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In this book, Dutch theologian Herman Bavinck (1854–1921) provides a historical sketch on the nature of Christianity and the unifying power of Christ. He proceeds from unity to diversity—on where the Christian church agrees to the areas where it differs. It is apologetic and evangelistic, ecumenical and Reformed, and historical and theological in scope. In this succinct book, Bavinck traces the history of Christian doctrine and life, distinguishing the East from the West, and then focusing on the West through the Reformation to the twentieth century. Both at the beginning and the end of the book, he places before the reader what he deemed the most important religious and theological question of the day: Who is Jesus? “It is no small task which Dr. Bavinck has undertaken, to tell in sixty-two small pages all that Christianity is, and that, in a series in which it is brought into comparison with other ‘great religions’. He has fulfilled this task, however, in a most admirable manner. His method is, first, to point out what all Christians are agreed upon; and then to give an historical account of Christianity in its origins and it its progressive manifestations in the great forms of the Orthodox Eastern, the Romish, the Lutheran, Reformed Churches, with further descriptions of the forms it has taken since, in Anabaptism and Socinianism, and the New Protestantism rooted in the Enlightenment. His plan thus resolves itself into an informal sketch of the historical development of Christianity. This sketch is written with remarkable grasp of details and an equally remarkable power of synthesis. We cannot imagine how the work could be done better.” —B.B. Warfield
“In writing this Guidebook,” Bavinck says in his preface, “I had in mind, the pupils in the highest classes of our Christian gymnasium, public schools, in the education of teachers, and in normal schools, etc. and moreover those who desire to understand the main content of our Christian, Reformed confession of faith through a not too comprehensive or expensive book.” Herman Bavinck completed Guidebook for Instruction in the Christian Religion in 1913 and reprinted it in the Netherlands in 1931. He originally intended it for high school students and Christians of every confession. Bavinck’s goal was to make Christians more familiar with the rich, deep thoughts of Scripture as universally expressed in the Christian faith. Guidebook for Instruction in the Christian Religion is an introductory systematic theology by one of the foremost theologians of the past century. Alongside The Sacrifice of Praise, this is Bavinck at his best doing catechetical theology. To this end, Bavinck sets off to explain in a simplified manner the main contents of the Christian religion, even giving it a title that is a tip of the hat to John Calvin’s Institute of the Christian Religion. While Bavinck’s lengthy Reformed Dogmatics is an academic work, Guidebook for Instruction serves a more egalitarian aim. It is a theological guide for the everyday person in the pew. In this one—and much shorter—volume, Bavinck walks Christian readers through all the major topics covered in Reformed Dogmatics with theological depth and insight.
"In writing this Guidebook," Bavinck says in his preface, "I had in mind, the pupils in the highest classes of our Christian gymnasium, public schools, in the education of teachers, and in normal schools, etc. and moreover those who desire to understand the main content of our Christian, Reformed confession of faith through a not too comprehensive or expensive book." Herman Bavinck completed Guidebook for Instruction in the Christian Religion in 1913 and reprinted it in the Netherlands in 1931. He originally intended it for high school students and Christians of every confession. Bavinck's goal was to make Christians more familiar with the rich, deep thoughts of Scripture as universally expressed in the Christian faith. Guidebook for Instruction in the Christian Religion is an introductory systematic theology by one of the foremost theologians of the past century. Alongside The Sacrifice of Praise, this is Bavinck at his best doing catechetical theology. To this end, Bavinck sets off to explain in a simplified manner the main contents of the Christian religion, even giving it a title that is a tip of the hat to John Calvin's Institute of the Christian Religion. While Bavinck's lengthy Reformed Dogmatics is an academic work, Guidebook for Instruction serves a more egalitarian aim. It is a theological guide for the everyday person in the pew. In this one--and much shorter--volume, Bavinck walks Christian readers through all the major topics covered in Reformed Dogmatics with theological depth and insight.
For the First Time in English, a Foundational Work of One of the Church's Most Important Theologians As some point in life, we all wonder: Who am I? What is the world, and what is my place within it? Only Christianity offers answers to these questions in a way that meets our truest needs and satisfies our deepest longings. In this important book, translated into English for the first time, Herman Bavinck provides a framework for understanding why the Christian worldview is the only solution to the discord we feel between ourselves, the world, and God.
The Christian life, as Calvin describes it, is lived simultaneiously in the shadow of the cross and in the bright light of the resurrection. That the writer himself knew something of the cost of discipleship is clear from a consideration of his own experience.
The Body of Writing: An Erotics of Contemporary American Fiction examines four postmodern texts whose authors play with the material conventions of "the book": Joseph McElroy's Plus (1977), Carole Maso's AVA (1993), Theresa Hak Kyung Cha's DICTEE (1982), and Steve Tomasula's VAS (2003). By demonstrating how each of these works calls for an affirmative engagement with literature, Flore Chevaillier explores a centrally important issue in the criticism of contemporary fiction. Critics have claimed that experimental literature, in its disruption of conventional story-telling and language uses, resists literary and social customs. While this account is accurate, it stresses what experimental texts respond to more than what they offer. This book proposes a counter-view to this emphasis on the strictly privative character of innovative fictions by examining experimental works' positive ideas and affects, as well as readers' engagement in the formal pleasure of experimentations with image, print, sound, page, orthography, and syntax. Elaborating an erotics of recent innovative literature implies that we engage in the formal pleasure of its experimentations with signifying techniques and with the materiality of their medium. Such engagement provokes a fusion of the reader's senses and the textual material, which invites a redefinition of corporeality as a kind of textual practice.
In The Sacrifice of Praise, Herman Bavinck pastorally guides the reader through the importance of the public profession of faith. Bavinck’s careful treatment includes explorations of the unifying power of a common (ecumenical) confession of faith, the blessing of the diversity of believers, and reasonable instruction for those facing persecution for publicly identifying with Christ. Theological, practical, straightforward, and devotional, The Sacrifice of Praise gives readers a fresh appreciation for the importance of confessing one’s faith. This is an updated English translation of the original Dutch edition and includes a new introduction and scriptural citations. “The Sacrifice of Praise gives us the impression of a spring flower, in the midst of the sharp, cold, fierce spring winds; an Elim in the desert of daily worries, hardships, quarrels, and murmurings. May the Lord God grant that it is the forerunner of a beautiful, refreshing, abundantly fruit-bearing summer.” —From a 1901 review in De Bazuin (a Dutch religious paper)
Basing this work on his own full-scale Systematic Theology, Berkhof summarizes the body of church doctrine, beginning with the doctrines of Scripture and God and proceeding through statements on anthropology, Christology, soteriology, and more.
A professor of religion offers an “engrossing and excellent” look at how the Good Book has changed—and changed the world—through the ages (Publishers Weekly, starred review). In a lively journey from early Christianity to the present, this book explores how a box of handwritten scrolls became the Bible, and how the multibillion-dollar business that has brought us Biblezines and Manga Bibles is selling down the Book’s sacred capital. Showing us how a single official text was created from the proliferation of different scripts, Timothy Beal traces its path as it became embraced as the word of God and the Book of books. Christianity thrived for centuries without any Bible—there was no official canon of scriptures, much less a book big enough to hold them all. Congregations used various collections of scrolls and codices. As the author reveals, there is no “original” Bible, no single source text behind the thousands of different editions on the market today. The farther we go back in the holy text’s history, the more versions we find. In calling for a fresh understanding of the ways scriptures were used in the past, the author of Biblical Literacy offers the chance to rediscover a Bible, and a faith, that is truer to its own history—not a book of answers, but a library of questions.