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This is book 3 and the finale of the Hangman’s Crows MC romance series! He’s a dirty bastard, but he owns me. Micah was my first lover… And he’s determined to be my last. The bad boy is a filthy biker, an adrenaline junkie, a playboy who’s slept with just about every girl in town. Wrong for me in every way. And yet, I can’t resist him. When he pins me against the wall and presses his rough lips to mine, I melt. When he strips me and bends me however he wants, I come apart. But this can never work. Our worlds are too different. And when my ultra-conservative, religious parents find out who I’ve been spending time with, they go ballistic. Now, I’m about to be shipped away from the man I love. My family thinks they can destroy our love. But they should’ve known: Once Micah claimed me, he’d never, ever let me go.
At first it seems as though Maxie, Rosie, and Earl have nothing in common. Maxie is too smart for his own good, Rosie is a born tattler, and Earl can't stop cracking up when he reads out loud in class. But when all three kids land outside the principal's office in disgrace, they can't help comparing notes. Just when they think there's no chance of a reprieve, the fire alarm goes off. There's only one thing for three doomed nerds to do -- head straight for the exit doors and dive into the Dumpster!
Eddie and Andrew have dynamite chemistry. But Eddie is profoundly dyslexic, and Andrew lives to read. Andrew is pathologically disorganized, and Eddie likes things neat and clutter-free. Andrew is desperately ashamed of his hoarder father, and Eddie is embarrassed by his lack of education-secrets that could pull them apart even as a friend's tragedy brings them together. When Andrew's father's condition deteriorates and he nearly dies because of his compulsion, Eddie and Andrew must learn compassion begins with loving oneself.
An explosive insider account of grime, from subculture to international phenomenon. ***** A group of kids in the 2000s had a dream to make their voice heard - and this book documents their seminal impact on today's pop culture. DJ Target grew up in Bow under the shadow of Canary Wharf, with money looming close on the skyline. The 'Godfather of Grime' Wiley and Dizzee Rascal first met each other in his bedroom. They were all just grime kids on the block back then, and didn't realise they were to become pioneers of an international music revolution. A movement that permeates deep into British culture and beyond. Household names were borne out of those housing estates, and the music industry now jumps to the beat of their gritty reality rather than the tune of glossy aspiration. Grime has shaken the world and Target is revealing its explosive and expansive journey in full, using his own unique insight and drawing on the input of grime's greatest names.
A GUARDIAN, OBSERVER, PITCHFORK, NPR, METRO AND HERALD SCOTLAND BEST MUSIC BOOK OF 2018 ‘The definitive grime biography’ NME ’A landmark genre history’ Pitchfork
"This is a novel so caustic it should be printed with hydrochloric acid. Berg, a Swiss writer and social activist, sprays her fury across the whole landscape of technological and economic manias that are rendering the 21st century intolerable. And Tim Mohr has done a remarkable job of translating Berg’s hilarious, hectoring, hyperbolic prose, which isn’t so much propulsive as relentless...No other book has so thoroughly rattled me about where we’re headed." —Ron Charles, the Washington Post The first English translation of iconic Swiss-German novelist Sibylle Berg—a ruthless indictment of contemporary society and a strikingly creative manifesto for rebellion. Rochdale is a town in post-industrial Britain, but it could be anywhere on the digitalized, environmentally-decimated planet: a place devoid of hope, where poverty, violence, and squalor are the near-future consequences of decisions being made at this very moment. Grime is the dazzling multi-voice story of four teenagers haphazardly brought together by individual tragedy and a collective love of grime, the music genre that replaced punk as the sound of the angry and the dispossessed: martial-arts-obsessed Don(atella); Peter, a traumatized Polish boy; Karen, a tech-savvy girl with albinism; and Hannah, an orphan from Liverpool. Despite the increasingly sophisticated workings of an authoritarian surveillance state, the four set out to exact revenge on the people they hold responsible for their misery. But what starts out as a teen hit squad evolves into a makeshift family as the four kids attempt to create a home on the fringes – both physically and mentally – of society. In this stylistically innovative epic, acclaimed novelist Sibylle Berg addresses the question currently being debated around the world: where will climate change, artificial intelligence, the rise of right-wing populism, and the inexorable expansion of surveillance lead? Reminiscent of the work of William Gibson and Jennifer Eagan, this masterful dystopian satire is a merciless and surgically-precise evisceration of neoliberalism, and beneath its rage and brutality beats a deeply human heart. Grime spent 25 weeks on European bestseller lists and won the Swiss Book Prize.
'In British music, you have indie, rock... Grime is now one of those pillars. It's a foundation of British music.' - Stormzy Shortlisted for the Penderyn Music Book Prize 2017 13 years ago, from the depths of Bow E3, the voice of a generation emerged. It was dark, it was angry, it was loud, it was unapologetic. It was provocative and fiercely independent. It was the brittle sound of disillusionment, resentment and despair, but also the voice of hope... This Is Grime. Written by Hattie Collins (i-D, the Guardian, The Sunday Times), an authority on Grime who has documented the scene since its beginnings, and accompanied by beautiful images shot by award-winning photographer Olivia Rose solely for the book, THIS IS GRIME will have unrivaled access to the artists and influencers who have created and cultivated the culture over the past fifteen years. Telling their stories and the story of this musical culture - one of the most significant working class British subcultures of its time - in tandem.
When an unpopular cleaning lady is strangled to death with a vacuum cleaner cord, Jane Jeffry, a single mom with an eye for mysteries, finds time between PTA meetings and car pools to track down the killer.