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The first expansive reference examining the texts and material culture related to children in ancient Israel Growing Up in Ancient Israel uses a child-centered methodology to investigate the world of children in ancient Israel. Where sources from ancient Israel are lacking, the book turns to cross-cultural materials from the ancient Near East as well as archaeological, anthropological, and ethnographic sources. Acknowledging that childhood is both biologically determined and culturally constructed, the book explores conception, birth, infancy, dangers in childhood, the growing child, dress, play, and death. To bridge the gap between the ancient world and today’s world, Kristine Henriksen Garroway introduces examples from contemporary society to illustrate how the Hebrew Bible compares with a Western understanding of children and childhood. Features: More than fifty-five illustrations illuminating the world of the ancient Israelite child An extensive investigation of parental reactions to the high rate of infant mortality and the deaths of infants and children An examination of what the gendering and enculturation process involved for an Israelite child
An informative memoir of kibbutz life that reveal a piece of Israel's early story that should not be forgotten.
Looks at the lives of three young Palestinian fighters caught up in the second Palestinian Intifada and examines the recent history of the Israeli-Palestinian conflict and the cross-generational differences and divisions in religious, cultural, and social views.
* A comprehensive historical account of the primary Jewish communities of India, their synagogues, and unique Indian Jewish custom* The essays and over 150 images in the book explore how Indian Jews retained their unique characteristics, as well as became integrated into the larger society of India* Includes the memoir of growing up Jewish in India by Siona Benjamin, and an analysis of her trans-cultural artGrowing Up Jewish in India offers an historical account of the primary Jewish communities of India, their synagogues, and unique Indian Jewish customs. It offers an investigation both within Jewish India and beyond its borders, tracing how Jews arrived in the vast subcontinent at different times from different places and have both inhabited dispersed locations within the larger Indian world, and ultimately created their own diaspora within the larger Jewish diaspora by relocating to other countries, particularly Israel and the United States. The text and its rich complement of over 150 images explore how Indian Jews retained their unique characteristics as Jews, became well-integrated into the larger society of India as Indians, and have continued to offer a synthesis of cultural qualities wherever they reside. Among the outcomes of these developments is the unique art of Siona Benjamin, who grew up in the Bene Israel community of Mumbai and then moved to the US, and whose art reflects Indian and Jewish influences as well as concepts like Tikkun olam (Hebrew for 'repairing the world'). In combining discussions of the Indian Jewish communities with Benjamin's own story and an analysis of her artistic output - and in introducing these narratives within the larger story of Jews across eastern Asia - this volume offers a unique verbal and visual portrait of a significant slice of Indian and Jewish culture and tradition. It would be of interest to Jews and non-Jews, Indian and non-Indian alike, as well as to history enthusiasts and the general reader interested in art and culture.
A Little Piece Of Ground will help young readers understand more about one of the worst conflicts afflicting our world today. Written by Elizabeth Laird, one of Great Britain’s best-known young adult authors, A Little Piece Of Ground explores the human cost of the occupation of Palestinian lands through the eyes of a young boy. Twelve-year-old Karim Aboudi and his family are trapped in their Ramallah home by a strict curfew. In response to a Palestinian suicide bombing, the Israeli military subjects the West Bank town to a virtual siege. Meanwhile, Karim, trapped at home with his teenage brother and fearful parents, longs to play football with his friends. When the curfew ends, he and his friend discover an unused patch of ground that’s the perfect site for a football pitch. Nearby, an old car hidden intact under bulldozed building makes a brilliant den. But in this city there’s constant danger, even for schoolboys. And when Israeli soldiers find Karim outside during the next curfew, it seems impossible that he will survive. This powerful book fills a substantial gap in existing young adult literature on the Middle East. With 23,000 copies already sold in the United Kingdom and Canada, this book is sure to find a wide audience among young adult readers in the United States.
This book is a result of the growing public and academic interest in the variety of childhoods that take place side by side in the multicultural state of Israel, despite its tiny geographical dimensions. In a collection of groundbreaking articles, the book describes various features of Israeli childhoods – in the present and recent past – in both Arab and Jewish societies. The first section of the book - 'Childhood and Environment in Israel' - addresses the various spaces in which childhood practices occurred and still occur in Israel – the intimate home environment, the educational environment, playgrounds, and many others. The second section – 'Childhoods and Power Structures in Israeli Literature' illuminates the perceptions and images of childhood, and describes the extensive and heterogenic variety of childhood representations in Jewish and Arab literature. Scholars of culture, society, education, and literature – Jews and Arabs – have joined forces to encourage in-depth thinking about perceptions of childhood in the diverse Israeli society, the status of children in Arab and Jewish societies, and the resources invested to nurture them from a global aspect (as individuals with universal duties and rights) and/or a local point of view (as a national asset, as designers of the nation's future, or, alternatively, as a burden, nuisance or threat).
Many years after making his way to America from Odessa in Soviet Ukraine, Emil Draitser made a startling discovery: every time he uttered the word "Jewish"—even in casual conversation—he lowered his voice. This behavior was a natural by-product, he realized, of growing up in the anti-Semitic, post-Holocaust Soviet Union, when "Shush!" was the most frequent word he heard: "Don't use your Jewish name in public. Don't speak a word of Yiddish. And don't cry over your murdered relatives." This compelling memoir conveys the reader back to Draitser's childhood and provides a unique account of midtwentieth-century life in Russia as the young Draitser struggles to reconcile the harsh values of Soviet society with the values of his working-class Jewish family. Lively, evocative, and rich with humor, this unforgettable story ends with the death of Stalin and, through life stories of the author's ancestors, presents a sweeping panorama of two centuries of Jewish history in Russia.
Thirty-six people tell of their experiences growing up in the midst of the conflict between Israel and Palestine; Shelved in fiction area.
Like Anne Frank, Hilde Jacobsthal was born in Germany and brought up in Amsterdam, where the two families became close. Unlike Anne Frank, she survived the war, and Otto Frank was to become godfather to Rita, her first daughter. "I am the child of a woman who survived the Holocaust not by the skin of her teeth but heroically. This book tells the story of my mother's dramatic life before, during and after the Nazi invasion of the Netherlands in 1940. "I wrote Motherland because I wanted to understand a story which had become a kind of family myth. My mother's life could be seen as a narrative of the twentieth century; along with my father she was present and active at many of its significant moments." Rita Goldberg Hilde Jacobsthal was fifteen when the Nazis invaded Holland. After the arrest of her parents in 1943 she fled to Belgium, where she went into hiding and worked with the Resistance at night. She was liberated by the American army in 1944. In April 1945 she volunteered with a British Red Cross Unit to go to the relief of Bergen-Belsen, which had itself been liberated one week before her arrival. The horror and devastation were overwhelming, but despite her shock and grief she stayed at the camp for two years, helping with the enormous task of recovery. Sorrow and exuberance went hand in hand as the young people at Belsen found renewed life and each other. Hilde got to know Hanns Alexander (subject of the recently published Hanns and Rudolf), who was on the British War Crimes Commission, and, eventually, a Swiss doctor called Max Goldberg. Motherland is the culmination of a lifetime of reflection and a decade of research. Rita Goldberg enlarges the story she heard from her mother with historical background. She has talked with her about the minutest details of her life and pored over her papers, exploring not only her mother's life but her own. Complicated feelings are explored lightly as Rita takes the story beyond Bergen-Belsen, where paradoxically her parents met and fell in love; beyond Israel's War of Independence where they both volunteered, and on to the next chapter of their lives in the US. A deeply moving story, Motherland will become an essential text about World War II, the Holocaust and the survival of the spirit.
Gittel and her mother were supposed to immigrate to America together, but when her mother is stopped by the health inspector, Gittel must make the journey alone. Her mother writes her cousin’s address in New York on a piece of paper. However, when Gittel arrives at Ellis Island, she discovers the ink has run and the address is illegible! How will she find her family? Both a heart-wrenching and heartwarming story, Gittel’s Journey offers a fresh perspective on the immigration journey to Ellis Island. The book includes an author’s note explaining how Gittel’s story is based on the journey to America taken by Lesléa Newman’s grandmother and family friend.