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Guo Pei: Couture Fantasy is a journey into the imaginative world of Guo Pei, China's first courtier and one of the world's most innovative fashion designers. Guo Pei has astonished fashion audiences from Beijing to Paris for over 20 years and made headlines in the U.S. as the designer of Rihanna's trailing yellow gown at the 2015 Met Gala. Known for dazzling designs which make the implausible possible, Guo Pei takes inspiration from sources as varied as China's imperial heritage, European architecture, and the botanical world; she has been sought for commissions by celebrities, royalty, and the Olympics. With more than 200 color illustrations highlighting 60 of her exquisite creations, this sumptuous volume showcases the garments' consummate craftsmanship, lavish embroidery, and unconventional dressmaking techniques, all of which are hallmarks of Guo Pei's work. In addition to its visual splendor, the book features a Q&A with the designer, a facsimile sketchbook, and a chronology tracing her career from its start at the Beijing Industrial School of Design to celebrated couturier.
The first major book on China’s leading couture visionary reveals the intricate craftsmanship and imperial glamour that has fashion publications worldwide declaring Guo Pei’s creations “the Empire’s new clothes.” An exponent of artisan craftsmanship and theatrical fantasy often compared to Alexander McQueen and Sarah Burton, Guo Pei dresses Chinese state dignitaries and American celebrities alike in richly bejeweled creations of imperial opulence. The designer’s first monograph, published on the occasion of her first solo exhibition, offers insight into the growing global influence of China and the complexities of its cultural transition. The premier China-based fashion designer to figure prominently on the world stage, Guo Pei produces ornate embroidery and intricate designs that derive from the ancient traditions and symbols of her Chinese heritage, rendered in glamorous silhouettes. Andrew Bolton describes the approach as an “auto-orientalist” couture unprecedented in the “millennial history of Chinese dress.” The grandeur of her work, from the aureate cape Rihanna wore to the 2015 Met Gala to a gown festooned with 200,000 crystals featured in the Beijing Olympics, distinguishes Guo Pei as a worthy heir to the grand tradition of haute couture. Lush photography reveals the unprecedented detail achieved through the thousands of hours committed to each garment’s workmanship, a signature of Guo Pei’s atelier. This landmark volume presents a tableau of Guo Pei’s resplendent work: expansive, unconventional, and otherworldly. This landmark volume accompanies an eponymous exhibition of dozens of the designer’s dresses—the first in the United States—at SCAD FASH Museum of Fashion + Film.
Explore the stunning couture sketches of designer Guo Pei through this engaging coloring book "My whole design is from my thought and consciousness, in a process of philosophical thinking.... I consider every detail or image when I design."--Guo Pei Hailed as China's first couturier, Guo Pei is renowned for her extraordinary designs distinguished by exquisite craftsmanship, lavish embroidery, and unconventional dressmaking techniques. The designer's sketches serve as the foundation for her finished creations, beginning as simple outlines brought to life with gradual additions of ornamentation. This unique coloring book invites aspiring fashion designers to collaborate directly with Guo Pei's design process, offering approximately 50 pages of previously unpublished sketches encompassing over a dozen collections.
FINALIST FOR THE 2017 NATIONAL BOOK AWARD FOR FICTION Named a Best Book of 2017 by NPR, Entertainment Weekly, the Los Angeles Times, BuzzFeed, Bustle, and Electric Literature “There was a time I would have called Lisa Ko’s novel beautifully written, ambitious, and moving, and all of that is true, but it’s more than that now: if you want to understand a forgotten and essential part of the world we live in, The Leavers is required reading.” —Ann Patchett, author of Commonwealth Lisa Ko’s powerful debut, The Leavers, is the winner of the 2016 PEN/Bellwether Prize for Fiction, awarded by Barbara Kingsolver for a novel that addresses issues of social justice. One morning, Deming Guo’s mother, Polly, an undocumented Chinese immigrant, goes to her job at a nail salon—and never comes home. No one can find any trace of her. With his mother gone, eleven-year-old Deming is left mystified and bereft. Eventually adopted by a pair of well-meaning white professors, Deming is moved from the Bronx to a small town upstate and renamed Daniel Wilkinson. But far from all he’s ever known, Daniel struggles to reconcile his adoptive parents’ desire that he assimilate with his memories of his mother and the community he left behind. Told from the perspective of both Daniel—as he grows into a directionless young man—and Polly, Ko’s novel gives us one of fiction’s most singular mothers. Loving and selfish, determined and frightened, Polly is forced to make one heartwrenching choice after another. Set in New York and China, The Leavers is a vivid examination of borders and belonging. It’s a moving story of how a boy comes into his own when everything he loves is taken away, and how a mother learns to live with the mistakes of the past.
"The Palais Galliera is paying homage to the couturier Cristobal Balenciaga (1865-1972) with an extra-mural exhibition at the Musée Bourdelle entitled : 'Balenciaga, l'oeuvre au noir'. The exhibition resonates with the black tones of an alchemist of haute couture : variations of black repeated in over a hundred of pieces from the Galliera collections and the archives of Maison Balenciaga...The exhibition resounds with a black harmony of an Haute Couture alchemist. Black motivated Balenciaga : the backbone of his work was inspired by the folklore and traditions of his Spanish childhood. Black was this exceptionally skilled tailor's preference. Black was a monastic influence on the master, about whom Dior once said: "Clothes were his religion". Balenciaga saw black as a vibrant matter whether it be opaque or transparent, matt or shiny - a dazzling interplay of light, that owes as much to the luxurious quality of the fabrics as to the apparent simplicity of the cut. A lace highlight, embroidery, guipure, a heavy drape of silk velvet and, hey presto, you have a skirt, a bolero, a mantilla, a cape reinvented as a coat, a coat tailored as a cape... ...Every piece is magnificent, from day clothes to cocktail dresses and sumptuous evening outfits lined in silk taffeta, edged with fringes, decorated with satin ribbons, jet beads, sequins... more than hundred couture variations of black are the treasures of the Galliera collections and the Maison Balenciaga's archives. The exhibition is located in the Musée Bourdelle where the sculptures mirror the pure sculptural effect of Cristobal Balenciaga's stunning creations"--http://www.palaisgalliera.paris.fr/en/exhibitions/balenciaga-loeuvre-au-noir
Up and up the wind drew him. Haoyou looked about him and saw the wholeworld beneath him. And it was his. The Great Miao, master of the Jade Circus, offers Haoyou the amazing chance to escape his family's poverty -- by becoming a kite rider. Strapped onto a beautiful scarlet-and-gold kite, Haoyou is sent into the sky, earning money, freedom, and unexpected fame. Miao even plans for Haoyou to perform before Kublai Khan himself. From Carnegie Medalist Geraldine McCaughrean comes a dazzling story of adventure, betrayal, family, and sacrifice set in the dramatic world of thirteenth-century China.
The evolution of Chinese design and the major shift in the culture of creativity in a post-Mao China. China is on the verge of a design revolution. A "third generation" of the People's Republic of China that came of age during China's "opening up" period of the 1980s now strives for fame, fortune, and self expression. This generation, workers in their thirties and forties, has more freedom to create--and to consume--than their parents or grandparents. In China's Design Revolution, Lorraine Justice maps the evolution of Chinese design and innovation. Justice explains that just as this "third generation" (post-Revolution, post-Cultural Revolution) reaches for self-expression, China's government is making massive investments in design and innovation, supporting design and creative activities (including design education programs, innovation parks, and privatized companies) at the local and national levels. The goal is to stimulate economic growth--and to establish China as a global creative power. Influenced by Mao and Confucius, communism and capitalism, patriotism and cosmopolitanism, China's third generation will drive the culture of design and innovation in China--and maybe the rest of the world. Justice describes and documents examples of Chinese design and innovation that range from ancient ceramics to communist propaganda posters. She then explores current award-winning projects in media, fashion, graphic, interior, and product design; and examines the lifestyle and purchasing trends of the "fourth generation," now in their teens and twenties. China's Design Revolution offers an essential guide to the inextricably entwined stories of design, culture, and politics in China.
"Thirty Years of China-U.S. Relations is a thought-provoking collection that will prod even informed readers to rethink some of their most basic premises about Chinese foreign policy."-Edward Friedman, University of Wisconsin --
Coincided with China’s economic reform and her rapid ascendance to a great power status, the relations between Taiwan and Chinese mainland since 1979 have also seen some encouraging development. However, the rapprochement is nothing but a smooth ride. Taiwan Strait has always been full of tensions and hostility since the communist took over the mainland over sixty years ago.The periodical tensions in the cross-Strait relations have from time to time threatened to derail the peace talks between the two sides, and poised to jeopardize the region’s peace and stability. This book studies the past, present and future relations across the Taiwan Strait and examines many important questions such as internal and external factors contributing to the Taiwan’s shift in her mainland policy, impacts of Taiwan democratization on the cross-Strait relations, the development of Taiwanese identity and rise of Taiwanese nationalism, the possibility of expanding Taiwan’s international space under the shadow of China, the prospect of reunification between Taiwan and China, and the roles of the third parties, such as U.S., NGOs and Taiwan businessmen, in the changing relationship between the two sides. Taiwan and the Rise of China will certainly help readers, especially those who lack of historical perspective of the political division of the two political adversaries, to grasp the complexity and nature of the cross-Strait relations and faster a real understanding of the significance of this relationship to peace in the region as well as the world in the 21st century.
A comprehensive history of high fashion in Paris from Madame Grès and Balenciaga to Yves Saint Laurent and Yohji Yamamoto, spanning all aspects from clothing and accessories to perfume. Ever since Charles Frederick Worth dressed the Empress Eugénie in the 1860s, launching a "golden century" for dressmaking, Parisian haute couture has been a source of endless admiration and fascination. Its emphasis on exquisite design and meticulous craftsmanship propelled it to the forefront of the fashion industry. The position and practices of haute couture may have evolved over time, but the work of many contemporary couturiers reveals a strong sense of continuity, from the creations of Jeanne Lanvin and Christian Dior, through to their modern counterparts in Jean-Paul Gaultier or Viktor & Rolf. This chronological study traces the history of the esteemed couture houses of Paris, examining the role of the designer and the extraordinary craftsmanship behind the finished creations, the place of haute couture in Parisian culture, and its influence in the wider fashion industry. Particular attention is paid to the relationship between haute couture and the client, as well as the dualities in modern haute couture—its sense of exclusivity and quasi-mythical aura countered by an ever-increasing reach into popular consciousness and attainability. This volume is richly illustrated with images of the most superb pieces created by exceptional designers. Various incarnations of Chanel’s timeless quilted handbag, Fath’s charmingly patterned silk scarves, and Poiret’s elegant perfume bottles demonstrate that haute couture encompasses far more than just clothing.