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by Sister Mary Antonine Goodchild, O.P. What a wonderful find this is: an ideal textbook on chant for junior high, high school, or really any age. It is mercifully free of verbiage or exaggerated detail. It is short and completely clear on all aspects of learning to chant (notes, rhythm, Latin, style), and it contains a vast amount of the basic repertoire, in neumes and with English translations. It even has study questions! Many of us have wished that such a book would be written. It took Fr. Samuel Weber to point out that such a book already exists, and now, praise be to God, it is in print again. As the title says, it is the perfect text for Church and school. It came out in 1944 but it isn't in the slightest bit dated. This is priced for mass distribution.
Richard L. Crocker offers in this book and its accompanying compact disc an introduction to the history and meaning of the Gregorian chant. He explains how Gregorian chant began, what functions and meanings it had over time, who heard it and where, and how it was composed, learned, written down and handed on. Crocker explains Gregorian chant and its functions within modern catholic liturgy as well as its position outside this liturgy, where the modern listener may hear it just as music. He describes the origins of the chant in the early Middle Ages, details its medieval development and use, and considers how it survived without, and later with, musical notation. The author probes the paradoxical position of the chant in monastic life -- serving as an expression of liturgical fellowship on the one hand and as the medium of solitary mystic ascent on the other. The book also includes a detailed commentary on each of twenty-six complete chants performed by the Orlando Consort and by the author on the accompanying compact disc. --From publisher's description.
Presents the "Solesmes Method" in two parts. The first part sets forth the principles that constitute the method. The second part presents the actual rules for singing.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Dicover the riches of Gregorian chant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Back by popular demand! All eight preludes have been re-engraved. Titles: * Salve Regina * Virgo Dei Genitrix * Pange Lingua * Sacris Solemniis * Alma Redemptoris Mater * Ave Verum Corpus * Lauda Sion * Verbum Supernum
What is Gregorian chant, and where does it come from? What purpose does it serve, and how did it take on the form and features which make it instantly recognizable? Designed to guide students through this key topic, this book answers these questions and many more. David Hiley describes the church services in which chant is performed, takes the reader through the church year, explains what Latin texts were used, and, taking Worcester Cathedral as an example, describes the buildings in which it was sung. The history of chant is traced from its beginnings in the early centuries of Christianity, through the Middle Ages, the revisions in the sixteenth and seventeenth centuries, and the restoration in the nineteenth and twentieth. Using numerous music examples, the book shows how chants are made and how they were notated. An indispensable guide for all those interested in the fascinating world of Gregorian chant.