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NBC's Grimm is an understudied series full of compelling characters, including Monroe, the charmingly knowledgeable vegetarian who looks like a werewolf; Wu, the funny cop who beats his way to the truth; Adalind, the enjoyably vengeful, risk-taking witch; Trubel, the furious young loner accused of insanity; Kelly, a powerful older warrior-woman; Nick, a compassionate detective; Hank, Juliette, Rosalee and others. This book, which includes a chapter on each key figure, explores the fascinating world of characterization in television. The storyline, as well as the dialogue, acting, costumes, scenery, lighting and music, contribute to in-depth depictions that evolve over time. Grimm's figures confound our perceptions of race, age and gender. They demonstrate the ability of TV characters to build unforgettable, meaningful connections.
THE REAL BOOK OF MONSTERS, WEAPONS AND POTIONS AS SEEN IN THE SHOW! This in-universe book explores the monsters, weapons and potions in Grimm with detailed pictures and descriptions. The book is Aunt Marie's recording of the supernatural creatures she and her fellow Grimms have to defeat! Inspired by the classic Grimm Brothers' fairy tales, Grimm is a cop-drama with a twist! A detective discovers he has the ability to see supernatural beings, including a reformed 'Big Bad Wolf' and the witch-like Hexebiester, along with many others.
In this mischievous and utterly original debut, Hansel and Gretel walk out of their own story and into eight other classic Grimm-inspired tales. As readers follow the siblings through a forest brimming with menacing foes, they learn the true story behind (and beyond) the bread crumbs, edible houses, and outwitted witches. Fairy tales have never been more irreverent or subversive as Hansel and Gretel learn to take charge of their destinies and become the clever architects of their own happily ever after.
THE FIRST ORIGINAL NOVEL TO TIE-IN WITH THE HIT US SHOW, INSPIRED BY THE GRIMM BROTHERS' CLASSIC FAIRY TALES! Back in the 19th century a Wesen and a Grimm fight to the death. The Grimm wins, but the Wesen’s son escapes and vows revenge. In the present day, Captain Renard sends Nick and Hank to investigate an international crime cartel named Le Touche Givre (The Icy Touch). They discover this deadly gang is run by Wesen, and is involved in various illegal activities, including forced prostitution and drug pushing. As they close in on the gang, Nick begins to realise that their charismatic and dangerous leader is just as intent on tracking him down…
Elizabeth has just started working as a page at the New York Circulating Material Repository - a lending library of objects, contemporary and historical, common and obscure. And secret, too - for in the repository's basement lies the Grimm Collection, a room of magical items straight from the Grimm Brother's fairy tales. But the magic mirrors and seven-league boots and other items are starting to disappear. And before she knows it, she and her fellow pages - handsome Marc, perfect Anjali, and brooding Aaron - are suddenly caught up in an exciting, and dangerous, magical adventure.
When writer and director Joss Whedon created the character Buffy the Vampire Slayer, he could hardly have expected the resulting academic interest in his work. Yet almost six years after the end of Buffy on television, Buffy studies—and academic work on Whedon's expanding oeuvre—continue to grow. Now with three hugely popular television shows, Buffy the Vampire Slayer, Angel, and Firefly, and the film Serenity all available on DVD, scholars are evaluating countless aspects of the Whedon universe (or "Whedonverse"). Buffy, Ballads, and Bad Guys Who Sing: Music in the Worlds of Joss Whedon studies the significant role that music plays in these works, from Buffy the Vampire Slayer to the internet musical Dr. Horrible's Sing-Along Blog. Kendra Preston Leonard has collected a varying selection of essays that explore music and sound in Joss Whedon's works. The essays investigate both diegetic and non-diegetic music, considering music from various sources, including the shows' original scores, music performed by the characters themselves, and music contributed by such artists as Michelle Branch, The Sex Pistols, and Sarah McLachlan, as well as classical composers like Camille Saint-Saëns and Johannes Brahms. The approaches incorporate historical and theoretical musicology, feminist and queer musicology, media studies, cultural history, and interdisciplinary readings. The book also explores the compositions written by Whedon himself: the theme music for Firefly, and two fully integrated musicals, the Buffy episode "Once More, With Feeling" and Dr. Horrible's Sing-Along Blog. With several musical examples, a table with a full breakdown of the Danse Macabre scene from the acclaimed Buffy episode "Hush," and an index, this volume will be fascinating to students and scholars of science-fiction, television, film, and popular culture.
The X-Files was one of the most subversive and longest-running science fiction series in US television history. Yet very little serious work has been done to examine the hit series. Deny All Knowledge examines topics such as: - Why is the series such a hit worldwide? - Why is The X-Files so popular online, generating dozens of websites and chat groups daily? - How does The X-Files' Conspiracy Theory compares to shows from the 1950s? - Can The X-Files be considered a modern-day myth? - What does The X-Files tell us about gender roles today?
When lights start flickering and temperatures suddenly drop, twelve-year-old Tessa Woodward, sensing her new house may be haunted, recruits some new friends to help her unravel the mystery of who or what is trying to communicate with her and why.
This book is unique in its critical inquiry into the new woman warrior's appropriation of violence and the Western war narrative. Informed by feminist theoretical debates regarding women's new roles, the authors delve into the meaning of that appropriation for alternative storytelling. To date, television's "ferocious few" have received little scholarly attention. By inviting a variety of perspectives, editors Frances Early and Kathleen Kennedy provide a cutting-edge forum to recognize women's increasing role in popular culture as they are cast as action heroes. As a timely and accessible work, this book will appeal to scholars, feminists, cultural critics, and the general reader.