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DigiCat Publishing presents to you this special edition of "Salammbo" by Gustave Flaubert. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
A heady perfume of blood and rage across the stars featuring Philippe Druillet's legendary Lone Sloane. In the third century BC, mercenaries employed by Carthage during the first Punic War rose against their employers, who repeatedly postponed their pay. Two barbarian clan chiefs, Matho and Narr'Havas, fell in love with the beautiful and ethereal Salammbo, daughter of Hamilcar of Carthage. A bloody conflict arose. Based on the 19th century novel by Flaubert, Salammbo was reappropriated and recontextualised by Druillet in this masterwork. Transposing the ancient Punic Wars into his space fantasy universe, and splicing the identity of the novel's Mathô with his favorite character, Lone Sloane, Druillet works his intoxicatingly psychedelic magic on a literary classic, reinvigorating it from the inside out with his own transcendent storytelling.
An historical novel that interweaves historical and fictional characters. The action takes place immediately before and during the Mercenary Revolt against Carthage in the third century BC. This book, which Flaubert researched painstakingly, is largely an exercise in sensuous and violent exoticism. The Carthaginian costumes described therein even left traces on the fashions of the time. Nevertheless, in spite of its classic status in France, it is practically unknown today among English-speakers.
Flaubert's unforgettable memoirs of travels abroad At once a classic of travel literature and a penetrating portrait of a “sensibility on tour,” Flaubert in Egypt wonderfully captures the young writer’s impressions during his 1849 voyages. Using diaries, letters, travel notes, and the evidence of Flaubert’s traveling companion, Maxime Du Camp, Francis Steegmuller reconstructs his journey through the bazaars and brothels of Cairo and down the Nile to the Red Sea. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
"Gustave Flaubert, one of the key figures in literary modernism, is famous for his determined pursuit of stylistic perfection. This notably involved the attempt to eliminate from his prose all sorts of assonances, consonances, and repetitions, in large measure by reading his sentences in a loud voice--the test of what he called the gueuloir (from gueuler, to yell). And yet when one examines closely the prose in his first novel, Madame Bovary, one becomes aware of a host of repetitions that appear to go directly against his stylistic ideal, revealing a level of "resistance" to that ideal at the very heart of his writing process.
Gustave Flaubert (1821–1880) is widely regarded as one of the world’s greatest novelists, and his work continues to influence and inspire contemporary writers, artists, and musicians. Flaubert was determined from a young age to become a writer and achieved sudden fame in 1857 when his first published novel, Madame Bovary, resulted in an unsuccessful prosecution for obscenity. In his subsequent work—including the carefully researched Carthaginian novel, Salammbô, the contemporary Parisian novel Sentimental Education, the obsessively reworked Temptation of St. Anthony, and the unfinished comic masterpiece, Bouvard and Pécuchet—Flaubert continued to reflect on the human condition and on the rapidly changing society of his time, while constantly striving for new forms of literary and stylistic perfection. In this new critical biography, Anne Green draws on Flaubert’s voluminous correspondence and unpublished manuscripts to reveal the extent to which his writing was haunted by traumatic early experiences. She weaves discussion of his work into an intimate account of Flaubert’s life and volatile character, following him from his childhood in Rouen to his student days in Paris, from his extensive travels through North Africa to the imperial court of Napoleon III. Green pays special attention to Flaubert’s close family relationships, love-affairs, and friendships with literary figures, including Turgenev, Sand, Zola, Maupassant, and the Goncourt brothers. This concise and informative biography is a must-read for lovers of literature everywhere.
The Death of Carthage tells the story of the Second and third Punic wars that took place between ancient Rome and Carthage in three parts. The first book, Carthage Must Be Destroyed, covering the second Punic war, is told in the first person by Lucius Tullius Varro, a young Roman of equestrian status who is recruited into the Roman cavalry at the beginning of the war in 218 BC. Lucius serves in Spain under the Consul Publius Cornelius Scipio and his brother, the Proconsul Cneius Cornelius Scipio. Captivus, the second book, is narrated by Lucius's first cousin Enneus, who is recruited to the Roman cavalry under Gaius Flaminius and taken prisoner by Hannibal's general Maharbal after the disastrous Roman defeat at Lake Trasimene in 217 BC. Enneus is transported to Greece and sold as a slave, where he is put to work as a shepherd on a large estate and establishes his life there. The third and final book, The Death of Carthage, is narrated by Enneus's son, Ectorius. As a rare bilingual, Ectorius becomes a translator and serves in the Roman army during the war and witnesses the total destruction of Carthage in the year 146 BC. This historical saga, full of minute details on day-to-day life in ancient times, depicts two great civilizations on the cusp of influencing the world for centuries to come.