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Cultural historian, critic and gun owner Joan Burbick examines the lethal politics of gun ownership, answering that perennial question about American culture: why are Americans so obsessed with guns? Looking at the nation from the floor of a gun show, Burbick uncovers a powerful conservative ideology that attempts to place gun ownership at the centre of US democracy. Her analysis takes us from the history of the NRA, through the gun lobby's engagement with US politics, to the movement's contemporary hostility to the United Nations.
"Looking at America from the floor of a gun show, Gun Show Nation answers the question posed by Michael Moore's hit documentary film Bowling for Columbine: why are Americans so obsessed with guns? And what can be done about it? Gun Show Nation goes beyond the issues of handgun bans and child-safety locks to delve into what the author sees as the heart of the matter-that owning a gun has come to be seen as a fundamental right in our democracy."--BOOK JACKET.
Collection of b/w photographs depicting America's gun culture. Includes an introductory essay on the fight for gun control.
The author argues that the right to life necessarily involves the right to self-defense, which leads to the right to own firearms, and presents a multi-faceted cases against gun control, including attacks on irresponsibility in modern society, instrumentalism, utilitarianism, and the abdication to authority of the responsbility for self-defense.
Ours is a nation in the grip of a strange kind of mania. Why after President Reagan was shot was there virtually no handgun legislation? Why after the Columbine massacre in Littleton, Colorado, was nothing done to regulate the tools that children most frequently use to kill one another? Why was there no legislative response after a six-year-old in Flint, Michigan, shot a classmate with a .32 caliber "pocket rocket"? Tragedy follows tragedy, with twelve children shot dead every day in America, but guns remain less regulated than automobiles. Why? As authors Peter Harry Brown and Daniel G. Abel in this powerful book demonstrate, it is because of the terrible power of the gun coalition. Outgunned begins with the story of Wendell Gauthier, the "master of disaster" attorney, who brought down the tobacco industry to the tune of billions and then turned his attention to guns. He struck fear into the hearts of the gun manufacturers as he set out to make gunmakers bear some liability for the killings caused by the often poorly made, inaccurate handguns they marketed to criminals. Coauthor Daniel G. Abel worked for Gauthier, along with other attorneys, as the gun-control campaign gathered momentum. This legal initiative seemed to be about to make history and change the face of violence in America, but sadly, Wendell Gauthier died of cancer before meaningful gun control could be established. More than thirty class-action suits against gun manufacturers now languish in courtroom paralysis while as many Saturday night specials as ever are being made. What happened? Brown and Abel demonstrate how the pro-gun forces once again curbed the will of a nation. This book shows the enomous power of the NRA -- how it killed pending legislation in Congress, hijacked the Campaign Act to fund the George W. Bush presidential election victory, and eviscerated the American Shooting Sports Council. That association and the gun manufacturers actually wanted to compromise and agree to new handgun laws, implicitly accepting some liability, but the NRA leadership, with Charlton Heston as their president, crushed them. In Outgunned, Brown and Abel uncover how NRA lobbyists were instrumental in stopping Smith & Wesson in its tracks. They show how the tendrils of the NRA reach into the Christian Alliance and Republican Party, and how men like John McCain have fought back and been undermined. Outgunned reveals how the NRA began dealing with President George W. Bush when he was still governor of Texas -- prodding him into signing a shocking prohibition against the kind of suits Gauthier brought against the gun manufacturers. Outgunned is the story of a legal crusade with up-close accounts of the people who fought every step of the way. For those who believe in the importance of stopping unnecessary bloodshed, this book is essential, powerful, and urgent.
"An acclaimed historian explodes the myth about the 'special relationship' between Americans and their guns, revealing that savvy 19th century businessmen--not gun lovers--created American gun culture"--
A former firearms executive pulls back the curtain on America's multibillion-dollar gun industry, exposing how it fostered extremism and racism, radicalizing the nation and bringing cultural division to a boiling point. As an avid hunter, outdoorsman, and conservationist–all things that the firearms industry was built on–Ryan Busse chased a childhood dream and built a successful career selling millions of firearms for one of America’s most popular gun companies. But blinded by the promise of massive profits, the gun industry abandoned its self-imposed decency in favor of hardline conservatism and McCarthyesque internal policing, sowing irreparable division in our politics and society. That drove Busse to do something few other gun executives have done: he's ending his 30-year career in the industry to show us how and why we got here. Gunfight is an insider’s call-out of a wild, secretive, and critically important industry. It shows us how America's gun industry shifted from prioritizing safety and ethics to one that is addicted to fear, conspiracy, intolerance, and secrecy. It recounts Busse's personal transformation and shows how authoritarianism spreads in the guise of freedom, how voicing one's conscience becomes an act of treason in a culture that demands sameness and loyalty. Gunfight offers a valuable perspective as the nation struggles to choose between armed violence or healing.
In The Gun Show, award-winning playwright E. M. Lewis tells the story of America’s relationship with guns through the prism of her own personal experiences. From a farming community in rural Oregon to the big cities of Los Angeles and New York, an actor shares Ms. Lewis’s unique perspective and true stories about America’s most dangerous pastime as if they were his or her own, with brutal honesty and poignant humor. Leaning neither right nor left, The Gun Show jumps into the middle of the gun control debate and asks, “Can we have a conversation about this?” The solo version of the play requires only a single actor. The role was conceived for a man to play, but you may cast a woman or non-binary actor in this role if desired. In the duo version of the play, the actual playwright – E. M. Lewis – sits out in the audience, and the actor playing the Playwright occasionally interacts with her, as indicated in the script. (The duo version of the play is only available for licensing by special request, depending upon the availability of Ms. Lewis to participate.)
A comprehensive assessment of real gun reform legislation with recommendations for better design, implementation and enforcement A month after the Sandy Hook Elementary School shooting, New York State passed, with record speed, the first and most comprehensive state post-Sandy Hook gun control law. In The Toughest Gun Control Law in the Nation, James B. Jacobs and Zoe Fuhr ask whether the 2013 SAFE Act —hailed by Governor Andrew Cuomo as “the nation’s toughest gun control law” – has lived up to its promise. Jacobs and Fuhr illuminate the gap between gun control on the books and gun control in action. They argue that, to be effective, gun controls must be capable of implementation and enforcement. This requires realistic design, administrative and enforcement capacity and commitment and ongoing political and fiscal support. They show that while the SAFE Act was good symbolic politics, most of its provisions were not effectively implemented or, if implemented, not enforced. Gun control in a society awash with guns poses an immense regulatory challenge. The Toughest Gun Control Law in the Nation takes a tough-minded look at the technological, administrative, fiscal and local political impediments to effectively keeping guns out of the hands of dangerous persons and eliminating some types of guns altogether.
Guns had an enormous impact on the social, economic, cultural, and political lives of civilian men, women, and children of all social strata in early modern England. In this study, Lois Schwoerer identifies and analyzes England’s domestic gun culture from 1500 to 1740, uncovering how guns became available, what effects they had on society, and how different sectors of the population contributed to gun culture. The rise of guns made for recreational use followed the development of a robust gun industry intended by King Henry VIII to produce artillery and handguns for war. Located first in London, the gun industry brought the city new sounds, smells, street names, shops, sights, and communities of gun workers, many of whom were immigrants. Elite men used guns for hunting, target shooting, and protection. They collected beautifully decorated guns, gave them as gifts, and included them in portraits and coats-of-arms, regarding firearms as a mark of status, power, and sophistication. With statutes and proclamations, the government legally denied firearms to subjects with an annual income under £100—about 98 percent of the population—whose reactions ranged from grudging acceptance to willful disobedience. Schwoerer shows how this domestic gun culture influenced England’s Bill of Rights in 1689, a document often cited to support the claim that the Second Amendment to the United States Constitution conveys the right to have arms as an Anglo-American legacy. Schwoerer shows that the Bill of Rights did not grant a universal right to have arms, but rather a right restricted by religion, law, and economic standing, terms that reflected the nation's gun culture. Examining everything from gunmakers’ records to wills, and from period portraits to toy guns, Gun Culture in Early Modern England offers new data and fresh insights on the place of the gun in English society.