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"During the 10th century Buddhism blossomed in the far west of Tibet into unexpected magnificence and greatness. In breathtaking views of temple complexes that are no longer accessible to Western cameras, this volume shows for the first time anywhere in the world the masterly relics of that incomparable era that have survived to the present day, from both the Indian and the Tibetan side of the old Kingdom of Guge. The rulers of the Kingdom of Guge were patrons of the arts who invited Indian scholars to translate the texts of the Buddha into Tibetan, thereby preserving the teachings. At the same time they had a large number of temple complexes built and ornamented to create unique artworks by master craftsmen from Kashmir. Until well into the 17th century Guge experienced two golden ages in which the West Tibetan artistic style was perfected in monasteries like Tholing, Tsaparang and Dungkar. Together with "TABO -- Gods of Light: The Indo-Tibetan Masterpiece" this volume represents a unique overall view of the monastery art of Western Tibet"--Publisher's website.
Garland of Visions explores the generative relationships between artistic intelligence and tantric vision practices in the construction and circulation of visual knowledge in medieval South Asia. Shifting away from the traditional connoisseur approach, Jinah Kim instead focuses on the materiality of painting: its mediums, its visions, and especially its colors. She argues that the adoption of a special type of manuscript called pothi enabled the material translation of a private and internal experience of "seeing" into a portable device. These mobile and intimate objects then became important conveyors of many forms of knowledge—ritual, artistic, social, scientific, and religious—and spurred the spread of visual knowledge of Indic Buddhism to distant lands. By taking color as the material link between a vision and its artistic output, Garland of Visions presents a fresh approach to the history of Indian painting.
Winner, 2018 Edward Cameron Dimock, Jr. Prize in the Indian Humanities Buddhist representations of the cosmos across nearly two thousand years of history in Tibet, Nepal, and India show that cosmology is a rich language for the expression of diverse religious ideas, with cosmological thinking at the center of Buddhist thought, art, and practice. In Creating the Universe, Eric Huntington presents examples of visual art and architecture, primary texts, ritual ideologies, and material practices—accompanied by extensive explanatory diagrams—to reveal the immense complexity of cosmological thinking in Himalayan Buddhism. Employing comparisons across function, medium, culture, and history, he exposes cosmology as a fundamental mode of engagement with numerous aspects of religion, from preliminary lessons to the highest rituals for enlightenment. This wide-ranging work will interest scholars and students of many fields, including Buddhist studies, religious studies, art history, and area studies. Art History Publication Initiative. For more information, visit http://arthistorypi.org/books/creating-the-universe
During the period of disintegration of Tibet, in 923, the Water-Sheep year, Kyide Nyimagon, the undisputed lineage-holder of the Three Great Kings of Tibet, went first to Pureng Ralairu. In 934 of the Wood-horse year, Rala Kharmar was built. Gradually, Nyizung Kukhar was built, and after introducing a new law, Purang, Guge, Maryul and other areas were brought under his control. His son Thri Tashi Gon built Guge fort after carving the blue slate hill of Guge. Since then, 26 Kings ruled there for more than 700 years forming thereby a Guge kingdom of what came to be known as the Cap-size Small Kingdom in Upper Tibet. The author was born in Ruchang, Ngari of Tibet. He escaped in 1959 and sought political asylum in 1960. Graduated from Tibet Homes Foundation in 1973 and obtained BA Degree from Punjab University in 1977. He joined CTA as a junior clerk on 15th June 1977 and at the time of his retirement from CTA on 15th December 2012, he was working as general secretary. He has also authored other books like History of Ngari, Rosary of white Pearl a youngster’s ornament in Tibetan and Mount Kailash the White Mirror, Ngari Tibet in English.
The discovery of gold by a team of Mormon mill workers in 1848 sparked a frenzy that shook the world. People swarmed to California from as far as China and Australia. They came from England and France, from Ireland and Chile, leaving behind their families and everything they owned in the hope of making their fortunes in the new world. They came by ship and overland, braving Tierra del Fuego and the pestilences of Panama, lured by the promise of gold. In a spellbinding narrative that spans several continents, Brands brings the fervour and excitement of the gold rush vividly to life. The Age of Gold is narrative history at its best -- the astonishing tale of one of the most extraordinary speculative frenzies in history, told by a master historian.