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From the bestselling author of Lawrence in Arabia—the gripping story of four CIA agents during the early days of the Cold War—and how the United States, at the very pinnacle of its power, managed to permanently damage its moral standing in the world. “Enthralling … captivating reading.” —The New York Times Book Review At the end of World War II, the United States was considered the victor over tyranny and a champion of freedom. But it was clear—to some—that the Soviet Union was already seeking to expand and foment revolution around the world, and the American government’s strategy in response relied on the secret efforts of a newly formed CIA. Chronicling the fascinating lives of four agents, Scott Anderson follows the exploits of four spies: Michael Burke, who organized parachute commandos from an Italian villa; Frank Wisner, an ingenious spymaster who directed actions around the world; Peter Sichel, a German Jew who outwitted the ruthless KGB in Berlin; and Edward Lansdale, a mastermind of psychological warfare in the Far East. But despite their lofty ambitions, time and again their efforts went awry, thwarted by a combination of ham-fisted politicking and ideological rigidity at the highest levels of the government.
‘Growing up in the fifties was a time of isolation and innocence. We didn’t know what was going on in the rest of the world. We could only compare ourselves with those around us.’ So writes Max Lees in his reminiscence, ‘Freedom’, one of the 13 contributions to this delightful evocation of childhood edited by Susan Blackburn. An associate professor at Monash University and a specialist in Southeast Asian politics who grew up in suburban Adelaide, Blackburn asked friends and acquaintances to join her in trying to recreate the experience of childhood in that place in that time. Most of the memories in this book are of happy, sunlit childhoods, but there are shadows too. Polio was a constant fear and unwanted children were often neglected in orphanages. On the whole, though, the experiences of the contributors were positive and they look back on the fifties with enjoyment, inviting us into their childhood and teenage worlds.
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Beginning in 1945, America rocketed through a quarter-century of extraordinary economic growth, experiencing an amazing boom that soared to unimaginable heights in the 1960s. At one point, in the late 1940s, American workers produced 57 percent of the planet's steel, 62 percent of the oil, 80 percent of the automobiles. The U.S. then had three-fourths of the world's gold supplies. English Prime Minister Edward Heath later said that the United States in the post-War era enjoyed "the greatest prosperity the world has ever known." It was a boom that produced a national euphoria, a buoyant time of grand expectations and an unprecedented faith in our government, in our leaders, and in the American dream--an optimistic spirit which would be shaken by events in the '60s and '70s, and particularly by the Vietnam War. Now, in Grand Expectations, James T. Patterson has written a highly readable and balanced work that weaves the major political, cultural, and economic events of the period into a superb portrait of America from 1945 through Watergate. Here is an era teeming with memorable events--from the bloody campaigns in Korea and the bitterness surrounding McCarthyism to the assassinations of the Kennedys and Martin Luther King, to the Vietnam War, Watergate, and Nixon's resignation. Patterson excels at portraying the amazing growth after World War II--the great building boom epitomized by Levittown (the largest such development in history) and the baby boom (which exploded literally nine months after V-J Day)--as well as the resultant buoyancy of spirit reflected in everything from streamlined toasters, to big, flashy cars, to the soaring, butterfly roof of TWA's airline terminal in New York. And he shows how this upbeat, can-do mood spurred grander and grander expectations as the era progressed. Of course, not all Americans shared in this economic growth, and an important thread running through the book is an informed and gripping depiction of the civil rights movement--from the electrifying Brown v. Board of Education decision, to the violent confrontations in Little Rock, Birmingham, and Selma, to the landmark civil rights acts of 1964 and 1965. Patterson also shows how the Vietnam War--which provoked LBJ's growing credibility gap, vast defense spending that dangerously unsettled the economy, and increasingly angry protests--and a growing rights revolution (including demands by women, Hispanics, the poor, Native Americans, and gays) triggered a backlash that widened hidden rifts in our society, rifts that divided along racial, class, and generational lines. And by Nixon's resignation, we find a national mood in stark contrast to the grand expectations of ten years earlier, one in which faith in our leaders and in the attainability of the American dream was greatly shaken. The Oxford History of the United States The Oxford History of the United States is the most respected multi-volume history of our nation. The series includes three Pulitzer Prize winners, a New York Times bestseller, and winners of the Bancroft and Parkman Prizes. The Atlantic Monthly has praised it as "the most distinguished series in American historical scholarship," a series that "synthesizes a generation's worth of historical inquiry and knowledge into one literally state-of-the-art book." Conceived under the general editorship of C. Vann Woodward and Richard Hofstadter, and now under the editorship of David M. Kennedy, this renowned series blends social, political, economic, cultural, diplomatic, and military history into coherent and vividly written narrative.
New edition available: Sounds Like Home: Growing Up Black and Deaf in the South, 20th Anniversary Edition, ISBN 978-1-944838-58-4 Features a new introduction by scholars Joseph Hill and Carolyn McCaskill Mary Herring Wright's memoir adds an important dimension to the current literature in that it is a story by and about an African American deaf child. The author recounts her experiences growing up as a deaf person in Iron Mine, North Carolina, from the 1920s through the 1940s. Her story is unique and historically significant because it provides valuable descriptive information about the faculty and staff of the North Carolina school for Black deaf and blind students from the perspective of a student as well as a student teacher. In addition, this engrossing narrative contains details about the curriculum, which included a week-long Black History celebration where students learned about important Blacks such as Madame Walker, Paul Laurence Dunbar, and George Washington Carver. It also describes the physical facilities as well as the changes in those facilities over the years. In addition, Sounds Like Home occurs over a period of time that covers two major events in American history, the Depression and World War II. Wright's account is one of enduring faith, perseverance, and optimism. Her keen observations will serve as a source of inspiration for others who are challenged in their own ways by life's obstacles.
Written by a young human rights worker, "Silence on the Mountain" is a virtuoso work of reporting and a masterfully plotted narrative tracing the history of Guatemala's 36-year internal war, a conflict that claimed the lives of more than 200,000 people.
Does geography affect our sense of 'self'? How are social characteristics mapped out on the ground? And is there any 'authentic' sense of place now, or are we increasingly 'placeless'? Concentrating on the period between the end of the Second World War and the end of the century, this Reader argues that there is a reciprocal relationship between the constitution of places and people. What it means to be a man or a woman , to have a nationality and a sense of place, has been transformed and reinvented as our view of the world has changed. The present is perceived as a time of fear, a period in which all that is solid seems to melt into air, while the 1950s are a site of nostalgia, a period of clarity and certainty, a time when people know their place. Bringing together an interdisciplinary collection of articles for social and cultural geographers, this Reader critically examines the argument that the close associations of the 1950s between place (the home, the community and the nation state) and the social divisions (gender, class and nationality) are breaking down in the 1990s. Drawing out the oppositional movements in each decade, it seeks to show how the supposed stability of one and the mobility of the other are exaggerated.
Eldon Davis Rathburn (1916-2008), one of the most multi-dimensional, prolific, and endlessly fascinating composers of the twentieth century, wrote more music than any other Canadian composer of his generation. During a long and productive career that spanned seventy-five years, Rathburn served for thirty years as a staff composer with the National Film Board of Canada (1947-76), scored the first generation of IMAX films, and created a diverse catalogue of orchestral and chamber works. With the aid of extensive archival and documentary materials, They Shot, He Scored chronicles Rathburn's life and works, beginning with his formative years in Saint John, New Brunswick, and his breakthrough in Los Angeles in connection with Arnold Schoenberg and the LA Philharmonic Orchestra. The book follows his work at the NFB, his close encounters with some of the most celebrated international figures in his field, and his collaboration with the team of innovators who launched the IMAX film corporation. James Wright undertakes a close analytical reading of Rathburn's film and concert scores to outline his methods, compositional techniques, influences, and idiosyncratic approach to instrumentation, as well as his proto-postmodern proclivity for borrowing from diverse styles and genres. Authoritative and insightful, They Shot, He Scored illuminates the extraordinary career of an unsung creative force in the film and music industry.
A unique celebration of silence—in art, literature, nature, and spirituality—and an exploration of its ability to bring inner peace, widen our perspectives, and inspire the human spirit in spite of the noise of contemporary life. Silence is habitually overlooked—after all, throughout our lives, it has to compete with the cacophony of the outside world and our near-constant interior dialogue that judges, analyzes, compares, and questions. But, if we can get past this barrage, there lies a quiet place that’s well worth discovering. The Lost Art of Silence encourages us to embrace this pursuit and allow the warm light of silence to glow. Invoking the wisdom of many of the greatest writers, thinkers, contemplatives, historians, musicians, and artists, Sarah Anderson reveals the sublime nature of quiet that’s all too often undervalued. Throughout, she shares her own penetrating insights into the potential for silence to transform us. This celebration of silence invites us to widen our perspective and shows its power to inspire the human spirit in spite of the distracting noise of contemporary life.
In this uplifting and empowering call to action, Karol Jackowski, a nun for more than forty years, speaks out about her life and vocation, women in the Church, the sexual scandal in the priesthood and why the Catholic hierarchy won’t fix it, and how Catholics will take back their Church.