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"I see two women struggling together by the lake. I see them fall into the water... The wind rustles the branches of the willows and it is the sound of gentle sobbing in the night... Someone screams..." Something dark and mysterious haunts the halls of stately Green Willows. Village gossip says it's the ghost of Jonathon Tremayne's wife, the beautiful and saintly Angela, who was treacherously murdered here. Pretty Mary Kirkpatrick, hired as governess to Jonathon’s only child, Elizabeth, quickly finds herself falling in love with the handsome master of Green Willows, and discounts the gossip--until the night she finds herself confronted with a ghostly apparition! A riveting horror novel with a nineteenth-century gothic setting!
An illustrated monthly magazine in the interest of better art, better work and a better more reasonable way of living.
After the death of her sister, Kit's family move away from their home. Bored and lonely in strange surroundings, Kit and her new friend Daniel become involved in a ghostly mystery concerning the Japanese objects which fill the house. Social studies: cultural differences. Suggested level: intermediate.
Created by the National Park Service, this book that explores traditional Eskimo life in the late 20th century. It celebrates the people of the Kobuk River area in northern Alaska as observed in 1974 and 1975. Learn more about their experiences in fishing, trapping, hunting, and the harvest, and how they were able to successfully live off the land.
This book focuses on the linguistic perspective of classical Chinese poetry and its changes and development in diff erent historical periods. It off ers a combination of theoretical analysis and aesthetic appreciation of exemplary poems. The author discusses the following aspects of classical Chinese poetry: the relationships between background and meaning in the interpretation of a poem; how readers can deal with the tangle of linguistic approach and intuitive perception in interpreting poems; the engagement and disengagement of the poet’s thought fl ow with and from the word order of the verse; the tonal and metrical schemes; and the three special features of classical Chinese poetry: the signifi cance and role of allusions, “Xu Zi”, and “Shi Yan”. Last, the author analyses the development of Chinese poetry from the Vernacular Song Dynasty Style to the Vernacular Modern Style. It will be a great read for students and scholars of East Asian studies, Chinese studies, linguistics, and those interested in Chinese poetry in general. The book aims to lead readers to discover a fresh and amazing world of classical Chinese poetry, a fantastic panoramic picture of its beauty and charm, and a poetic feast that the reader may not otherwise be privileged to enjoy.
Shiya Village is a remote, climate-friendly village. The people here are hardworking and kind, the men are self-sufficient in their work. This year's spring, however, broke the serenity of the past. A group of men surrounded the area ... So there was a river of blood here. Auntie Shi did her best. He placed the stone book and sword of his beloved son on Qing Feng to show off his skills. The bones of the books and swords were unique as they practiced martial arts at the Clear Wind Monastery. He didn't want to get hit by a fluke. Familiar with the plain girl swordsman Wen Zhu. He had a feud with the Martial Arts Sect. By chance and coincidence, he learnt the sword kinesis technique of a senior. But the danger was getting closer. As a result, the river and the lake were dangerous, with a slim chance of survival. Shi Shujian and Xiu Wenzhu's minds were linked. Finally, he found out the secret of the Bloody Rock Cliff Village. Together, they defeated the great devil, Dongfang Xiao. Escape from this world ... Spring came. Stone Cliff Village was still as beautiful as ever. Close]
Reprint of the original, first published in 1871. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Tang poetry is one of the most valuable cultural inheritances of Chinese history. Its distinctive aesthetics, delicate language, and diverse styles constitute great literature in itself, as well as a rich topic for literary study. This two-volume set constitutes a classic analysis of Tang poetry in the “Golden Age” of Chinese poetry (618–907 CE). In this volume, the author provides a general understanding of poetry in the “High Tang” era from a range of perspectives. Starting with an indepth discussion of the Romantic tradition and historical context, the author focuses on poetic language patterns, Youth Spirit, maturity symbols, and prototypes of poetry. The author demonstrates that the most valuable part of Tang poetry is how it can provide people with a new perspective on every aspect of life. This book will appeal to researchers, scholars, and students of Chinese literature and especially of classical Chinese poetry. People interested in Chinese culture more widely will also benefit from this book.