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Alois Riegl (1858-1905) was one of the founding fathers of modern formalist criticism. As a member of the Vienna School of Art Historians, he shared their range of interests in the decorative arts, art in transition, conservation and monuments. This collection of critical essays examines various facets of Riegl's work and opens with a new translation of Hans Sedlmayr's famous, and notorious,Die Quintessenze der Lehren Riegls. Included is Julius von Schlosser's assessment of Riegl's contribution to the Vienna School of Art Historians as well as essays by a team of international scholars. This book offers a re-engagement with the ideas of one of the most important and neglected art historians of the 20th century.
This original study examines the interrelationship between the construction of national identity and the transformation of political thought in Germany before the First World War. During the decade or so before the war, the German Empire was challlenged openly by both left and right for the first time since the 1870s. Paradoxically, however, this pre-war crisis of Germanys system of government occurred during a period of increasing nationalism, which created a solid cross-party basis of support for the Empire as a nation-state. This pioneering study argues that Wilhelmine debates about the reform of the German Empire can only be understood in the context of a broader discussion and comparison of European and American political regimes which took place in Germany after the turn of the century. In such contemporary debates about a German Sonderwag, France remained a principal point of reference because French-style parliamentarism had come to be viewed as the main alternative to German constitutionalism. By analysing Wilhelmine depictions of the Third Republic, Dr Hewitson revises accepted interpretations of German politics and nationalism.
Reproduction of the original: A history of art in ancient Egypt by Georges Perrot, Charles Chipiez
Addressed to students of the image—both art historians and students of visual studies—this book investigates the history and nature of time in a variety of different environments and media as well as the temporal potential of objects. Essays will analyze such topics as the disparities of power that privilege certain forms of temporality above others, the nature of temporal duration in different cultures, the time of materials, the creation of pictorial narrative, and the recognition of anachrony as a form of historical interpretation.