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Winner • Pulitzer Prize for History Winner • Kirkus Prize for Nonfiction Finalist • National Book Critics Circle Award (Nonfiction) A New York Times Notable Book of the Year Named one of the Best Books of the Year by the Washington Post, NPR, Library Journal, and gCaptain Booklist Editors’ Choice (History) Longlisted for the Andrew Carnegie Medal for Excellence In this “cri de coeur about the Gulf’s environmental ruin” (New York Times), “Davis has written a beautiful homage to a neglected sea” (front page, New York Times Book Review). Hailed as a “nonfiction epic . . . in the tradition of Jared Diamond’s best-seller Collapse, and Simon Winchester’s Atlantic” (Dallas Morning News), Jack E. Davis’s The Gulf is “by turns informative, lyrical, inspiring and chilling for anyone who cares about the future of ‘America’s Sea’ ” (Wall Street Journal). Illuminating America’s political and economic relationship with the environment from the age of the conquistadors to the present, Davis demonstrates how the Gulf’s fruitful ecosystems and exceptional beauty empowered a growing nation. Filled with vivid, untold stories from the sportfish that launched Gulfside vacationing to Hollywood’s role in the country’s first offshore oil wells, this “vast and welltold story shows how we made the Gulf . . . [into] a ‘national sacrifice zone’ ” (Bill McKibben). The first and only study of its kind, The Gulf offers “a unique and illuminating history of the American Southern coast and sea as it should be written” (Edward O. Wilson).
A hilarious send-up of writing workshops, for-profit education, and the gulf between believers and nonbelievers Marianne is in a slump: barely able to support herself by teaching, not making progress on her poetry, about to lose her Brooklyn apartment. When her novelist ex-fiancé, Eric, and his venture capitalist brother, Mark, offer her a job directing a low-residency school for Christian writers at a motel they’ve inherited on Florida’s Gulf Coast, she can’t come up with a reason to say no. The Genesis Inspirational Writing Ranch is born, and liberal, atheist Marianne is soon knee-deep in applications from writers whose political and religious beliefs she has always opposed but whose money she’s glad to take. Janine is a schoolteacher whose heartfelt poems explore the final days of Terri Schiavo’s life. Davonte is a former R&B superstar who hopes to reboot his career with a bestselling tale of excess and redemption. Lorraine and Tom, eccentric writers in need of paying jobs, join the Ranch as instructors. Mark finds an investor in God’s Word God’s World, a business that develops for-profit schools for the Christian market, but the conditions that come along with their support become increasingly problematic, especially as Marianne grows closer to the students. As unsavory allegations mount, a hurricane bears down on the Ranch, and Marianne is faced with the consequences of her decisions. With sharp humor and deep empathy, The Gulf is a memorable debut novel in which Belle Boggs plumbs the troubled waters dividing America.
[If only] Bran would stop acting weird....Probably he had a perfectly reasonable explanation for everything. I just couldn't imagine what it would be. When Britt's older brother, Bran, lands a summer job house-sitting for the Marquises, an elderly couple, it seems like a great opportunity. Britt and Bran have moved to Florida so their mother can finish college, and the house-sitting income will allow their mom to quit her job and take classes full-time. Having never lived in a real house before, Britt is thrilled. There's only one problem: Britt starts to suspect her family isn't supposed to be there. She's been noticing that Bran is acting weird and defensive -- he hides the Marquises' mail, won't let anyone touch the thermostat, and discourages Britt from meeting any of the neighbors. Determined to get to the bottom of things, Britt starts investigating and makes a startling discovery -- the Marquises aren't who Bran has led her and their mom to believe. So whose house are they staying in, and why has Bran brought them there? With unexpected twists and turns, award winner Margaret Peterson Haddix has again crafted a thriller that will grip readers until its stunning conclusion.
What caused the decline of the Ottoman empire in the Persian Gulf? Why has history credited only London, not Istanbul, with bringing about the birth of the modern Gulf States? Using the Ottoman imperial archives, as well as European and Arab sources, Anscombe explains how the combination of poor communication, scarce resources, and misplaced security concerns undermined Istanbul's control and ultimately drove the Gulf shaikhs to seek independence with ties to the British.
Combining visual and literary analyses and original ethnographic studies as part of a more general political reflection, Migration in the Making of Gulf Space examines the role of migrants and non-citizens in the processes of settling in the Arab States of the Gulf region. The contributions underscore the aspirational character of the Gulf as a place where migrant recognition can be attained while also reflecting on practices of exclusion. The book is the result of an interdisciplinary dialogue among scholars and includes an original contribution by the acclaimed author of the novel Temporary People, Deepak Unnikrishnan.
The story of the author's Grandmother, her life, her character and her times in tribute to a most remarkable woman.
The first collection of environmental writing about the Gulf South region, this volume features a diverse array of voices from the past 100 years. The work of these writers and artists enriches how we understand and represent the relationship between people and the rapidly changing ecology of the Gulf. Reaching from Texas to Florida, this anthology presents pieces from a variety of genres, from journalism to poetry to memoir to a graphic nonfiction book. It comprises renowned authors such as Natasha Trethewey, Jesmyn Ward, and E. O. Wilson alongside strong but lesser-known writers and emerging writers. The subjects include natural and human-made disasters, the impact of industry, influential historical events, personal encounters with the environment, and a deep love for the land and water by the people who live there. Reflecting a range of different landscapes and their inhabitants, and emphasizing the human voice and condition throughout, The Gulf South brings to light a region whose influence on American commerce and culture reaches far beyond its geographical boundaries. This volume encourages readers to consider how we choose to characterize the environment and its degradation through language, and how these accounts affect our thinking and planning for the future.
Exploring the history of the Persian Gulf from ancient times until the present day, leading authorities treat the internal history of the region and describe the role outsiders have played there. The book focuses on the unity and identity of Gulf society and how the Gulf historically has been part of a cosmopolitan Indian Ocean world.
Few places in the world can claim such a diversity of species as the Gulf of California (Sea of Cortez), with its 6,000 recorded animal species estimated to be half the number actually living in its waters. So rich are the Gulf's water that over a half-million tons of seafood are taken from them annuallyÑand this figure does not count the wasted by-catch, which would triple or quadruple that tonnage. This timely book provides a benchmark for understanding the Gulf's extraordinary diversity, how it is threatened, and in what ways it isÑor should beÑprotected. In spite of its dazzling richness, most of the Gulf's coastline now harbors but a pale shadow of the diversity that existed just a half-century ago. Recommendations based on sound, careful science must guide Mexico in moving forward to protect the Gulf of California. This edited volume contains contributions by twenty-four Gulf of California experts, from both sides of the U.S.-Mexico border. From the origins of the Gulf to its physical and chemical characteristics, from urgently needed conservation alternatives for fisheries and the entire Gulf ecosystem to information about its invertebrates, fishes, cetaceans, and sea turtles, this thought-provoking book provides new insights and clear paths to achieve sustainable use solidly based on robust science. The interdisciplinary, international cooperation involved in creating this much-needed collection provides a model for achieving success in answering critically important questions about a precious but rapidly disappearing ecological treasure.
Family continues to be a wellspring of inspiration and learning for Blanco. His third book of poetry, Looking for The Gulf Motel is a genealogy of the heart, exploring how his family's emotional legacy has shaped—and continues shaping—his perspectives. The collection is presented in three movements, each one chronicling his understanding of a particular facet of life from childhood into adulthood. As a child born into the milieu of his Cuban exiled familia, the first movement delves into early questions of cultural identity and their evolution into his unrelenting sense of displacement and quest for the elusive meaning of home. The second begins with poems peering back into family again, examining the blurred lines of gender, the frailty of his father-son relationship, and the intersection of his cultural and sexual identities as a Cuban-American gay man living in rural Maine. In the last movement, poems focused on his mother's life shaped by exile, his father's death, and the passing of a generation of relatives, all provide lessons about his own impermanence in the world and the permanence of loss. Looking for the Gulf Motel is looking for the beauty of that which we cannot hold onto, be it country, family, or love.