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The charming, return-to-the-land memoir of a refugee family who flees Nazi Germany and finds their true home in the backwoods of rural Vermont Alice and Carl Zuckmayer lived at the center of Weimar-era Berlin. She was a former actor turned medical student, he was a playwright, and their circle of friends included Stefan Zweig, Alma Mahler, and Bertolt Brecht. But then the Nazis took over, and Carl’s most recent success—a play satirizing German militarism—impressed them in all the wrong ways. The couple and their two daughters were forced to flee, first to Austria, then to Switzerland, and finally to the United States. Los Angeles didn’t suit them, neither did New York, but a chance stroll in the Vermont woods led them to Backwoods Farm and the eighteenth-century farmhouse where they would spend the next five years. In Europe, the Zuckmayers were accustomed to servants; in Vermont, they found themselves building chicken coops, refereeing fights between fractious ducks, and caring for temperamental water pipes “like babies.” But in spite of the endless work and the brutal, depressing winters, Alice found that in America she had at last discovered her “native land.” This generous, surprising, and witty memoir, a best seller in postwar Germany, has all the charm of an unlikely romantic comedy.
Stories of the supernatural, set in Vermont. One is on a haunted police academy, another on a ghost ship, a third on a creature with a man's body and the face of a pig.
"In her third collection, Amy Beeder offers worlds past and contemporary in diction nearly Elizabethan, in poems as witty and sly as any from that virtuosic literary era" - Dana Levin
What happened in Vermont when the anti-Communist fear known as the "Red Scare" swept the country? Rick Winston explores some forgotten history as we see how Vermont, a small, rural "rock-ribbed Republican" state with a historically libertarian streak, handled the hysteria of the McCarthy era. A timely book in the Trump era.
Bernard O'Reilly relates the story of the Stinson in his book 'Green Mountains'
This lively and thoughtful book explores what it means to be black in an allegedly postracial America
Take a chilling tour of spooky New England legends . . . Visit Vermont with this comprehensive collection of tales, legends, folklore, ghost stories, and strange-but-true facts—and enjoy supernatural side trips to the surrounding areas of New York, Massachusetts, New Hampshire, and Quebec—with this delightful guide to the region’s haunted history. From Chittenden’s Ghost Shop to the Hubbardton Horror to the Mystery of the Bennington Triangle, Green Mountain Ghosts is filled with local lore and characters more colorful than any fall foliage!
Time passes and yet it doesn't pass; people come and go, the mountains remain. Mountains are permanent things. They are stubborn, they refuse to move...no matter how hard they try, humans cannot actually get rid of the mountains. That's what I like about them; they are here to stay. Mountains-snow-capped, green and filled with stories. For decades, Ruskin Bond has lived among them and his writings abound in descriptions of these hills-of life as it is lived here, of animals and birds who sometimes even wander into his room, of the many interesting and eccentric characters who he has met here. From having his roof fly off in a freak storm to becoming the 'writer on the hill', Bond has seen it all. Funny, elegiac and filled with beautiful descriptions of people, animals and places, this collection is for every mountain and nature lover.
Contains selected published articles and chapters by two of Vermont's senior historians, each active in the field for half a century. Includes essays on Vermont historiography, Ethan and Ira Allen, early Vermont printing, eighteenth-century Vermont politics, War of 1812, Vermont's reaction to the 1837-38 Patriote Rebellion, and aspects of Victorian Vermont. Authors offer reminiscences and reflections on their lengthy Vermont careers in a joint Introduction. Edited by Kristin Peterson-Ishaq, with Foreword by David A. Donath. 401pages; illustrations, portraits. 28 cm., hardcover; bibliographical references and index.