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This engaging work tells the story of democracy through the perspective of tragic drama. It shows how the ancient tales of greatness and its loss point to the potential dangers of democracy then and now. Greek Tragedy dramatized a variety of stories, characters, and voices drawn from reality, especially from those marginalized by Athens's democracy. It brought up dissident figures through its multivocal form, disrupting the perception of an ordered reality. Today, this helps us grasp the reality of Athenian democracy, that is, a system steeped in patriarchy, slavery, warmongering, and xenophobia. The book reads through two renditions of Aeschylus' Suppliants as democratic texts for the twenty-first century, to show how such multivocal dramas actually address not only the pitfalls of our contemporary democracy, but also a range of environmental, security, socio-economic, and political dilemmas that afflict democratic politics today. Written in a very accessible manner, Multivocal Democracy is a lively book that will appeal to any political science and international relations student interested in issues of democracy, governance, democratic peace, and democratic theory.
"This title tells the story of democracy through the perspective of tragic drama. It shows how the ancient tales of greatness and its loss point to the potential dangers of democracy then and now."--Bloomsbury Publishing.
This engaging work tells the story of democracy through the perspective of tragic drama. It shows how the ancient tales of greatness and its loss point to the potential dangers of democracy then and now. Greek Tragedy dramatized a variety of stories, characters, and voices drawn from reality, especially from those marginalized by Athens's democracy. It brought up dissident figures through its multivocal form, disrupting the perception of an ordered reality. Today, this helps us grasp the reality of Athenian democracy, that is, a system steeped in patriarchy, slavery, warmongering, and xenophobia. The book reads through two renditions of Aeschylus' Suppliants as democratic texts for the twenty-first century, to show how such multivocal dramas actually address not only the pitfalls of our contemporary democracy, but also a range of environmental, security, socio-economic, and political dilemmas that afflict democratic politics today. Written in a very accessible manner, Greek Tragedy and Contemporary Democracy is a lively book that will appeal to any political science and international relations student interested in issues of democracy, governance, democratic peace, and democratic theory.
In this book J. Peter Euben argues that Greek tragedy was the context for classical political theory and that such theory read in terms of tragedy provides a ground for contemporary theorizing alert to the concerns of post-modernism, such as normalization, the dominance of humanism, and the status of theory. Euben shows how ancient Greek theater offered a place and occasion for reflection on the democratic culture it helped constitute, in part by confronting the audience with the otherwise unacknowledged principles of social exclusion that sustained its community. Euben makes his argument through a series of comparisons between three dramas (Aeschylus' Oresteia, Sophocles' Oedipus Tyrannos, and Euripides' Bacchae) and three works of classical political theory (Thucydides' History and Plato's Apology of Socrates and Republic) on the issues of justice, identity, and corruption. He brings his discussion to a contemporary American setting in a concluding chapter on Thomas Pynchon's The Crying of Lot 49 in which the road from Argos to Athens, built to differentiate a human domain from the undefined outside, has become a Los Angeles freeway desecrating the land and its people in a predatory urban sprawl.
This study of the political significance of theories of tragedy and ordinary language uses of “tragedy” offers a fresh perspective on democracy in contemporary times.
What do present generations owe the future? In Future Freedoms, Elizabeth Markovits asks readers to consider the fact that while democracy holds out the promise of freedom and autonomy, citizens are always bound by the decisions made by previous generations. Motivated by the contemporary political and theoretical landscape, Markovits examines the relationship between democratic citizenship and time by engaging ancient Greek tragedy and comedy. She reveals the ways in which democratic thought in the West has often hinged on ignoring intergenerational relationships and the obligations they create in favor of an emphasis on freedom as sovereignty. She claims that democratic citizens must develop a set of self-directed practices that better acknowledge citizens’ connections across time, cultivating a particular orientation toward themselves as part of much larger transgenerational assemblages. As celebrations and critiques of Athenian political identity, the ancient plays at the core of Future Freedoms remind readers that intergenerational questions strike at the heart of the democratic sensibility. This invaluable book will be of interest to students, researchers, and scholars of political theory, the history of political thought, classics, and social and political philosophy.
Specially written for students and enthusiasts, David Wiles introduces ancient Greek theatre and cultural life.
Part of the 'Greece and Rome Live' series, which aims to introduce figures and aspects of the ancient world to the general reader, this is a guide to the political aspect of Greek tragedy using close examination of specific plays. A handy combined index/glossary and a bibliography are included.
Intergenerational justice and democratic theory -- A narrative turn -- Archê, finitude, and community in Aristophanes -- Mothers, powerlessness, and intergenerational agency in Euripides -- Freedom, responsibility, and transgenerational orientation in Aeschylus -- Art, space, and possibilities for intergenerational justice in our time