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Some of the best known African American poems are sonnets: Claude McKay's "If We Must Die," Countee Cullen's "Yet Do I Marvel," Gwendolyn Brooks's "First fight. Then fiddle." Yet few readers realize that these poems are part of a rich tradition that formed after the Civil War and comprises more than a thousand sonnets by African American poets. Paul Laurence Dunbar, Jean Toomer, Langston Hughes, Margaret Walker, and Rita Dove all wrote sonnets. Based on extensive archival research, The African American Sonnet: A Literary History traces this forgotten tradition from the nineteenth century to the present. Timo Müller uses sonnets to open up fresh perspectives on African American literary history. He examines the struggle over the legacy of the Civil War, the trajectories of Harlem Renaissance protest, the tensions between folk art and transnational perspectives in the thirties, the vernacular modernism of the postwar period, the cultural nationalism of the Black Arts movement, and disruptive strategies of recent experimental poetry. In this book, Müller examines the inventive strategies African American poets devised to occupy and reshape a form overwhelmingly associated with Europe. In the tightly circumscribed space of sonnets, these poets mounted evocative challenges to the discursive and material boundaries they confronted.
"This book is a history of the field of sociology as it existed from the interwar, wartime, and postwar periods in France and its Empire. This does not refer just to sociologists who did some work in the colonies, or occasionally thought about them in their metropolitan work, but a specific field which was constituted to understand and then govern these colonies. The author argues that the re-founding of French sociology during and after World War II - which spawned the likes of Raymond Aron, Jacques Berque, Georges Balandier, and Pierre Bourdieu - occurred within the context of the re-founding of the French empire. Though there was been much discussion of "decolonizing" sociology in the postwar period, the deep history of sociology's connection to French colonialism and empire has been ignored when, the author argues, it is central. The main driver of the expansion of sociology in this period was colonial developmentalism. Sociologists became favored partners of colonial governments, applying their expertise to an array of "social problems," such as de-tribalization, poverty, labor migration, rapid urbanization and the growth of shantytowns, and the decay of traditional families and religious beliefs, and working on "modernizing" solutions. Many sociologists whose careers began in the overseas colonies formulated concepts and theories that quickly entered metropolitan (and then global) sociology, and their origins were forgotten. Steinmetz examines the ways in colonial sociologists differed from the rest of the discipline -in many ways they represented its most dynamic cutting edge-and how their locations may have affected their intellectual agendas and scholarship. He explores the ways in which these sociologists networked and tracks their major intellectual innovations and influence as a group. He also explores the marginalization faced by both sociologists working in the colonies and those born there, while showing the ways in which they were able to overcome them. The specific challenges of colonial sociology-including some very strongly anticolonial colonial sociologists-shaped sociological theory in ways that are still dominant. The book amounts to a historical sociology of French academia all told-with an emphasis on sociology and other human sciences-as well as a collective biography of many of the major figures, many who are continually read and cited to this day"--
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The Kabbalah Unveiled is a book concerning Kabbalah by freemason and occultist by S. L. MacGregor Mathers. Kabbalah is an esoteric method, discipline, and school of thought in Jewish mysticism. It is a set of esoteric teachings meant to explain the relationship between the unchanging, eternal God–the mysterious Ein Sof ("The Infinite")–and the mortal, finite universe (God's creation). It forms the foundation of mystical religious interpretations within Judaism. Historically, Kabbalah emerged from earlier forms of Jewish mysticism, in 12th- to 13th-century Spain and Southern France, and was reinterpreted during the Jewish mystical renaissance in 16th-century Ottoman Palestine. Jewish Kabbalists originally developed their own transmission of sacred texts within the realm of Jewish tradition. The Kabbalah Unveiled includes translations and commentaries of the books of Zohar: The Book of Concealed Mystery; The Greater Holy Assembly; and The Lesser Holy Assembly.