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This is a publication of 201 letters written between 1918 and 1945 by members of the Edgeworth family of the Angelus community of Chesterfield County, SC. This is a story of survival and sacrifice of the Edgeworth family but it is not to say that this family had it any worse than any other members of this community or state during this era. The transcript contains detailed profiles of each family member, some of which is gleaned from the compiler's memories but mostly from the letters. The story begins as far back as 1871; however, the story in the Angelus community begins in 1913 when Sallie M. Edgeworth's husband died and she moved with her seven children to a cotton farm on County Road 33 in Chesterfield County, SC. The widow actually has to mortgage her crop of cotton, cotton seed, corn and fodder grown on her land for the amount of $10 at the general store. The family endured many hardships during this era but all pulled together to keep the family in tact.
Written when the composer was just 17 to 18 years of age, these romantic-styled pieces for piano trio were dedicated to 3 friends, Natalya, Lyudmila, and Vera Skalon. They feature a short passage that would later be used in Rachmaninoff's 2nd Piano Concerto, beginning the 2nd movement. It is an especially nice, and playable, ensemble concert piece, technically within the reach of late intermediate artists.
Papers from a session of the 32nd International Geological Congress.
This New York Times Notable memoir of a middle-class, middle-America family is a “beautiful bouquet of a book” (Entertainment Weekly). They say “a daughter is a daughter all her life,” and no statement could be truer for Patricia Hampl. Born to a Czech father—an artistic florist—and a wary Irish mother, Hampl experienced a childhood in St. Paul, Minnesota, that couldn’t have been more normal, the perfect example of a twentieth century middle-class, middle-American upbringing. But as she faces the death of her mother, Hampl reflects on the struggles her parents went through to provide that normal, boring existence, and her own struggles with fulfilling the role of dutiful daughter as she grew through the postwar years to the turbulent sixties and couldn’t help wanting to rebel against the notion of a “relentlessly modest life.” Named a Chicago Tribune Best Book of the Year, The Florist’s Daughter is Hampl’s most extraordinary work to date—a “quietly stunning” reminiscence of a Midwestern girlhood, and a reflection on what it means to be a daughter (People).
In two volumes. Volume I: 601 pages including a 522 page index of family names, in alphabetical order, describing the crest of every name listed and where to find an illustration in the volume of plates; a glossary of heraldic terms and other words; and nearly seventy pages of family mottoes with translations of those in Latin, French or other foreign languages. Volume II: contains 130 plates, each depicting 15 family crests in b&w and a further 18 plates illustrating regalia, insignia, crowns, flags, monograms, arms of principal cities etc. also in b&w. There is a key to all the plates which, in the case of the crests, shows which families have which crest.