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Britain's 2016 vote to leave the EU was the most momentous democratic decision ever made in British history. No development since the Second World War is likely to have more far-reaching consequences for the British economy, society, politics and culture. Some predict it will lead eventually to the break-up of the UK, others to the end of the EU, others to an enhanced likelihood of war in Europe and beyond. The vote to leave took just a single day, but the decision to call the referendum followed several months of agonising in No. 10, while the ground for Britain's departure was sown over many, many years. When Britain entered the EU in 1973, it was known as 'the sick man of Europe'. When it voted to leave in 2016, it had the fastest-growing economy in the G7,and it was both the world's top soft power and one of its most creative and tolerant nations. Why have we risked all this? Ask the guilty men, who, for reasons of personal gain, misplaced ideology or sheer folly, have jeopardised all our futures.
In his preface to the 1998 reissue, Michael Foot wrote, 'Guilty Men was conceived by three London journalists who had formed the habit of meeting on the roof of the Evening Standard offices in Shoe Lane, Fleet Street, just after the the afternoon paper had been put to bed and, maybe, just before the Two Brewers opened across the road.' The book's genesis and publication could hardly have been swifter. Its writing took four days from the 1st to the 4th June 1940: it was published on the 5th July. It is an angry book, indeed, a devastatingly effective polemic. Its target was the appeasers of the 1930s, the leading culprits being Baldwin, Chamberlain and Halifax who had left the country so ill-prepared, and who, by their pusillanimity, had emboldened Hitler and Mussolini; and in the case of the last two still favoured some accommodation with the fascist dictators. In today's parlance, it would be called a wake-up call. It was very successful selling about 200,000 copies. Kenneth Morgan, Michael Foot's biographer, describes the book as consisting of 'a series of brief vignettes of key episodes or personalities, the latter invariably foolish or dishonest.' Michael Foot wrote eight of the chapters, the first and most powerful one being on Dunkirk. Although Michael Foot was the main contributor, and the one who suggested 'Cato' as the umbrella pseudonym, the other two, as Michael Foot would be the first to admit, Peter Howard and Frank Own should not be forgotten. Seventy years on, Guilty Men has not lost its readability and power to enrage.
A polemic against Chamberlain, MacDonald, and Baldwin whom the author Cato, a pseudonym for Michael Foot, Frank Owen, and Peter Howard, regarded as having brought the country to the brink of disaster through their policy of appeasement. First published in 1940
Bill McKibben meets Bill Bryson in this seriously engaging look at one man's decision to put his money where his mouth is and go off the grid for one year—while still living in New York City—to see if it's possible to make no net impact on the environment. In No Impact Man, a guilty liberal finally snaps, swears off plastic, goes organic, becomes a bicycle nut, turns off his power, and generally becomes a tree-hugging lunatic who tries to save the polar bears and the rest of the planet from environmental catastrophe while dragging his baby daughter and Prada-wearing, Four Seasons–loving wife along for the ride. And that's just the beginning. In other words, no trash, no toxins in the water, no elevators, no subway, no products in packaging, no air-conditioning, no television . . . What would it be like to try to live a no-impact lifestyle? Is it possible? Could it catch on? Is living this way more satisfying or less satisfying? Harder or easier? Is it worthwhile or senseless? Are we all doomed or can our culture reduce the barriers to sustainable living so it becomes as easy as falling off a log? These are the questions at the heart of this whole mad endeavor, via which Colin Beavan hopes to explain to the rest of us how we can realistically live a more "eco-effective" and by turns more content life in an age of inconvenient truths.
The book is about abuses of the domestic violence laws. I am an attorney in Pennsylvania. I was a victim of domestic violence. As a former victim of Domestic Violence, any violence makes me sad. As a conscientious attorney, the widespread abuse of the Domestic Violence Laws makes me sick. Victims of domestic violence need help! They need more shelters and more counselors. They need a criminal justice system that will punish the abusers and put them in jail! HOWEVER, this has to be done through the criminal justice system and through due process. It has to be taken out of civil court. Men's rights have to be protected as well as the women's rights. The current system is being seriously abused and the potential for continuing abuse is astronomical! Vindictive women and unscrupulous attorneys have made a total mockery out of the current system and way too many innocent men are serving a "life sentence" because of it!
Meet Anita Blake, Vampire Hunter, in the first novel in the #1 New York Times bestselling series that “blends the genres of romance, horror and adventure with stunning panache”(Diana Gabaldon). Laurell K. Hamilton’s bestselling series has captured readers’ wildest imaginations and addicted them to a seductive world where supernatural hungers collide with the desires of the human heart, starring a heroine like no other... Anita Blake is small, dark, and dangerous. Her turf is the city of St. Louis. Her job: re-animating the dead and killing the undead who take things too far. But when the city’s most powerful vampire asks her to solve a series of vicious slayings, Anita must confront her greatest fear—her undeniable attraction to master vampire Jean-Claude, one of the creatures she is sworn to destroy... “What The Da Vinci Code did for the religious thriller, the Anita Blake series has done for the vampire novel.”—USA Today
A highly controversial rebuttal of recent feminist orthodoxy which confronts the politically-correct status quo. Thomas forces readers to reexamine the implications of the male stereotype with studies and statistics about sexual harassment, sexual abuse, physical violence, and other acts that are committed by women.
THE #1 NEW YORK TIMES BESTSELLER, FROM THE AUTHOR OF BIG LITTLE LIES, now an HBO series. Winner of Goodreads Choice Award for Best Fiction “Here’s the best news you’ve heard all year: Not a single page disappoints....The only difficulty with Truly Madly Guilty? Putting it down.” —Miami Herald “Captivating, suspenseful...tantalizing.” —People Magazine Six responsible adults. Three cute kids. One small dog. It’s just a normal weekend. What could possibly go wrong? In Truly Madly Guilty, Liane Moriarty turns her unique, razor-sharp eye towards three seemingly happy families. Sam and Clementine have a wonderful, albeit busy, life: they have two little girls, Sam has just started a new dream job, and Clementine, a cellist, is busy preparing for the audition of a lifetime. If there’s anything they can count on, it’s each other. Clementine and Erika are each other’s oldest friends. A single look between them can convey an entire conversation. But theirs is a complicated relationship, so when Erika mentions a last-minute invitation to a barbecue with her neighbors, Tiffany and Vid, Clementine and Sam don’t hesitate. Having Tiffany and Vid’s larger-than-life personalities there will be a welcome respite. Two months later, it won’t stop raining, and Clementine and Sam can’t stop asking themselves the question: What if we hadn’t gone? In Truly Madly Guilty, Liane Moriarty takes on the foundations of our lives: marriage, sex, parenthood, and friendship. She shows how guilt can expose the fault lines in the most seemingly strong relationships, how what we don’t say can be more powerful than what we do, and how sometimes it is the most innocent of moments that can do the greatest harm. Entertainment Weekly's “Best Beach Bet” A USA Today Hot Books for Summer Selection A Miami Herald Summer Reads Pick
A landmark American drama that inspired a classic film and a Broadway revival—featuring an introduction by David Mamet A blistering character study and an examination of the American melting pot and the judicial system that keeps it in check, Twelve Angry Men holds at its core a deeply patriotic faith in the U.S. legal system. The play centers on Juror Eight, who is at first the sole holdout in an 11-1 guilty vote. Eight sets his sights not on proving the other jurors wrong but rather on getting them to look at the situation in a clear-eyed way not affected by their personal prejudices or biases. Reginald Rose deliberately and carefully peels away the layers of artifice from the men and allows a fuller picture to form of them—and of America, at its best and worst. After the critically acclaimed teleplay aired in 1954, this landmark American drama went on to become a cinematic masterpiece in 1957 starring Henry Fonda, for which Rose wrote the adaptation. More recently, Twelve Angry Men had a successful, and award-winning, run on Broadway. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.