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A Little Piece Of Ground will help young readers understand more about one of the worst conflicts afflicting our world today. Written by Elizabeth Laird, one of Great Britain’s best-known young adult authors, A Little Piece Of Ground explores the human cost of the occupation of Palestinian lands through the eyes of a young boy. Twelve-year-old Karim Aboudi and his family are trapped in their Ramallah home by a strict curfew. In response to a Palestinian suicide bombing, the Israeli military subjects the West Bank town to a virtual siege. Meanwhile, Karim, trapped at home with his teenage brother and fearful parents, longs to play football with his friends. When the curfew ends, he and his friend discover an unused patch of ground that’s the perfect site for a football pitch. Nearby, an old car hidden intact under bulldozed building makes a brilliant den. But in this city there’s constant danger, even for schoolboys. And when Israeli soldiers find Karim outside during the next curfew, it seems impossible that he will survive. This powerful book fills a substantial gap in existing young adult literature on the Middle East. With 23,000 copies already sold in the United Kingdom and Canada, this book is sure to find a wide audience among young adult readers in the United States.
Why and how Boston was transformed by landmaking. Fully one-sixth of Boston is built on made land. Although other waterfront cities also have substantial areas that are built on fill, Boston probably has more than any city in North America. In Gaining Ground historian Nancy Seasholes has given us the first complete account of when, why, and how this land was created.The story of landmaking in Boston is presented geographically; each chapter traces landmaking in a different part of the city from its first permanent settlement to the present. Seasholes introduces findings from recent archaeological investigations in Boston, and relates landmaking to the major historical developments that shaped it. At the beginning of the nineteenth century, landmaking in Boston was spurred by the rapid growth that resulted from the burgeoning China trade. The influx of Irish immigrants in the mid-nineteenth century prompted several large projects to create residential land—not for the Irish, but to keep the taxpaying Yankees from fleeing to the suburbs. Many landmaking projects were undertaken to cover tidal flats that had been polluted by raw sewage discharged directly onto them, removing the "pestilential exhalations" thought to cause illness. Land was also added for port developments, public parks, and transportation facilities, including the largest landmaking project of all, the airport. A separate chapter discusses the technology of landmaking in Boston, explaining the basic method used to make land and the changes in its various components over time. The book is copiously illustrated with maps that show the original shoreline in relation to today's streets, details from historical maps that trace the progress of landmaking, and historical drawings and photographs.
Wyoming State Historical Society, First Place - Publications Category. Best Multicultural Fiction Book of 2021 by American Book Fest. Category Finalist for the 2022 Eric Hoffer Book Award. 2022 IPPY Award Bronze Medal Winner for Best Regional Fiction Does time heal all wounds? Or do some last forever? Pennsylvania, 1971: Graham Davidson is a young man with survivor's guilt after the death of three siblings. Estranged from his father and seeking a direction in his life, Graham learns about vision quests from a Crow Indian. He secures seasonal employment in Yellowstone National Park and embarks on a spiritual journey. Wyoming Territory, 1871: Under a full moon at a sacred thermal area, Graham finds himself in Yellowstone a century earlier - one year before it was established as a national park. He joins the Hayden Expedition which was commissioned to explore the region. Although a military escort provides protection for the explorers, the cavalry's notorious lieutenant threatens Graham. His perilous journey through the future park is marred by a horrific tragedy in a geyser basin, a grizzly bear attack, and an encounter with hostile Blackfeet Indians. Graham falls in love with Makawee, a beautiful Crow woman who serves as a guide. As the expedition nears its conclusion, Graham is faced with an agonizing decision. Does he stay in the previous century with the woman he loves or travel back to the future? If you like the historical time travel adventure of Outlander or enjoyed the movie "Dances with Wolves," then you'll love Burning Ground!
A book without words, recounting a day in the life of an office worker, told completely in the symbols, icons, and logos of modern life. Twenty years ago I made Book from the Sky, a book of illegible Chinese characters that no one could read. Now I have created Book from the Ground, a book that anyone can read. —Xu Bing Following his classic work Book from the Sky, the Chinese artist Xu Bing presents a new graphic novel—one composed entirely of symbols and icons that are universally understood. Xu Bing spent seven years gathering materials, experimenting, revising, and arranging thousands of pictograms to construct the narrative of Book from the Ground. The result is a readable story without words, an account of twenty-four hours in the life of “Mr. Black,” a typical urban white-collar worker. Our protagonist's day begins with wake-up calls from a nearby bird and his bedside alarm clock; it continues through tooth-brushing, coffee-making, TV-watching, and cat-feeding. He commutes to his job on the subway, works in his office, ponders various fast-food options for lunch, waits in line for the bathroom, daydreams, sends flowers, socializes after work, goes home, kills a mosquito, goes to bed, sleeps, and gets up the next morning to do it all over again. His day is recounted with meticulous and intimate detail, and reads like a postmodern, post-textual riff on James Joyce's account of Bloom's peregrinations in Ulysses. But Xu Bing's narrative, using an exclusively visual language, could be published anywhere, without translation or explication; anyone with experience in contemporary life—anyone who has internalized the icons and logos of modernity, from smiley faces to transit maps to menus—can understand it.
As a pandemic and racial reckoning exposed society's faults, Christian thinkers were laying the groundwork for a better future. A public health and economic crisis provoked by Covid-19. A social crisis cracked open by the filmed murder of George Floyd. A leadership crisis laid bare as the gravity of a global pandemic met a country suffocating in political polarization and idolatry. In the spring of 2020 Comment and Plough magazines created a joint publishing project that would tap the resources of the Christian humanist tradition to respond collaboratively and imaginatively to these crises. This volume, written in real time during a year that revealed the depths of our society's fissures, provides a wealth of proposals and reflections on what should come after: how we can truly renew our civilization. Breaking Ground has grown into a network of institutions and people that will continue to respond to these ongoing challenges with a deeply Christian and human vision for the future. Contributors include Anthony Barr, Marilynne Robinson, N. T. Wright, Adam Carrington, Gregory Thompson, Shadi Hamid, Rachel Anderson, John Clair, Christine Emba, Jennifer Frey, Michael Wear, David Grubbs, John Milbank, Mark Noll, Michael Lamb, Joe Nail, Charles Camosy, Dante Stewart, Katherine Boyle, Duke Kwon, Gracy Olmstead, Phil Christman, Brad Littlejohn, Brandon Mcginley, Oliver O Donovan, Amy Julia Becker, Chris Lambert, Benya Kraus, Carlo Lancellotti, Luke Bretherton, Jake Meador, Jeffrey Bilbro, Mark Gerzon, Cherie Harder, Susannah Black, Joe Boland, Patrick Pierson, Samuel Kimbriel, Kurt Armstrong, Patrick Tomassi, Chris Lambert, Stuart Mcalpine, Elayne Allen, Mack Mccarter, Father Jack Wall, Myles Werntz, Tobias Cremer, Doug Sikkema, E. J. Hutchinson, J. L. Wall, Joel Halldorf, Aryana Petrosky Roberts, Chelsea Langston Bambino, Dhananjay Jagannathan, Dwan Dandridge, Erin And David Leaverton, Heather C. O'Haneson, Irena Dragas Jansen, James Matthew Wilson, Joseph M Keegin, Joshua Bambino, and L. M. Sacasas.
From the National Book Award-winning author of Redeployment and Missionaries, an astonishing fever graph of the effects of twenty years of war in a brutally divided America. When Phil Klay left the Marines a decade ago after serving as an officer in Iraq, he found himself a part of the community of veterans who have no choice but to grapple with the meaning of their wartime experiences—for themselves and for the country. American identity has always been bound up in war—from the revolutionary war of our founding, to the civil war that ended slavery, to the two world wars that launched America as a superpower. What did the current wars say about who we are as a country, and how should we respond as citizens? Unlike in previous eras of war, relatively few Americans have had to do any real grappling with the endless, invisible conflicts of the post-9/11 world; in fact, increasingly few people are even aware they are still going on. It is as if these wars are a dark star with a strong gravitational force that draws a relatively small number of soldiers and their families into its orbit while remaining inconspicuous to most other Americans. In the meantime, the consequences of American military action abroad may be out of sight and out of mind, but they are very real indeed. This chasm between the military and the civilian in American life, and the moral blind spot it has created, is one of the great themes of Uncertain Ground, Phil Klay’s powerful series of reckonings with some of our country’s thorniest concerns, written in essay form over the past ten years. In the name of what do we ask young Americans to kill, and to die? In the name of what does this country hang together? As we see at every turn in these pages, those two questions have a great deal to do with each another, and how we answer them will go a long way toward deciding where our troubled country goes from here.
When it comes to Confederate monuments, there is no common ground. Polarizing debates over their meaning have intensified into legislative maneuvering to preserve the statues, legal battles to remove them, and rowdy crowds taking matters into their own hands. These conflicts have raged for well over a century--but they've never been as intense as they are today. In this eye-opening narrative of the efforts to raise, preserve, protest, and remove Confederate monuments, Karen L. Cox depicts what these statues meant to those who erected them and how a movement arose to force a reckoning. She lucidly shows the forces that drove white southerners to construct beacons of white supremacy, as well as the ways that antimonument sentiment, largely stifled during the Jim Crow era, returned with the civil rights movement and gathered momentum in the decades after the Voting Rights Act of 1965. Monument defenders responded with gerrymandering and "heritage" laws intended to block efforts to remove these statues, but hard as they worked to preserve the Lost Cause vision of southern history, civil rights activists, Black elected officials, and movements of ordinary people fought harder to take the story back. Timely, accessible, and essential, No Common Ground is the story of the seemingly invincible stone sentinels that are just beginning to fall from their pedestals.
WINNER OF THE COSTA NOVEL AWARD 2021 SHORTLISTED FOR THE WOMEN'S PRIZE 2021 'Her strongest yet... a powerful, beautiful novel that shows us our land as it really is: a place of shelter and cruelty, innocence and experience' THE TIMES __________________________________________________________________________ When you live on the edge of society, it only takes one step to fall between the cracks Twins Jeanie and Julius have always been different from other people. At 51 years old, they still live with their mother, Dot, in rural isolation and poverty. Inside the walls of their old cottage they make music, and in the garden they grow (and sometimes kill) everything they need for sustenance. But when Dot dies suddenly, threats to their livelihood start raining down. Jeanie and Julius would do anything to preserve their small sanctuary against the perils of the outside world, even as their mother's secrets begin to unravel, putting everything they thought they knew about their lives at stake. Unsettled Ground is a powerful novel of betrayal and resilience, love and survival. It is a portrait of life on the fringes of society that explores with dazzling emotional power how we can build our lives on broken foundations, and spin light from darkness. ____________________________________________________________________ 'The way she writes (with empathy but never sentimentality) moves my heart' ELIZABETH DAY, author of Magpie 'A relevant and powerful exploration of isolation and life on the fringes of society' CLARE MACKINTOSH, author of Hostage 'An atmospheric thriller that's both heartbreaking and heartwarming' RED
A groundbreaking tour of Southern craft bakeries featuring more than 75 rich, grain-forward recipes, from one of the leaders of the cold stone-milled flour movement in the South. NAMED ONE OF THE BEST COOKBOOKS OF THE YEAR BY GARDEN & GUN • “I felt like I was there, on the journey with Jennifer Lapidus herself, as I read her beautifully written book.”—Peter Reinhart, author of The Bread Baker’s Apprentice At Carolina Ground flour mill in Asheville, North Carolina, Jennifer Lapidus is transforming bakery offerings across the southern United States with intensely flavorful flour, made from grains grown and cold stone–milled in the heart of the South. While delivering extraordinary taste, texture, and story, cold stone-milled flour also allows bakers to move away from industrial commodity flours to create sustainable and artisanal products. In Southern Ground, Lapidus celebrates the incredible work of craft bakers from all over the South. With detailed profiles on top Southern bakers and more than seventy-five highly curated recipes arranged by grain, Southern Ground harnesses the wisdom and knowledge that the baking community has gained. Lapidus showcases superior cold stone-milled flour and highlights the importance of baking with locally farmed ingredients, while providing instruction and insight into how to use and enjoy these geographically distinct flavor-forward flours. Southern Ground is a love letter to Southern baking and a call for the home baker to understand the source and makeup of the most important of ingredients: flour.
In 2003, a backhoe operator hired by the state of Washington to work on the Port Angeles waterfront discovered what a larger world would soon learn. The place chosen to dig a massive dry dock was atop one of the largest and oldest Indian village sites ever found in the region. Yet the state continued its project, disturbing hundreds of burials and unearthing more than 10,000 artifacts at Tse-whit-zen village, the heart of the long-buried homeland of the Klallam people. Excitement at the archaeological find of a generation gave way to anguish as tribal members working alongside state construction workers encountered more and more human remains, including many intact burials. Finally, tribal members said the words that stopped the project: "Enough is enough." Soon after, Lower Elwha Klallam Tribe chairwoman Frances Charles asked the state to walk away from more than $70 million in public money already spent on the project and find a new site. The state, in an unprecedented and controversial decision that reverberated around the nation, agreed. In search of the story behind the story, Seattle Times reporter Lynda V. Mapes spent more than a year interviewing tribal members, archaeologists, historians, city and state officials, and local residents and business leaders. Her account begins with the history of Tse-whit-zen village, and the nineteenth- and twentieth-century impacts of contact, forced assimilation, and industrialization. She then engages all the voices involved in the dry dock controversy to explore how the site was chosen, and how the decisions were made first to proceed and then to abandon the project, as well as the aftermath and implications of those controversial choices. This beautifully crafted and compassionate account, illustrated with nearly 100 photographs, illuminates the collective amnesia that led to the choice of the Port Angeles construction site. "You have to know your past in order to build your future," Charles says, recounting the words of tribal elders. Breaking Ground takes that teaching to heart, demonstrating that the lessons of Tse-whit-zen are teachings from which we all may benefit. A Capell Family Book