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Explains eligibility requirements and services offered for military funerals at Arlington National Cemetery.
Documents the founding of the monument cemetery on the former family plantation of Robert E. Lee, revealing how the site once intended for the burials of indigent soldiers became a national resting place of honor throughout the subsequent century.
Gifted writer and reporter Robert Poole opens Section 60: Arlington National Cemetery with preparations for Memorial Day when thousands of families come to visit those buried in the 624-acre cemetery, legions of Rolling Thunder motorcyclists patrol the streets with fluttering POW flags, and service members place miniature flags before each of Arlington's graves. Section 60, where many of those killed in Iraq and Afghanistan have been laid to rest alongside service members from earlier wars, is a fourteen-acre plot that looms far larger in the minds and hearts of Americans. It represents a living, breathing community of fellow members of the military, family members, friends, and loved ones of those who have fallen to the new weapons of war: improvised explosive devices, suicide bombs, and enemies who blend in with local populations. Several of the newest recruits for Section 60 have been brought there by suicide or post-traumatic stress disorder, a war injury newly described but dating to ancient times. Using this section as a window into the latest wars, Poole recounts stories of courage and sacrifice by fallen heroes, and explores the ways in which soldiers' comrades, friends, and families honor and remember those lost to war--carrying on with life in the aftermath of tragedy. Section 60 is a moving tribute to those who have fought and died for our country, and to those who love them.
A narrative history of the 1861 Washington Peace Conference, the bipartisan, last-ditch effort to prevent the Civil War, an effort that nearly averted the carnage that followed. In February 1861, most of AmericaÆs great statesmenùincluding a former president, dozens of current and former senators, Supreme Court justices, governors, and congressmenùcame together at the historic Willard Hotel in a desperate attempt to stave off Civil War. Seven southern states had already seceded, and the conferees battled against time to craft a compromise to protect slavery and thus preserve the union and prevent war. Participants included former President John Tyler, General William ShermanÆs Catholic step-father, General Winfield Scott, and LincolnÆs future Treasury Secretary, Salmon Chaseùand from a room upstairs at the hotel, Lincoln himself. Revelatory and definitive, The Peace That Almost Was demonstrates that slavery was the main issue of the conferenceùand thus of the war itselfùand that no matter the shared faith, family, and friendships of the participants, ultimately no compromise could be reached.
In February 1947, the most memorable season in the history of the Cuban League finished with a dramatic series win by Almendares against its rival, Habana. As the celebration spread through the streets of Havana and across Cuba, the Brooklyn Dodgers were beginning spring training on the island. One of the Dodgers' minor league players was Jackie Robinson. He was on the verge of making his major-league debut in the United States, an event that would fundamentally change sports--and America. To avoid harassment from the white crowds in Florida during this critical preseason, the Dodgers relocated their spring training to Cuba, where black and white teammates had played side by side since 1900. It was also during this time that Major League Baseball was trying its hardest to bring the "outlaw" Cuban League under the control of organized baseball. As the Cubans fought to stay independent, Robinson worked to earn a roster spot on the Dodgers in the face of discrimination from his future teammates. Havana Hardball captures the excitement of the Cuban League's greatest pennant race and the anticipation of the looming challenge to MLB's color barrier. Illuminating one of the sport's most pivotal seasons, veteran journalist César Brioso brings together a rich mix of worlds as the heyday of Latino baseball converged with one of the most socially meaningful events in U.S. history.
In the mid-1840s, Warner McCary, an ex-slave from Mississippi, claimed a new identity for himself, traveling around the nation as Choctaw performer "Okah Tubbee." He soon married Lucy Stanton, a divorced white Mormon woman from New York, who likewise claimed to be an Indian and used the name "Laah Ceil." Together, they embarked on an astounding, sometimes scandalous journey across the United States and Canada, performing as American Indians for sectarian worshippers, theater audiences, and patent medicine seekers. Along the way, they used widespread notions of "Indianness" to disguise their backgrounds, justify their marriage, and make a living. In doing so, they reflected and shaped popular ideas about what it meant to be an American Indian in the mid-nineteenth century. Weaving together histories of slavery, Mormonism, popular culture, and American medicine, Angela Pulley Hudson offers a fascinating tale of ingenuity, imposture, and identity. While illuminating the complex relationship between race, religion, and gender in nineteenth-century North America, Hudson reveals how the idea of the "Indian" influenced many of the era's social movements. Through the remarkable lives of Tubbee and Ceil, Hudson uncovers both the complex and fluid nature of antebellum identities and the place of "Indianness" at the very heart of American culture.
This guide is to be used to obtain general information regarding policies and procedures for burial and related activities at Arlington National Cemetery. Veterans and their dependents or personal representatives can use this to assist in eligibility determination for interment (ground burial of either casketed or inurned remains) and for Columbarium/Wall inurnment (cremated remains) and to better understand the burial process at Arlington National Cemetery. The guide also contains information essential to process a future request for interment or inurnment, submit questions, issues or concerns regarding gravesites and other important information regarding cemetery procedures and regulations.
It didn t take long for Barack Obama to make his mark as the biggest political star to ever occupy the White House. Over the course of his two terms in office, Obama has injected the American presidency deeper into popular culture than any of his predecessors. He and his wife Michelle have become iconic figures, celebrities of the first order.This book, by award-winning White House correspondent and presidential historian Kenneth T. Walsh, discusses how the Obamas reached this point. More important, it takes a detailed and comprehensive look at the history of America s presidents as celebrities in chief since the beginning of the Republic. Walsh makes the point that modern presidents need to be celebrities and build on their fame in order to propel their agendas and rally public support for themselves as national leaders so that they can get things done.Combining incisive historical analysis with a journalist s eye for detail, this book looks back to such presidents as George Washington and Abraham Lincoln as the forerunners of contemporary celebrity presidents. It examines modern presidents including Barack Obama, Bill Clinton, Ronald Reagan, John F. Kennedy, Franklin Roosevelt, and Theodore Roosevelt, each of whom qualified as a celebrity in his own time and place. The book also looks at presidents who fell short in their star appeal, such as George W. Bush, George H. W. Bush, Richard Nixon, and Lyndon Johnson, and explains why their star power was lacking.Among the special features of the book are detailed profiles of the presidents and how they measured up or failed as celebrities; an historical analysis of America s popular culture and how presidents have played a part in it, from sports and television to movies and the news media; the role of first ladies; and a portfolio of fascinating photos illustrating the intersection of the presidency with popular culture."