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A Guide to Early Printed Books and Manuscripts provides an introduction to the language and concepts employed in bibliographical studies and textual scholarship as they pertain to early modern manuscripts and printed texts Winner, Honourable Mention for Literature, Language and Linguistics, American Publishers Prose Awards, 2010 Based almost exclusively on new primary research Explains the complex process of viewing documents as artefacts, showing readers how to describe documents properly and how to read their physical properties Demonstrates how to use the information gleaned as a tool for studying the transmission of literary documents Makes clear why such matters are important and the purposes to which such information is put Features illustrations that are carefully chosen for their unfamiliarity in order to keep the discussion fresh
This important and overdue book examines illuminated manuscripts and other book arts of the Global Middle Ages. Illuminated manuscripts and illustrated or decorated books—like today’s museums—preserve a rich array of information about how premodern peoples conceived of and perceived the world, its many cultures, and everyone’s place in it. Often a Eurocentric field of study, manuscripts are prisms through which we can glimpse the interconnected global history of humanity. Toward a Global Middle Ages is the first publication to examine decorated books produced across the globe during the period traditionally known as medieval. Through essays and case studies, the volume’s multidisciplinary contributors expand the historiography, chronology, and geography of manuscript studies to embrace a diversity of objects, individuals, narratives, and materials from Africa, Asia, Australasia, and the Americas—an approach that both engages with and contributes to the emerging field of scholarly inquiry known as the Global Middle Ages. Featuring more than 160 color illustrations, this wide-ranging and provocative collection is intended for all who are interested in engaging in a dialogue about how books and other textual objects contributed to world-making strategies from about 400 to 1600.
What is a historiated initial? What are canon tables? What is a drollery? This revised edition of Understanding Illuminated Manuscripts: A Guide to Technical Terms offers definitions of the key elements of illuminated manuscripts, demystifying the techniques, processes, materials, nomenclature, and styles used in the making of these precious books. Updated to reflect current research and technologies, this beautifully illustrated guide includes images of important manuscript illuminations from the collection of the J. Paul Getty Museum and beyond. Concise, readable explanations of the technical terms most frequently encountered in manuscript studies make this portable volume an essential resource for students, scholars, and readers who wish a deeper understanding and enjoyment of illuminated manuscripts and medieval book production.
The British Library's collection of manuscripts is mined for a wealth of examples, illustrated in color, to this guide to illumination for the general reader. De Hamel (now librarian, Corpus Christi College, Cambridge, UK, he's a leading scholar in the field) discusses first why then how manuscripts were illuminated. Annotation copyrighted by Book News, Inc., Portland, OR
This is an open access title available under the terms of a CC BY-NC-ND 4.0 licence. It is free to read at Oxford Scholarship Online and offered as a free PDF download from OUP and selected open access locations. Latin is the language in which the New Testament was copied, read, and studied for over a millennium. The remains of the initial 'Old Latin' version preserve important testimony for early forms of text and the way in which the Bible was understood by the first translators. Successive revisions resulted in a standard version subsequently known as the Vulgate which, along with the creation of influential commentaries by scholars such as Jerome and Augustine, shaped theology and exegesis for many centuries. Latin gospel books and other New Testament manuscripts illustrate the continuous tradition of Christian book culture, from the late antique codices of Roman North Africa and Italy to the glorious creations of Northumbrian scriptoria, the pandects of the Carolingian era, eleventh-century Giant Bibles, and the Paris Bibles associated with the rise of the university. In The Latin New Testament, H. A. G. Houghton provides a comprehensive introduction to the history and development of the Latin New Testament. Drawing on major editions and recent advances in scholarship, he offers a new synthesis which brings together evidence from Christian authors and biblical manuscripts from earliest times to the late Middle Ages. All manuscripts identified as containing Old Latin evidence for the New Testament are described in a catalogue, along with those featured in the two principal modern editions of the Vulgate. A user's guide is provided for these editions and the other key scholarly tools for studying the Latin New Testament.
“A heart-wrenching, beautiful, darkly comic, deeply necessary tale that stuns again and again with razor-sharp prose and glittering wit. Robert Goolrick is, without question, one of the greatest storytellers of our time.” —Téa Obreht, author of The Tiger’s Wife In the spellbinding new novel from #1 New York Times bestselling author Robert Goolrick, 1980s Manhattan shimmers like the mirage it was, as money, power, and invincibility seduce a group of young Wall Street turks. Together they reach the pinnacle, achieving the kind of wealth that grants them access to anything--and anyone. Until, one by one, they fall. Goolrick’s literary chops are on full display, painting an authentic portrait of a hedonistic era, tense and stylish, perfectly mixing adrenaline and melancholy. Stunning in its acute observations about great wealth and its absence, and deeply moving in its depiction of the ways in which these men learn to cope with both extremes, it’s a true tour de force. “An addictive slice of semiautobiographical fiction . . . Goolrick vividly plumbs the depths of fortune and regret. The result is a compulsively readable examination of the highs and lows of life in the big city.” —Publishers Weekly “A compelling, wholly seductive narrative voice . . . Goolrick’s stellar prose infuses this redemption story with a good deal of depth and despair, making it read like the literary version of The Wolf of Wall Street.” —Booklist “A dark, intoxicating morality tale . . . With his impeccable prose, Goolrick focuses his unflinching eye on the grittiness beneath the sleek facade of nightclubs, fashion, and monied Manhattan extravagance. Beautifully crafted, seductive, and provocative.” —Garth Stein, author of A Sudden Light and The Art of Racing in the Rain
The early history of printing and books, illustrated with examples from the world-renowned collection of the Pierpont Morgan Library.
A celebration of the visual contributions of the bestiary--one of the most popular types of illuminated books during the Middle Ages--and an exploration of its lasting legacy. Brimming with lively animals both real and fantastic, the bestiary was one of the great illuminated manuscript traditions of the Middle Ages. Encompassing imaginary creatures such as the unicorn, siren, and griffin; exotic beasts including the tiger, elephant, and ape; as well as animals native to Europe like the beaver, dog, and hedgehog, the bestiary is a vibrant testimony to the medieval understanding of animals and their role in the world. So iconic were the stories and images of the bestiary that its beasts essentially escaped from the pages, appearing in a wide variety of manuscripts and other objects, including tapestries, ivories, metalwork, and sculpture. With over 270 color illustrations and contributions by twenty-five leading scholars, this gorgeous volume explores the bestiary and its widespread influence on medieval art and culture as well as on modern and contemporary artists like Pablo Picasso and Damien Hirst. Published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center May 14 to August 18, 2019.