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With Agnes being cared for in a nursing home, Griselda explores new personal freedom while a new mystery dominates the town gossip.
The Prayers of Agnes Sparrow is the story of an unusual woman, Agnes Sparrow. No longer able or willing to leave her home, where she is cared for by her long-suffering sister Griselda, Agnes has committed her life to the one thing she can do—besides eat. Agnes Sparrow prays and when Agnes prays things happen, including major miracles of the cancer, ulcer-healing variety along with various minor miracles not the least of which is the recovery of lost objects and a prize-winning pumpkin. The rural residents of Bright’s Pond are so enamored with Agnes they plan to have a sign erected on the interstate that reads, “Welcome to Bright’s Pond, Home of Agnes Sparrow.” This is something Agnes doesn’t want and sends Griselda to fight city hall. Griselda’s petitions are shot down and the sign plans press forward until a stranger comes to town looking for his miracle from Agnes. The truth of Agnes’s odd motivation comes out when the town reels after the murder of a beloved community member. How could Agnes allow such evil in their midst? Didn’t she know? Well, the prayers of Agnes Sparrow have more to do with Agnes than God. Agnes has been praying to atone for a sin committed when she was a child. After some tense days, the townsfolk, Griselda, and Agnes decide they all need to find their way back to the true source of the miracles—God.
Newly widowed Charlotte Figg purchases a double-wide trailer sight unseen and moves to the Paradise Trailer Park with her dog Lucky. Unfortunately, neither the trailer nor Paradise are what Charlotte expected. Her trailer is a ramshackle old place in need of major repair, and the people of Paradise are harboring more secrets than Bayer has aspirin. Charlotte’s new friend Rose Tattoo learns that Charlotte played softball and convinces her to rally the women of Paradise into a team. Reluctant at first, Charlotte warms to the notion and is soon coaching the Paradise Angels. Meanwhile, Charlotte discovers that the manager of Paradise, Fergus Wrinkel, abuses his wife Suzy. Charlotte sets out to find a way to save Suzy from Fergus and in the process comes to a difficult realization about her own painful marriage.
A princess must win back her kingdom, save a prince, and restore peace in this fantasy by the #1 New York Times–bestselling author of the Splintered series. After Lyra—a princess incapable of speech or sound—is cast out of her kingdom of daylight by her wicked aunt, a witch saves her life, steals her memories, and raises her in an enchanted forest…disguised as a boy known only as Stain. Meanwhile, in Lyra’s rival kingdom, the prince of thorns and night is dying, and the only way for him to break his curse is to wed the princess of daylight—for she is his true equal. As Lyra finds her way back to her identity, an imposter princess prepares to steal her betrothed prince and her crown. To win back her kingdom, save the prince, and make peace with the land of the night, Lyra must be loud enough to be heard without a voice, and strong enough to pass a series of tests—ultimately proving she’s everything a traditional princess is not. “A decadent fantasy anchored in childhood delights with vibrantly detailed writing and brilliantly theatrical subplots.” —Kirkus Reviews “[A] reimagining of “The Princess and the Pea” . . . An emotionally complex tale of fate, inner beauty, and found family that illustrates the strength of love born from friendship.” —Publishers Weekly
DigiCat Publishing presents to you this special edition of "Griselda" (A society novel in rhymed verse) by Wilfrid Scawen Blunt. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
The Big Book of Fairytales & Fantasy Classics' draws together an impressive array of narratives, weaving a rich tapestry of magic, whimsy, and profound insight. This collection is marked by its diversity, showcasing a range of literary styles from the Victorian enchanted forests to the daring adventures of the early 20th century. It is a seminal anthology that brings to light the profound impact these genres have had on the literary landscape, featuring works that have captivated readers' imaginations for generations. The anthology, without focusing on individual authors, highlights significant contributions that have become benchmarks of the fantasy and fairytale genres. The contributing authors, including luminaries such as Lewis Carroll and Hans Christian Andersen, bring a wealth of background that spans continents and centuries. Collectively, they represent pivotal movements in literature, from Romanticism to the nascent steps of Modernism, embedding their tales with cultural and moral complexities that resonate well beyond their immediate context. Their collective contributions underscore the enduring relevance and adaptability of fairy tales and fantasy, reflecting both the universality and the unique cultural heritage of these stories. 'The Big Book of Fairytales & Fantasy Classics' is an indispensable volume for anyone looking to explore the depth and breadth of imaginative storytelling. It offers readers a unique opportunity to dive into a confluence of narrative richness and diversity, challenging and delighting in equal measure. This anthology serves not just as a testament to the power of fantasy and fairytales to speak across generations but also as a vibrant conversation between some of the most influential voices in literary history. For scholars, enthusiasts, and casual readers alike, this collection promises an enriching journey through the realms of the extraordinary, fostering a deeper appreciation for the art of storytelling.
Musaicum Books presents to you collection of fairy tales, formatted to the highest digital standards and adjusted for readability on all devices. Table of Contents: Complete Fairy Tales of Hans Christian Andersen Complete Fairy Tales of Brothers Grimm Complete Fairy Books of Andrew Lang Peter Pan in Kensington Gardens (J. M. Barrie) Peter and Wendy (J. M. Barrie) Five Children and It (E. Nesbit) The Phoenix and the Carpet (E. Nesbit) The Story of the Amulet (E. Nesbit) The Enchanted Castle (E. Nesbit) Alice in Wonderland (Lewis Carroll) Through the Looking Glass (Lewis Carroll) The Wonderful Wizard of Oz Collection (L. Frank Baum): The Wonderful Wizard of Oz The Marvelous Land of Oz The Woggle-Bug Book Ozma of Oz Dorothy and the Wizard in Oz The Road to Oz The Emerald City of Oz The Patchwork Girl of Oz Little Wizard Stories of Oz Tik-Tok of Oz The Scarecrow of Oz Rinkitink in Oz The Lost Princess of Oz The Tin Woodman of Oz The Magic of Oz Glinda of Oz At the Back of the North Wind (George MacDonald) The Princess and the Goblin (George MacDonald) The Princess and Curdie (George MacDonald) Wonder Book (Nathaniel Hawthorne) Tanglewood Tales (Nathaniel Hawthorne) The Happy Prince and Other Tales (Oscar Wilde) A House of Pomegranates (Oscar Wilde) All the Way to Fairyland (Evelyn Sharp) The Blue Bird for Children (Maurice Maeterlinck and Georgette Leblanc) The King of the Golden River (John Ruskin) Rootabaga Stories (Carl Sandburg) Knock Three Times! (Marion St. John Webb) The Cuckoo Clock (Mary Louisa Molesworth) Friendly Fairies (Johnny Gruelle) Raggedy Ann Stories (Johnny Gruelle) Raggedy Andy Stories (Johnny Gruelle) Russian Fairy Tales From the Skazki of Polevoi Old Peter's Russian Tales
A critical journal of children's literature.
The old folks at the Greenbrier Nursing Home seem to have suddenly grown younger and happier thanks to the newest resident at the Paradise Trailer Park. Mildred Blessing sets out to investigate, even as the wedding to end all weddings is being planned.
This collection of 32 modernised versions of The Canterbury Tales which appeared in the 18th century offers basic material for studying the history of attitudes to Chaucer, and Chaucer scholarship, duringthe period. Reception data so precise and extensive is available only for Chaucer among English authors. At least seventeen known and anonymous writers produced thirty-two modernised Canterbury tales during the century, plus tale links and adaptations of each other's work. The present collection contains only modernisations that have not seen print since 1796, thus excluding those by Pope and Dryden. Although most works in this collection may be examined further in several British and American libraries, others cannot. Apparently only one copy has survived of an anonymous Miller's Tale (1791) with a thoughtful preface justifying the tale's overt sexuality published just as William Lipscomb was completing his 1795 edition that, in its preface, justifies exclusion from the pilgrimage of the notorious tales of Miller and Reeve. Such contrasting attitudes illustrate the dangers of generalisation about the usual reception or interpretation of Chaucer during this or any other socio-historic period; instead, the collection provides an untapped reservoir of material with which to investigate anew the rich complexity of his poetry and its enduring appeal. BETSY BOWDEN is Professor of English at Rutgers University, New Jersey.