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"Diu Crone is a bravura performance which creates a compelling new foundation myth: Camelot is transformed from its initial state of factionalism, sexual betrayal and lack of morale under an inexperienced king to one of law, order and security symbolised by the supreme resourcefulness shown by Gawain in the unflinching service of Arthur, his liege lord. It reinvents the imaginative foundation of the Arthurian ideal, and demonstrates that the ideal maintained its appeal in Germany into the later middle ages."--BOOK JACKET.
Annotated bibliography of the Arthurian legend in modern English-language fiction, not only in literary texts, but in television, music, and art. The legend of Arthur has been a source of fascination for writers and artists in English since the fifteenth century, when Thomas Malory drew together for the first time in English a variety of Arthurian stories from a number of sources to form the Morte Darthur. It increased in popularity during the Victorian era, when after Tennyson's treatment of the legend, not only authors and dramatists, but painters, musicians, and film-makers found a sourceof inspiration in the Arthurian material. This interdisciplinary, annotated bibliography lists the Arthurian legend in modern English-language fiction, from 1500 to 2000, including literary texts, film, television, music, visual art, and games. It will prove an invaluable source of reference for students of literary and visual arts, general readers, collectors, librarians, and cultural historians--indeed, by anyone interested in the history of the waysin which Camelot has figured in post-medieval English-speaking cultures. ANN F. HOWEY is Assistant Professor at Brock University, Canada; STEPHEN R. REIMER is Associate Professor at the University of Alberta, Canada
A study of the women, on all sides, who had major parts to play in the momentous year of 1066.