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“A dense and scholarly book about . . . the relationship between the Nazi party and the occult . . . reveals stranger-than-fiction truths on every page.”—Daily Telegraph The Nazi fascination with the occult is legendary, yet today it is often dismissed as Himmler’s personal obsession or wildly overstated for its novelty. Preposterous though it was, however, supernatural thinking was inextricable from the Nazi project. The regime enlisted astrology and the paranormal, paganism, Indo-Aryan mythology, witchcraft, miracle weapons, and the lost kingdom of Atlantis in reimagining German politics and society and recasting German science and religion. In this eye-opening history, Eric Kurlander reveals how the Third Reich’s relationship to the supernatural was far from straightforward. Even as popular occultism and superstition were intermittently rooted out, suppressed, and outlawed, the Nazis drew upon a wide variety of occult practices and esoteric sciences to gain power, shape propaganda and policy, and pursue their dreams of racial utopia and empire. “[Kurlander] shows how swiftly irrational ideas can take hold, even in an age before social media.”—The Washington Post “Deeply researched, convincingly authenticated, this extraordinary study of the magical and supernatural at the highest levels of Nazi Germany will astonish.”—The Spectator “A trustworthy [book] on an extraordinary subject.”—The Times “A fascinating look at a little-understood aspect of fascism.”—Kirkus Reviews “Kurlander provides a careful, clear-headed, and exhaustive examination of a subject so lurid that it has probably scared away some of the serious research it merits.”—National Review
A look at Adolf Hitler’s residences and their role in constructing and promoting the dictator’s private persona both within Germany and abroad. Adolf Hitler’s makeover from rabble-rouser to statesman coincided with a series of dramatic home renovations he undertook during the mid-1930s. This provocative book exposes the dictator’s preoccupation with his private persona, which was shaped by the aesthetic and ideological management of his domestic architecture. Hitler’s bachelor life stirred rumors, and the Nazi regime relied on the dictator’s three dwellings—the Old Chancellery in Berlin, his apartment in Munich, and the Berghof, his mountain home on the Obersalzberg—to foster the myth of the Führer as a morally upstanding and refined man. Author Despina Stratigakos also reveals the previously untold story of Hitler’s interior designer, Gerdy Troost, through newly discovered archival sources. At the height of the Third Reich, media outlets around the world showcased Hitler’s homes to audiences eager for behind-the-scenes stories. After the war, fascination with Hitler’s domestic life continued as soldiers and journalists searched his dwellings for insights into his psychology. The book’s rich illustrations, many previously unpublished, offer readers a rare glimpse into the decisions involved in the making of Hitler’s homes and into the sheer power of the propaganda that influenced how the world saw him. “Inarguably the powder-keg title of the year.”—Mitchell Owen, Architectural Digest “A fascinating read, which reminds us that in Nazi Germany the architectural and the political can never be disentangled. Like his own confected image, Hitler’s buildings cannot be divorced from their odious political hinterland.”—Roger Moorhouse, Times
Heinz Linge worked with Adolf Hitler for a ten-year period from 1935 until the Führer’s death in the Berlin bunker in May 1945. He was one of the last to leave the bunker and was responsible for guarding the door while Hitler killed himself. During his years of service, Linge was responsible for all aspects of Hitler’s household and was constantly by his side. He claims that only Eva Braun stood closer to Hitler over these years. Here, Linge recounts the daily routine in Hitler’s household: his eating habits, his foibles, his preferences, his sense of humor, and his private life with Eva Braun. In fact, Linge believed Hitler’s closest companion was his dog Blondi. After the war Linge said in an interview, “It was easier for him to sign a death warrant for an officer on the front than to swallow bad news about the health of his dog.” Linge also charts the changes in Hitler’s character during their time together and his fading health during the last years of the war. During his last days, Hitler’s right eye began to hurt intensely and Linge was responsible for administering cocaine drops to kill the pain. In a number of instances—such as with the Stauffenberg bomb plot of July 1944—Linge gives an excellent eyewitness account of events. He also gives thumbnail profiles of the prominent members of Hitler’s “court”: Hess, Speer, Bormann and Ribbentrop amongst them. Though Linge held an SS rank, he claims not to have been a Nazi Party member. His profile of one of history’s worst demons is not blindly uncritical, but it is nonetheless affectionate. The Hitler that emerges is a multi-faceted individual: unpredictable and demanding, but not of an otherwise unpleasant nature.
A Guest of the Reich is the incredible true story of Gertrude “Gertie” Legendre, an American heiress taken prisoner by the Nazis. Born into a wealthy family, Legendre lived a charmed life in Jazz Age America. But when the Japanese attacked Pearl Harbor, she joined the OSS—the wartime spy organization that preceded the CIA—and headed to Europe. In 1944, while on leave, Legendre accidentally crossed the front lines along the Luxembourg–Germany border and was captured. The Nazis treated her as a “special prisoner” of the SS and moved her from city to city throughout Germany, where she witnessed the collapse of Hitler’s Reich as no other American did, before escaping into Switzerland. A gripping portrait of a multifaceted and deeply fascinating woman, A Guest of the Reich is a propulsive account of a little-known chapter in the history of World War II.
In 1933, shortly after assuming the office of president, Franklin D. Roosevelt became convinced that, Adolf Hitler would have to be got rid of if there was to be any assured peace in Europe. Upon being informed of Roosevelts veiled threat, on July 17, 1934 Hitler met with Reichsfuhrer SS Heinrich Himmler. Together they hatched a bold plot to assassinate the American president. The audacious venture would come to an end on the rain-swept deck of German Navy submarine U-575 off the coast of North Carolina shortly after midnight on November 13, 1935. This is the story of the fearless Nazi assassin charged with leading this secret mission, and the brave German-American woman who stood in his way.
Braiding strands of earthen insight with uproarious storytelling, Texas Hill Country legendary author Becky Patterson recreates the history of the Steiler Hill Ranch in twenty-four anecdotal chapters interspersed with original artwork. The result is a mixture of memoir and montage, treasure chest and tableau vivant of a world that’s beautiful, brash, and wonderfully heartbreaking. Patterson -- the daughter of Texas folk hero and self-proclaimed mayor of Luckenbach, Hondo Crouch -- has big shoes to fill and she does so successfully in this colorful collection of Hill Country and Texas ranch vignettes. Foreman and general cowboy guru Raymond Kuhlmann tells stories of the Goat King and German drinking songs, the buzzard traps and Mexican corridos that filled the nighttime pastures. First-person accounts and vivid historical narratives evoke the ranch’s past, overlaid with Patterson’s breathless personal histories of afternoons spent rescuing a doe in a nightgown, or saving a porcupine from a pack of dogs. This is a book that will connect you to whatever patch of earth you hold dear. It is poignant reminder of the landscapes we’ve forgotten to keep close, of the land that does not belong to us but simply is who we are. The Ranch That Was Us is an affectionate reminder to go outside and touch the earth that is you.
The Oxford Handbook of Carl Schmitt collects thirty original chapters on the diverse oeuvre of one of the most controversial thinkers of the twentieth century. Uniquely located at the intersection of law, the social sciences, and the humanities, it brings together sophisticated yet accessible interpretations of Schmitt's sprawling thought and complicated biography.
Every year, hundreds of American film schools graduate thousands of aspiring filmmakers. Very few of them, however, leave school prepared for the challenges that await or are fortunate enough to secure the financial backing of a major studio. This practical guide provides all necessary information for newcomers to the profession to get a movie made, information often left out of film school curricula. Topics include finding a project, breaking down a script, creating a production board, casting, budgeting, scouting locations, scheduling, dealing with actors, establishing set protocol, marketing, and many others. Throughout, real-life examples vividly illustrate the subject at hand. Bridging the gap between learning the craft of moviemaking and exercising that craft in the entertainment world, this manual is essential for all who seek a career in film. Instructors considering this book for use in a course may request an examination copy here.
Pulitzer Prize-winning historian John Toland’s classic, definitive biography of Adolf Hitler remains the most thorough, readable, accessible, and, as much as possible, objective account of the life of a man whose evil affect on the world in the twentieth century will always be felt. Toland’s research provided one of the final opportunities for a historian to conduct personal interviews with over two hundred individuals intimately associated with Hitler. At a certain distance yet still with access to many of the people who enabled and who opposed the führer and his Third Reich, Toland strove to treat this life as if Hitler lived and died a hundred years before instead of within his own memory. From childhood and obscurity to his desperate end, Adolf Hitler emerges , in Toland’s words, "far more complex and contradictory . . . obsessed by his dream of cleansing Europe Jews . . . a hybrid of Prometheus and Lucifer."