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Poetry. Marion Bethel was born in the Bahamas where she currently lives and works. Her writing has appeared in The Massachusetts Review, River City, and other journals and anthologies. She was awarded the Casa de las Americas Prize for her book of poetry, GUANAHANI, MY LOVE, in 1994. In 1997 she was at the Bunting Institute of Radcliffe College.
This two-volume encyclopedia profiles the contemporary culture and society of every country in the Americas, from Canada and the United States to the islands of the Caribbean and the many countries of Latin America. From delicacies to dances, this encyclopedia introduces readers to cultures and customs of all of the countries of the Americas, explaining what makes each country unique while also demonstrating what ties the cultures and peoples together. The Americas profiles the 40 nations and territories that make up North America, Central America, the Caribbean, and South America, including British, U.S., Dutch, and French territories. Each country profile takes an in-depth look at such contemporary topics as religion, lifestyle and leisure, cuisine, gender roles, dress, festivals, music, visual arts, and architecture, among many others, while also providing contextual information on history, politics, and economics. Readers will be able to draw cross-cultural comparisons, such as between gender roles in Mexico and those in Brazil. Coverage on every country in the region provides readers with a useful compendium of cultural information, ideal for anyone interested in geography, social studies, global studies, and anthropology.
"Bougainvillea Ringplay is the long awaited second collection by Marion Bethel, a poet who now establishes herself as one of the most necessary voices in Caribbean poetry. These poems are finely crafted works that reveal a mastery of syntax that one finds in only the most sophisticated poets. Her poems are rooted in the landscape of the Bahamas, and yet while we find the flora, the sea, the food, and the dialect, in them, we are never allowed to imagine this place as a cliche, or as a tourist location. Instead, Bethel's sharp sense of detail, her unsettling truth-telling, and the risks she takes with narratives about love and hurt in all kinds of relationships open for us an emotional intelligence that is arresting. History is constantly present for her, and it is hard to walk away from her poems without feeling as if you have finally met her homeland. These poems are sensual: the scent of vanilla; the sound of waves, radio, voices, sea; the taste of crab soup; the texture of hurricane wind, and the chaos of colors bombarding the eye. Bahamian poetry is being defined in the work of Marion Bethel and in Bougainvillea Ringplay it is being done with grace." --Book Jacket.
Philanthropy is commonly depicted as a universal practice and is either valued for supporting community transformation or critiqued for limiting social justice. However, dominant definitions and even popular connotations tend to privilege wealthy Western approaches. Using the Caribbean as a rich site of observance and concentrating on the island nation-state of The Bahamas, Get Involved! uncovers the hidden and under-documented activities of “philanthropy from below,” revealing a broader conception of philanthropy and civil society, especially within Black and other historically marginalized populations. Kim Williams-Pulfer draws on narrative analysis from enslavement to the current post-post-colonial moment, depicting the repertoires and practices of primarily Afro-Bahamians through the stories emerging from history (including the transnational observations of Zora Neale Hurston, social movements, and political and social institution building), the arts (from Junkanoo, literature, and visual practices), to the lived experiences of contemporary civil society leaders. Get Involved! shows the long history and continued significance of civil society and philanthropic engagement in The Bahamas, the circum-Caribbean, and the wider African Diaspora. Junkanoo is the national cultural festival of The Bahamas. It fosters a sense of community pride, identity, companionship, spirituality and unity. Watch a video about Junknoo: https://www.youtube.com/watch?v=tnMpMesNb1Q&t=14s
Winner of the Caribbean Studies Association's 2016 Barbara T. Christian Award for Best Book in the Humanities Tourists flock to the Caribbean for its beaches and spread more than just blankets and dollars. Indeed, tourism has overly affected the culture there. Resisting Paradise explores the import of both tourism and diaspora in shaping Caribbean identity. It examines Caribbean writers and others who confront the region's overdependence on the tourist industry and the many ways that tourism continues the legacy of colonialism. Angelique V. Nixon interrogates the relationship between culture and sex within the production of “paradise” and investigates the ways in which Caribbean writers, artists, and activists respond to and powerfully resist this production. Forms of resistance include critiquing exploitation, challenging dominant historical narratives, exposing tourism's influence on cultural and sexual identity in the Caribbean and its diaspora, and offering alternative models of tourism and travel. Resisting Paradise places emphasis on the Caribbean people and its diasporic subjects as travelers and as cultural workers contributing to alternate and defiant understandings of tourism in the region. Through a unique multidisciplinary approach to comparative literary analysis, interviews, and participant observation, Nixon analyzes the ways Caribbean cultural producers are taking control of representation. While focused mainly on the Anglophone Caribbean, the study covers a range of territories including Antigua, the Bahamas, Grenada, Haiti, Jamaica, as well as Trinidad and Tobago, to deliver a potent critique.
New York Times Bestselling and Goncourt Prize-Winning Author of The Anomaly Any man—or woman—who wants to hear nothing—or no more—about love should put this book down. Anna and Louise could be sisters, but they don’t know each other. They are both married with children, and for the most part, they are happy. On almost the same day, Anna, a psychiatrist, crosses paths with Yves, a writer, while Louise, a lawyer, meets Anna’s analyst, Thomas. Love at first sight is still possible for those into their forties and long-married. But when you have already mapped out a life path, a passionate affair can come at a high price. For our four characters, their lives are unexpectedly turned upside down by the deliciously inconvenient arrival of love. For Anna, meeting Yves has brought a flurry of excitement to her life and made her question her values, her reliable husband, and her responsibilities to her children. For Louise, a successful career woman in a stable and comfortable marriage, her routine is uprooted by the youthful passion she feels for Thomas. Thought-provoking, sophisticated, and, above all, amusing, Enough About Love captures the euphoria of desire through tender and unflinching portraits of husbands, wives, and lovers.
Nearly three decades after her pioneering anthology, Daughters of Africa, Margaret Busby curates an extraordinary collection of contemporary writing by 200 women writers of African descent, including Zadie Smith, Bernardine Evaristo and Chimamanda Ngozi Adichie. A glorious portrayal of the richness and range of African women's voices, this major international book brings together their achievements across a wealth of genres. From Antigua to Zimbabwe and Angola to the USA, overlooked artists of the past join key figures, popular contemporaries and emerging writers in paying tribute to the heritage that unites them, the strong links that endure from generation to generation, and their common obstacles around issues of race, gender and class. Bold and insightful, brilliant in its intimacy and universality, this landmark anthology honours the talents of African daughters and the inspiring legacy that connects them-and all of us.
WomanSpeak, A Journal of Writing and Art by Caribbean Women, is devoted to nurturing the creativity of contemporary Caribbean women writers and artists, to providing a forum that amplifies their voices, and preserves their work for future audiences. This new issue, Volume 8/2016, is especially themed, ""Letters to the Granddaughtes: Conjuring the Caribbean Women Writers of the Future."" New work by 27 writers and artists are collected in this new issue, including internationally recognized authors and painters, and some new voices as well. Their works are about love, pain, survival, migration, loss, justice, hope, resistance, transformation, truth-telling, and the importance of remembering and recording the stories of our lives so that the granddaughters, i.e., the coming generations of Caribbean women writers and artists, can take us with them into the future.
WomanSpeak, A Journal of Writing and Art by Caribbean Women, Vol.7, 2014, edited by Lynn Sweeting, brings together 30 contemporary women writers and painters of the Caribbean in a new collection especially themed, "Voices of Dissent: Writing and Art to Transform the Culture." Includes works by Opal Palmer Adisa, Lelawattee Manoo Rahming, Vahni Capildeo, Althea Romeo-Mark, Marion Bethel, Danielle Boodoo-Fortune, Sonia Farmer, Angelique V. Nixon and more. Founded in the nineties in The Bahamas, revived in 2011, WomanSpeak is the Little Journal That Could, in the beginning Sweeting's personal labor of love, growing now into an international literary journal with a Caribbean focus. A must read for women writers and painters everywhere, as well as students of women's studies and those who love women's writing and art.