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After a tiring and eventful school year Onizuka takes a break from the classroom and for his school break he decides escape the pressures of work by heading back home to the lazy surfers village of Shonan. Back in his hometown, he runs into friend of his significant other who runs an orphanage called the White Swan Youth Home. An orphan himself, Onizuka decides to help the home with hopes to help the kids in the same manner he does at school. This time round the GTO has a special case. He's got a good kid to look after. Seiya has his head on straight despite having a troubled home. And if there is anything the teen struggles with it possibly is how badly he wants to fix his family. Like many single-parent children, Seiya has an attachment to the lone parent that has been around. And even though this person has neglected him enough that he is now in child protection, Seiya's willing to risk his future and maybe his freedom to make things work out for his small family. If that means taking arms, then so be it! But the GTO is not going to let him off easily. You cannot pack heat without getting burned in his town! So Onizuka is going to show him what it means to shot someone. He's gonna let him experience being hunted down. The school of hard knocks is back in session!
In the fifth volume of 14 Days in Shonan, Eikichi Onizuka the Great Teacher has a very unique assignment to take on. Normally he spends most of his time teaching teens life lessons. He uses the school of hard knocks technique to open people's hearts. However in this situation the GTO must make an effort to reunite a child with his mother. He must also teach the child that sometimes choosing family is not the right solution. Everyone would like to have a happy household. Being able to sit by the dinner table to discuss the day's highlights is an ideal that is not reality for millions across the globe. And in the case of the teens at the White Swan such realities are generally fictitious because of a variety of reasons. That does not excuse anyone involved from wishing for such a life, but changing the hearts of adults often means changing their lives at their core. Words or fisticuffs will not be enough. So Seiya, a young man, who appears to be on the way to a pleasant self-reliant life, turns to violence to try to get his mother and family life back. But what happens when your very own mother is willing to take a knife at you? Well this is Seiya's reality. And this is one lesson Onizuka will hate to have taught. Then the spotlight turns to Onizuka's employer, Great Vice-Principal Uchiyamada. He's also in Shonan and on the hunt for Onizuka. But out of his element and turf, this educator is now caught up in a wild ride through the Tokyo suburbs.
After being abandoned by the rest of Class Four, Miyabi continues the mission to oust Onizuka from the Holy Forest.
After a tiring and eventful school year Onizuka takes a break from the classroom and for his school break he decides escape the pressures of work by heading back home to the lazy surfers village of Shonan. Back in his hometown, he runs into friend of his significant other who runs an orphanage called the White Swan Youth Home. An orphan himself, Onizuka decides to help the home with hopes to help the kids in the same manner he does at school. This time round the GTO has a special case. He's got a good kid to look after. Seiya has his head on straight despite having a troubled home. And if there is anything the teen struggles with it possibly is how badly he wants to fix his family. Like many single-parent children, Seiya has an attachment to the lone parent that has been around. And even though this person has neglected him enough that he is now in child protection, Seiya's willing to risk his future and maybe his freedom to make things work out for his small family. If that means taking arms, then so be it! But the GTO is not going to let him off easily. You cannot pack heat without getting burned in his town! So Onizuka is going to show him what it means to shot someone. He's gonna let him experience being hunted down. The school of hard knocks is back in session!
Super-cocky superstar Tetsuya Niizaki and Onizuka, the number one educator we want to see make it to homeroom teacher, duke it out in a national mudslinging match?! Tetsuya has no qualms about dragging tons of people into what begins as a (mostly) harmless spat with Onizuka, even if they might get hurt… but Great Teacher Onizuka has no problem dishing out some intense discipline on the swollen-headed singer in return! Don’t miss Onizuka’s outlandish signature style!
When your teacher is a former biker who hasn't fully abandoned his outlaw ways, learning experiences and life experiences go hand in hand. The return of Eikichi Onizuka--Great Teacher Onizuka--to his surfside hometown continues in this second act of 14 Days in Shonan. One of the sequels to the groundbreaking manga Great Teacher Onizuka calls the title character back to find chaos and corruption, with the kids of the White Swan Youth Home at risk amid the conflict. Menaced by the town's mayor, Onizuka is going to have to teach this power-hungry man a lesson he'll never forget, taking back his town and protecting the kids of his community. And if he has to resort to some lawbreaking tricks to scare some sense into him, that's a course he is more than willing teach.
Eikichi Onizuka, a 22-year-old ex-biker, tries to get a job as a high school teacher.
Meet Eikichi Onizuka, a 22-year-old virgin and ex-biker. He's crude, foul-mouthed, and has a split-second temper. His goal: to be the Greatest High School Teacher in the world! Onizuka may think he's the toughest guy on campus, but when he meets his class full of bullies, blackmailers and scheming sadists, he'll have to prove it. This content is from a former localization of this work and may contain phrases or scenes which were and are still offensive. Rather than omit this content, we have decided to present it in its original form to harbor conversation and growth among the community. Kodansha remains committed to the distribution of compelling stories worldwide, which serve as a lens through which we may view various communities.