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Rheinhardt, a disk jockey and failed musician, rolls into New Orleans looking for work and another chance in life. What he finds is a woman physically and psychically damaged by the men in her past and a job that entangles him in a right-wing political movement. Peopled with civil rights activists, fanatical Christians, corrupt politicians, and demented Hollywood stars, A Hall of Mirrors vividly depicts the dark side of America that erupted in the sixties. To quote Wallace Stegner, "Stone writes like a bird, like an angel, like a circus barker, like a con man, like someone so high on pot that he is scraping his shoes on the stars."
Through an examination of caste in sixteenth- and seventeenth-century Mexico, Hall of Mirrors explores the construction of hierarchy and difference in a Spanish colonial setting. Laura A. Lewis describes how the meanings attached to the categories of Spanish, Indian, black, mulatto, and mestizo were generated within that setting, as she shows how the cultural politics of caste produced a system of fluid and relational designations that simultaneously facilitated and undermined Spanish governance. Using judicial records from a variety of colonial courts, Lewis highlights the ethnographic details of legal proceedings as she demonstrates how Indians, in particular, came to be the masters of witchcraft, a domain of power that drew on gendered and hegemonic caste distinctions to complicate the colonial hierarchy. She also reveals the ways in which blacks, mulattoes, and mestizos mediated between Spaniards and Indians, alternatively reinforcing Spanish authority and challenging it through alliances with Indians. Bringing to life colonial subjects as they testified about their experiences, Hall of Mirrors discloses a series of contradictions that complicate easy distinctions between subalterns and elites, resistance and power.
In World War II France, she went by the name of Marie. Or Brigitte. Or any of a half dozen other names. Some saw her as a middle-aged newspaper reporter. To others, she was a doddering old woman. To the Nazis, she was an elusive enemy, "The Lady Who Limps." Her real name was Virginia Hall. She had a wooden leg. And she was a spy. As the Allies' first agent to live behind the lines in Vichy France, she organized resistance groups, helped conduct sabotage operations, and reported secret intelligence back to the Allies. She was one of the first women agents in the CIA and was the only civilian woman of the war to receive the Distinguished Service Cross. This is the story of Virginia Hall and her immense personal courage and determination, and how she broke through the barriers of physical limitation and gender discrimination to become America's greatest spy of World War II.
Look at the Birdie is a collection of fourteen previously unpublished short stories from one of the most original writers in all of American fiction. In this series of perfectly rendered vignettes, written just as he was starting to find his comic voice, Kurt Vonnegut paints a warm, wise, and often funny portrait of life in post–World War II America—a world where squabbling couples, high school geniuses, misfit office workers, and small-town lotharios struggle to adapt to changing technology, moral ambiguity, and unprecedented affluence. In this disquieting tale, the investigation into a string of mysterious disappearances turns surreal for two detectives, when they pay a visit to the home of a celebrated hypnotist. But who will turn the tables on whom when the final spell is cast? Hall of Mirrors and the thirteen other never-before-published pieces that comprise Look at the Birdie serve as an unexpected gift for devoted readers who thought that Kurt Vonnegut's unique voice had been stilled forever—and provide a terrific introduction to his short fiction for anyone who has yet to experience his genius.
"A brilliantly conceived dual-track account of the two greatest economic crises of the last century and their consequences"--
The arts: general issues.
Famous professor Joseph Wieder was brutally murdered, and the crime was never solved. Years later when literary agent Peter Katz receives an incomplete memoir written by a student of the murdered professor, he becomes obsessed with solving the crime.
This impressive tome offers more than 700 illustrations to document the comprehensive restoration campaign, (the first of its kind) of this magnificant interior.
Ava's father is so proud to reopen Ursula's Funland. But when creepy incidents threaten to shut down the park, Ava is determined to save the park for her dad. Ava enters the Hall of Mirrors with her friend, but she doesn't leave with him. Is he a ghost? Aligned to Common Core standards and correlated to state standards. Spellbound is an imprint of Magic Wagon, a division of ABDO.