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The many roles played by guns in the old West with personal accounts by many early settlers and hundreds of photos.
The Second Amendment, by far the most controversial amendment to the US Constitution, will soon celebrate its 225th anniversary. Yet, despite the amount of ink spilled over this controversy, the debate continues on into the 21st century. Initially written with a view towards protecting the nascent nation from more powerful enemies and preventing the tyranny experienced during the final years of British rule, the Second Amendment has since become central to discussions about the balance between security and freedom. It features in election contests and informs cultural discussions about race and gender. This book seeks to broaden the discussion. It situates discussion about gun controls within contemporary debates about citizenship, culture, philosophy and foreign policy as well as in the more familiar terrain of politics and history. It features experts on the Constitution as well as chapters discussing the symbolic importance of Annie Oakley, the role of firearms in race, and filmic representations of armed Hispanic girl gangs. It asks about the morality of gun controls and of not imposing them. The collection presents a balanced view between those who favour more gun controls and those who would prefer fewer of them. It is infused with the belief that through honest and open debate the often bitter cultural divide on the Second Amendment can be overcome and real progress made. It contains a diverse range of perspectives including, uniquely, a European perspective on this most American of issues.
From Buffalo Bill to Wild Bill and from Chief Joseph to Geronimo, the most famous guns in the West and the history behind them More than a few of the actual guns once in the hands of the heroes and villains of America’s Old West still exist, housed in a dozen museums across the country—from the Model 1866 .44-40 that Chief Joseph famously surrendered to General Miles to Wild Bill Hickok’s Colt Model 1851 revolvers; from Buffalo Bill’s .50 caliber breechloading needlegun nicknamed “Lucrezia Borgia” to John Wesley Hardin’s 1860 model .44 SA revolvers. Famous Firearms of the Old West follows the life stories of a dozen actual pistols, rifles, and shotguns instrumental in shaping America’s history—using them as entrées into the lives of the shooters themselves. This is a vivid portrait of famous Western characters, paired with the guns they used to make themselves famous or, as the case may be, infamous. It is a must for anyone interested in the history and lore of the Wild West, gun hobbyists, and tourists seeking a museum experience with a difference.
This Pulitzer Prize–winning work pieces together the lost history of the Mandan Native Americans and their thriving society on the Upper Missouri River. The Mandan people’s bustling towns in present-day North Dakota were at the center of the North American universe for centuries. Yet their history has been nearly forgotten, maintained in fragmentary documents and the journals of white visitors such as Lewis and Clark. In this extraordinary book, Elizabeth A. Fenn pieces together those fragments along with important new discoveries in archaeology, anthropology, geology, climatology, epidemiology, and nutritional science. The result is a bold new perspective on early American history, a new interpretation of the American past. By 1500, more than twelve thousand Mandans were established on the northern Plains, and their commercial prowess, agricultural skills, and reputation for hospitality became famous. Recent archaeological discoveries show how they thrived—and how they collapsed. The damage wrought by imported diseases like smallpox and the havoc caused by the arrival of horses and steamboats were tragic for the Mandans, yet, as Fenn makes clear, their sense of themselves as a people with distinctive traditions endured.
The history of Tombstone, Arizona and the surrounding area, as recalled by Sarah Grace Bakarich. This small volume tells the story of the sensational aspects of the town of Tombstone in the 1880’s. It focuses on Wyatt Earp and his brothers, the Clantons, and other gunmen and characters of the town. This book has become a minor classic for collectors of stories of the Old West.
The sheriff was a violent, crooked man. He traded - in death, and always showed a profit. His mine in the Arizona hills was a kind of hell on earth, guarded by hard­bitten desperadoes. All around lurked the deadly Apache, as lethal and quick to strike as rattlers. Somewhere in the mine was McAllister's friend. He had to be busted loose before it was too late. McAllister, armed with his gun and his iron nerves, smashed in... Another rapid-fire Rem McAllister adventure from the master of authentic Western excitement, Matt Chisholm.
Firearms have been studied by imperial historians mainly as means of human destruction and material production. Yet firearms have always been invested with a whole array of additional social and symbolical meanings. By placing these meanings at the centre of analysis, the essays presented in this volume extend the study of the gun beyond the confines of military history and the examination of its impact on specific colonial encounters. By bringing cultural perspectives to bear on this most pervasive of technological artefacts, the contributors explore the densely interwoven relationships between firearms and broad processes of social change. In so doing, they contribute to a fuller understanding of some of the most significant consequences of British and American imperial expansions. Not the least original feature of the book is its global frame of reference. Bringing together historians of different periods and regions, A Cultural History of Firearms in the Age of Empire overcomes traditional compartmentalisations of historical knowledge and encourages the drawing of novel and illuminating comparisons across time and space.
There was room enough in the valley, but Ike Quarles didn’t think so. Now he and his hired killers had served notice on Brad—drift or die! “I’m about through drifting,” Brad said slowly. “I was thinking about taking up a homestead.” Then he was silent, watching them sit their horses, waiting for the abrupt twitch of a hand—the sudden, lunging move that would explode this whole valley into murderous, bullet-screaming range war!
"Whether fulfilling subsistence needs or featured in stories of grand adventure, hunting loomed large in the material and the imagined landscape of the nineteenth-century West. Epiphany in the Wilderness explores the social, political, economic, and environmental dynamics of hunting on the frontier in three “acts,” using performance as a trail guide and focusing on the production of a “cultural ecology of the chase” in literature, art, photography, and taxidermy.Using the metaphor of the theater, Jones argues that the West was a crucial stage that framed the performance of the American character as an independent, resourceful, resilient, and rugged individual. The leading actor was the all-conquering masculine hunter hero, the sharpshooting man of the wilderness who tamed and claimed the West with each provident step. Women were also a significant part of the story, treading the game trails as plucky adventurers and resilient homesteaders and acting out their exploits in autobiographical accounts and stage shows.Epiphany in the Wilderness informs various academic debates surrounding the frontier period, including the construction of nature as a site of personal challenge, gun culture, gender adaptations and the crafting of the masculine wilderness hero figure, wildlife management and consumption, memorializing and trophy-taking, and the juxtaposition of a closing frontier with an emerging conservation movement."