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R. J. Knect investigates the reign of Francis I of France.
This book explores how the fathers of humanist jurisprudence contributed to the emergence of ius gentium as the common law not simply of Europe, but of all mankind, in the early sixteenth century.
Offers biographical information about the more than 1900 people mentioned in the correspondence and works of Erasmus who died after 1450 and were thus approximately his contemporaries.
This book is a fundamental reassessment of the nature and impact of legal humanism on the development of law in Europe. It brings together the foremost international experts in related fields such as legal and intellectual history to debate central issues surrounding this movement.
This book is a sequel to Nathan Ron's Erasmus and the “Other.” Should we consider Erasmus an involved or public intellectual alongside figures such as Machiavelli, Milton, Locke, Voltaire, and Montesquieu? Was Erasmus really an independent intellectual? In Ron's estimation, Erasmus did not fully live up to his professed principles of Christian peace. Despite the anti-war preaching so eminent in his writings, he made no stand against the warlike and expansionist foreign policies of specific European kings of his era, and even praised the glory won by Francis I on the battlefield of Marignano (1515). Furthermore, in the face of Henry VIII’s execution of his beloved Thomas More and John Fisher, and the atrocities committed by the Spanish against indigenous peoples in the New World, Erasmus preferred self-censorship to expressions of protest or criticism and did not step forward to reproach kings of their misdeeds or crimes.
This book considers the boast of literary power to glorify or immortalize, a topos of enormous popularity. Focusing on representative figures of Renaissance humanism and the roots of the topos in antiquity, author Stephen Murphy elaborates a complex myth of poetic power. This myth, constructed with the help of such theorists as Ernst Cassirer, Giambattista Vico, Marcel Mauss, and Theodor Adorno, includes the elements of nostalgia for a primordial epoch of magical effectiveness and social centrality, the ideal of patronage as gift exchange, and the absorption of these extra-literary circumstances into literary convention.