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This collection showcases the syncopated piano music of Latin American during the nineteenth and early twentieth centuries. It features Latin rhythms, which are really African rhythms brought to the Americas by slaves and applied to the music of the European colonists. These rhythms are varied and complex and so is their history. They've had a widespread and profound influence on the evolution of popular music not only in Latin America, but also in the United States. the most obvious offshoots are the tango in Argentine and Uruguay and most of the other popular dances of South and Central America, as well as ragtime and jazz in the United States. Jelly Roll Morton claimed this Latin tinge is the essential element that distinguishes jazz from ragtime. These rhythms are the musical roots of groups like the Buena Vista Social Club.Includes historic tangos written by Ignacio Cervantes - Cuba, Manuel Saumell - Cuba, Juan Morel Campos - Puerto Rico, Jose Quinton - Puerto Rico, Ernesto Nazareth -Brazil, Tomas Leon - Mexico, Sebastian Yradier - Spain, Eduardo Sanchez du Fuentas - Cuba, Will Tyers - USA, Vincente Greco - Argentina, Anselmo Rosendo (Mendizabal) - Argentina, Angel Villoldo - Argentina, Eduardo Arolas - Argentina, Juan Maglio - Argentina
A truly fresh and exciting book of piano solos featuring authentic Native American melodies. the history of the American Indian is sometimes a sad drama, yet is filled with a wonder reflected in music. This book, the result of extensive research by the outstanding educator, composer and musicologist, Gail Smith, conveys music that is truly American. Easy to intermediate in difficulty.
A landmark in Brazilian music scholarship, A Respectable Spell introduces English-speaking readers to the rich history of samba from its nineteenth century origins to its emergence as a distinctive genre in the 1930s. Merging storytelling with theory, Carlos Sandroni profiles performers, composers, and others while analyzing the complex ideologies their music can communicate in their lyrics and rhythms, and how the meaning of songs and musical genres can vary depending on social and historical context. He also delves into lundu, modinha, maxixe, and many other genres of Brazilian music; presents the little-heard voices and perspectives of marginalized Brazilians like the African-descended sambistas; and presents a study in step with the types of decolonial approaches to ethnomusicology that have since emerged, treating the people being studied not only as makers of music but also of knowledge. Incisive and comprehensive, A Respectable Spell tells the compelling story of an iconic Brazilian musical genre.
This comprehensive book presents a wealth of information about the Brazilian frame drum known to musicians as the pandeiro. Pandeiro Basics presents so much more than a method or set of playing techniques; herein, you will find a historical introduction to numerous Brazilian musical styles, rhythm patterns with contextual references typically performed on the pandeiro, and an introduction to principal pioneer performers on the instrument. These patterns are represented in standard percussion notation with note values represented on a single line. In addition, you will learn the secret to playing the pandeiro with constant 16th note rotation in one hand while playing the patterns with your other. Technique will include how to get varying kinds of sounds out of the drumhead, as well as muting and technical-style differences. The author provides dozens of listening suggestions for readers. Consulting these recordings will familiarize you with some great choro and samba soloists and groups that use the pandeiro, guaranteeing stylistic authenticity in your own renditions as you learn pandeiro parts for choro, samba, maxixe, baião, côco, valsa, frevo, afoxé, funk rhythms, and more. The book culminates in a pandeiro duet followed by a pandeiro-specific FAQ list. For example, “How do you get a roll out of the pandeiro?” The answer is in here. The author—herself an outstanding percussionist, recording artist and player of the 10-inch choro model—offers extensive tips on finding, selecting, holding, tuning, practicing, developing tone, amplifying, avoiding injury, and maintaining this most versatile of hand percussion instruments, the pandeiro! Great for any beginner or advanced player!
In Music and Cosmopolitanism, Cristina Magaldi examines music making in a past globalized world. This volume focuses on one city, Rio de Janeiro, and how it became part of a larger world through music and performance. Magaldi describes a process of creating connections beyond national borders, one that is familiar to contemporary city residents, but which was already dominant at the turn of the 20th century, as new technological developments led to alternative ways of making and experiencing music.
Building on the strengths of the first edition, the second edition of Latin American Classical Composers: A Biographical Dictionary presents expanded and updated coverage of its topic with an aim to be comprehensive. The authors have conducted exhaustive research to fill in gaps and correct minor errors in the first edition, adding young composers and documenting deaths since 1996, when the first edition appeared. Hundreds of composers are represented in this volume, which presents biographical data, including dates of birth and death, personal information about composers' background and training, and a selective listing of each composer's works. Sources for further study are noted within each entry. An index of composers by country rounds out this work.
"First published in 2000 by Pluto Press, London, England"--T.p. verso.
Throughout history women have been composing music, but their achievements have usually gone unrecognized.
Here is the most comprehensive history of Brazilian music available in English. Concise yet remarkably detailed, it provides professional musicologists and music lovers alike with a clear outline of the major trends, important composers, and currents of thought that have shaped the folk, popular, and art music that are an important part of Brazil's unique cultural heritage. The Music of Brazil contains over seventy musical examples representing musical idiom and form throughout recent history. A useful glossary introduces the reader to the key terms of Brazilian music, from agogô—a percussion instrument composed of two bells—to xocalho—a wooden or metal rattler.