writers and performers. If there is one book for a fan of the band to possess, this is the one.
In this New York Times bestselling “imperative how-to for creativity” (Nick Offerman), Adam Savage—star of Discovery Channel’s Mythbusters—shares his golden rules of creativity, from finding inspiration to following through and successfully making your idea a reality. Every Tool’s a Hammer is a chronicle of my life as a maker. It’s an exploration of making, but it’s also a permission slip of sorts from me to you. Permission to grab hold of the things you’re interested in, that fascinate you, and to dive deeper into them to see where they lead you. Through stories from forty-plus years of making and molding, building and break­ing, along with the lessons I learned along the way, this book is meant to be a toolbox of problem solving, complete with a shop’s worth of notes on the tools, techniques, and materials that I use most often. Things like: In Every Tool There Is a Hammer—don’t wait until everything is perfect to begin a project, and if you don’t have the exact right tool for a task, just use whatever’s handy; Increase Your Loose Tolerance—making is messy and filled with screwups, but that’s okay, as creativity is a path with twists and turns and not a straight line to be found; Use More Cooling Fluid—it prolongs the life of blades and bits, and it prevents tool failure, but beyond that it’s a reminder to slow down and reduce the fric­tion in your work and relationships; Screw Before You Glue—mechanical fasteners allow you to change and modify a project while glue is forever but sometimes you just need the right glue, so I dig into which ones will do the job with the least harm and best effects. This toolbox also includes lessons from many other incredible makers and creators, including: Jamie Hyneman, Nick Offerman, Pixar director Andrew Stanton, Oscar-winner Guillermo del Toro, artist Tom Sachs, and chef Traci Des Jardins. And if everything goes well, we will hopefully save you a few mistakes (and maybe fingers) as well as help you turn your curiosities into creations. I hope this book serves as “creative rocket fuel” (Ed Helms) to build, make, invent, explore, and—most of all—enjoy the thrills of being a creator.
Unknown to Sorin Westfall, a blacksmith in the wilds of Thistledon, millennia of religious doctrine may hearken the end of all things. A subtle presence has infiltrated Godwyn Keep, the center of the Kingdom's faith, and stolen the ancient Fell Hammer of Aerom. It is an instrument of immense power, able to permanently tip the balance of an agelong struggle between Good and Evil.
A newest novel in the Inspector Troy series, a tale of Cold War spy dealings centred around Guy Burgess. For readers of John le Carré, Philip Kerr and Alan Furst. It is 1958. Chief Superintendent Frederick Troy of Scotland Yard, newly promoted after good service during Nikita Khrushchev's visit to Britain, is not looking forward to a Continental trip with his older brother, Rod. Rod was too vain to celebrate being fifty so instead takes his entire family on 'the Grand Tour' for his fifty-first birthday: Paris, Siena, Florence, Vienna, Amsterdam. Restaurants, galleries and concert halls. But Frederick Troy never gets to Amsterdam. After a concert in Vienna he is approached by an old friend whom he has not seen for years - Guy Burgess, a spy for the Soviets, who says something extraordinary: 'I want to come home.' Troy dumps the problem on MI5 who send an agent to debrief Burgess - but when the man is gunned down only yards from the embassy, the whole plan unravels with alarming speed and Troy finds himself a suspect. As he fights to prove his innocence, Troy discovers that Burgess is not the only ghost who has returned to haunt him...
How the ordering of the sensible world continues to suggest a reality that no notes or letters can fully transcribe. An ancient tradition holds that Pythagoras discovered the secrets of harmony within a forge when he came across five men hammering with five hammers, producing a wondrous sound. Four of the five hammers stood in a marvelous set of proportions, harmonizing; but there was also a fifth hammer. Pythagoras saw and heard it, but he could not measure it; nor could he understand its discordant sound. Pythagoras therefore discarded it. What was this hammer, such that Pythagoras chose so decidedly to reject it? Since antiquity, "harmony" has been a name for more than a theory of musical sounds; it has offered a paradigm for the scientific understanding of the natural world. Nature, through harmony, has been transcribed in the ideal signs of mathematics. But, time and again, the transcription has run up against one fundamental limit: something in nature resists being written down, transcribed in a stable set of ideal elements. A fifth hammer, obstinately, continues to sound. In eight chapters, linked together as are the tones of a single scale, The Fifth Hammer explores the sounds and echoes of that troubling percussion as they make themselves felt on the most varied of attempts to understand and represent the natural world. From music to metaphysics, aesthetics to astronomy, and from Plato and Boethius to Kepler, Leibniz, and Kant, this book explores the ways in which the ordering of the sensible world has continued to suggest a reality that no notes or letters can fully transcribe.