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engag­ing biog­ra­phy of Edgar Allen Poethe com­plete text in a mod­ern, read­able typefacean illus­trated pub­lish­ing his­tory of the talestime­line in colour of Poe's worldcolour map of Poe's America
A truly creepy book of truly grotesque tales.
A Gothic Fantasy supplement for old-school fantasy role-playing games. This book contains house rules, random tables, new spells, new monsters, and a campaign setting for Gothic Fantasy adventures in the old-school fantasy RPG system of your choice.
One of American's foremost authors ventures into dark, uncharted territories of the human psyche in a collection of stories that rival the work of Edgar Allan Poe. Oates is the 1994 recipient of the Bram Stoker Award for Lifetime Achievement given by the Horror Writers of America.
THE MONSTERS ARE DUE ON BAKER STREET! Between the shadowy realms of fear and the unforgiving glare of science lies a battleground of unspeakable horror. In vile alleyways with blood-slick cobblestones, impenetrable fog, and the wan glow of gaslight, lurk the inhuman denizens of nightmare. CAN REASON PREVAIL WHEN ELIMINATING THE IMPOSSIBLE IS NO LONGER AN OPTION? Faced with his worst fears, Sherlock Holmes has his faith in the science of observation and deduction shaken to the core in 13 all-new tales of terror from today's modern masters of the macabre!
This exuberantly spooky novel, in which horror, repressed eroticism, and sulfurous social comedy intertwine like the vines in an overgrown English garden, is now a major motion picture, starring Alan Bates, Sting, and Theresa Russell.
From the moment I got to Auschwitz I was completely detached. I disconnected my heart and intellect in an act of self-defense, despair, and hopelessness." With these words Sara Nomberg-Przytyk begins this painful and compelling account of her experiences while imprisoned for two years in the infamous death camp. Writing twenty years after her liberation, she recreates the events of a dark past which, in her own words, would have driven her mad had she tried to relive it sooner. But while she records unimaginable atrocities, she also richly describes the human compassion that stubbornly survived despite the backdrop of camp depersonalization and imminent extermination. Commemorative in spirit and artistic in form, Auschwitz convincingly portrays the paradoxes of human nature in extreme circumstances. With consummate understatement Nomberg-Przytyk describes the behavior of concentration camp inmates as she relentlessly and pitilessly examines her own motives and feelings. In this world unmitigated cruelty coexisted with nobility, rapacity with self-sacrifice, indifference with selfless compassion. This book offers a chilling view of the human drama that existed in Auschwitz. From her portraits of camp personalities, an extraordinary and horrifying profile emerges of Dr. Josef Mengele, whose medical experiments resulted in the slaughter of nearly half a million Jews. Nomberg-Przytyk's job as an attendant in Mengle's hospital allowed her to observe this Angel of Death firsthand and to provide us with the most complete description to date of his monstrous activities. The original Polish manuscript was discovered by Eli Pfefferkorn in 1980 in the Yad Vashem Archive in Jerusalem. Not knowing the fate of the journal's author, Pfefferkorn spent two years searching and finally located Nomberg-Przytyk in Canada. Subsequent interviews revealed the history of the manuscript, the author's background, and brought the journal into perspective.
A collection of fantastical and macabre Gullah-inspired folklore that illuminates African-American life in nineteenth-century South Carolina. You ask for a story. I will tell you one, fact for fact and true for true. . . . So begins “Crook-Neck Dick,” one of twenty-three stories in this beguiling collection of Charleston lore. John Bennett’s interpretations of the legends shared with him by African-descended Charlestonians have entertained generations. Among them are tales of ghosts, conjuring, superhuman feats, and supernatural powers; accounts of ingenuity, humor, terror, mystery, and solidarity will enchant folklorists, students of Charleston history, and all those who love a good ghost story. Julia Eichelberger, the Marybelle Higgins Howe Professor of Southern Literature and an executive board member of the Center for Study of Slavery at the College of Charleston in South Carolina, provides an introduction. “A collection of folk story, myth, drolleries, macabre unreason . . . old tales of death, mystery, bizarre incredibilities, diabolic influence, demanding ghosts, buried treasure, enchantments, miracles, visitations, and the dead that are not dead.” —Kirkus Reviews
Ambiguous Bodies draws from theories of the grotesque to examine many of the strange and extraordinary creatures and phenomena in the premodern Japanese tales called setsuwa. Grotesque representations in general typically direct our attention to unfinished and unrefined things; they are marked by an earthy sense of the body and an interest in the physical. Because they have many meanings, they can both sustain and undermine authority. This book aims to make sense of grotesque representations in setsuwa—animated detached body parts, unusual sexual encounters, demons and shape-shifting or otherwise wondrous animals—and, in a broader sense, to show what this type of critical focus can reveal about the mentality of Japanese people in the ancient, classical, and early medieval periods. It is the first study to place Japanese tales of this nature, which have received little critical attention in English, within a sophisticated theoretical framework. Li masterfully and rigorously focuses on these fascinating tales in the context of the historical periods in which they were created and compiled.