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"It began when Eileen R. Tabios in 2000 read Richard Brautigan's novel, The Hawkline Monster, and was inspired by one of its characters: "Cameron was a counter. He vomited nineteen times to San Francisco. He liked to count everything." From that moment on, Tabios began a Counting Journal in which she kept track of anything she could count as her days unfolded. The journal would come to reference, in 2001, the Selected Letters of Jack Kerouac where Kerouac is quoted as saying, "I think American haikus should never have more than 3 words in a line." Tabios recalled both moments on her first poetic blog, WINEPOETICS, as background to her decision to invent a "Pinoy Haiku" form that would come to be known as the "hay(na)ku." This new poetic form's name is a pun off of the Filipino exclamation "Hay naku!" which is used in a variety of situations in the same way the English "Oh!" is interjected. Inaugurated on June 12, 2003, the hay(na)ku is deceptively simple with its form of a tercet comprised of one-, two-, and three-word lines. The form swiftly became popular and since has been used by poets from all over the world."--BOOK JACKET.
The Blind Chatelaine's Keys takes its impetus from three impossibilities: (i) biography (and autobiography) - something is always left out, (ii) artistic criticism - the critic,s subjectivity inevitably comes to play, and (iii) pure persona in poems -the poet's self remains a presence no matter how much a poet may wish to disrupt the 'I'. Eileen R. Tabios, known as 'Chatelaine' in poetry blogland, uses others' criticisms and engagements of her writings to create a narrative arc that serves as a biography. Since the biography is based (mostly) on her poems, it conceptually pushes the idea summed up by Ted Berrigan: 'there is a self inside almost all of the poems'. The Blind Chatelaine's Keys is also a poetics, but laid out by others based on Tabios' poems. Not only is this ideal as one doesn't want to apply proscriptive paradigms on art, but, according to Tabios, it reflects the way of 'Kapwa' - a Filipino cultural concept of interconnectedness whereby other people are not 'others' but part of what one is. The featured critical engagements were also chosen for what the reviews say about their authors. The results address the Chatelaine's core poetics: while Rimbaud says, 'I is Another,' the Chatelaine cheerfully notes, 'Moi is all about Toi.' When Tabios finally speaks for herself - it is to inaugurate a new poetic form: the 'haybun.' While this form is inspired by the 'haibun' associated with Basho, the 'haybun' relies on the 'hay(na)ku'. The ?hay(na)ku' is an earlier invention by Tabios which has become a popular 21st century form, undertaken by numerous poets worldwide. Through the haybun, Tabios offers a memoir of a failed adoption attempt, 'Looking for M.', which has been praised by adoption professionals.
A Poetry Journal to Poem Your Days Away! Don't wait for inspiration to strike! Whether you're an aspiring or published poet, this book will help you get in a frame of mind to make creative writing a consistent part of your life. With prompts from Robert Lee Brewer's popular Writer's Digest blog, Poetic Asides, you'll find 125 ideas for writing poems along with the journaling space you need to respond to the prompt. • 125 unexpected poetry prompts such as from the perspective of an insect, about a struggle, or including the word change • Plenty of blank space to compose your own poems • Tips on unique poetic forms and other poetry resources Perfectly sized to carry in a backpack or purse, you can jot down ideas for poems as you're waiting in line for a morning coffee or take it to the park for a breezy afternoon writing session. Wherever you are, your next poem is never more than a page-turn away.
The "World" in Robert Lee Brewer's Solving the World's Problems is a slippery world ... where chaos always hovers near, where we are (and should be) "splashing around in dark puddles." And one feels a bit dizzy reading these poems because (while always clear, always full of meaning) they come at reality slantwise so that nothing is quite the same and the reader comes away with a new way of looking at the ordinary objects and events of life. The poems are brim-full of surprises and delights, twists in the language, double-meanings of words, leaps of thought and imagination, interesting line-breaks. There are love and relationship poems, dream poems, poems of life in the modern world. And always the sense (as he writes) of "pulling the world closer to me/leaves falling to the ground/ birds flying south." I read these once, twice with great enjoyment. I will go back to them often. -Patricia Fargnoli, former Poet Laureate of New Hampshire and author of Then, Something
The Best Resource Available for Finding a Literary Agent! No matter what you're writing--fiction or nonfiction, books for adults or children--you need a literary agent to get the best book deal possible from a traditional publisher. Guide to Literary Agents 2020 is your go-to resource for finding that literary agent and earning a contract from a reputable publisher. Along with listing information for more than 1,000 agents who represent writers and their books, the 29th edition of GLA includes: • The key elements of a successful nonfiction book proposal. • Informative articles on crafting the perfect synopsis and detailing what agents are looking for in the ideal client--written by actual literary agents. • Plus, a 30-Day Platform Challenge to help writers build their writing platforms +Includes 20 literary agents actively seeking writers and their writing
The Most Trusted Guide to Publishing Poetry, fully revised and updated Want to get your poetry published? There's no better tool for making it happen than Poet's Market, which includes hundreds of publishing opportunities specifically for poets, including listings for book and chapbook publishers, print and online poetry publications, contests, and more. These listings include contact information, submission preferences, insider tips on what specific editors want, and--when offered--payment information. In addition to the completely updated listings, the 34th edition of Poet's Market offers: Hundreds of updated listings for poetry-related book publishers, publications, contests, and more Insider tips on what specific editors want and how to submit poetry Articles devoted to the craft and business of poetry, including how to track poetry submissions, perform poetry, and find more readers 77 poetic forms, including guidelines for writing them 101 poetry prompts to inspire new poetry
One spring day, Hannah goes for a walk with her dog Pippin. Along the way, the little girl comes across people who act strangely... Are they under a magical spell? Hannah loves taking her dog, Pippin, for a walk and ambling around the city. Everything is so beautiful in spring! Insects buzz busily through the air, and the sun shines brightly. However, Hannah notices that something is not right; something is going on in the city. Why is her neighbor Carol so distracted and greets her without even looking into her eyes? And those children sitting on that park bench, why don't they talk to each other or play...? Pippin and Hannah, curious, continue walking through the city trying to solve the mystery. They all seem to have something on their hands that takes them away from reality! Determined to show others what they are missing —a very blue sky, the flowers hanging from the trees...—, Hannah carries out a plan. Will she be able to wake them up?
Miss Charlotte Pettifer belongs to a secret league of women skilled in the subtle arts. That is to say -- although it must never be said -- witchcraft. The League of Gentlewomen Witches strives to improve the world in small ways. Using magic, they tidy, correct, and manipulate according to their notions of what is proper, entirely unlike those reprobates in the Wisteria Society....