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Her friends Bess and George accompany Nancy to Greece where there are two mysteries they want to solve. One mystery is about the theft of a charitable gift and the other is about the disappearance of an inheritance.
When Nancy is told that a large inheritance from a Greek tycoon, meant for her friend Helen Nicholas, was stolen, she knows it’s up to her to find the culprit. But after following clues in the form of a poisonous snake in a basket of apples and a strange symbol stamped on a rare Byzantine mask, Nancy and her friends find themselves in the middle of a ring of art smugglers. Will they discover the secret of the Greek symbol and recover Helen’s inheritance?
When she is told that a large inheritance from a Greek tycoon, meant for her friend Helen Nicholas, was stolen, Nancy agrees to find the culprit. A poisonous snake in a basket of apples and a strange symbol stamped on a rare Byzantine mask are clues in this mystery set in the beautiful and exotic country of Greece. These clues lead Nancy and her friends to a ring of art smugglers and to the secret of the Greek symbol.
When Nancy searches through the knapsack of an amnesia victim, she finds an unusual ring. Before long, she is caught up in a second case about a beautiful harpist. As Nancy works both cases, her discoveries reveal an important connection between the hospital patient, the harpist, and troubling enemies from abroad.
On a student tour through Europe, Nancy discovers that their leader is on a secret mission to transfer ten refugee children from an iron curtain country to freedom! Before the mission is completed, Nancy receives an urgent message from her father concerning a missing entry in a foreign film festival. Undaunted and clever, Nancy pursues an intriguing clue found in a student’s wheelchair and finds herself in great danger.
Imagine the dangerous life of an early Christian. You've embraced your newfound faith in Christ but fear the risk of persecution or death at the hands of the pagans living around you. Then a trusted friend tells you about some of Jesus' followers who secretly meet. He whispers into your ear, "Look for a fish carved in a paving stone" by a certain home on the Via Tiburtina. You smile in gratitude. Still today, modern society recognizes those Christian symbols that kept the early Christians safely connected: they appear on churches, bumper stickers, mugs -- even mints and stuffed animals. Yet we are often ignorant of the rich meaning of these symbols: their origins in Scripture, in ancient culture, and in the preaching of the Church Fathers. In this book, noted author Mike Aquilina conducts an intriguing and insightful tour of the symbols that expressed the life and devotion of the Church through the first four centuries of its existence. He explains how Christians freely borrowed pagan and Jewish symbols, giving them new, distinctly Christian meanings. Recover the zeal of our spiritual ancestors as you learn to read their symbolic language -- and discover the impact the symbols still have on your life today. More than a hundred illustrations, reproduced by artist Lea Marie Ravotti from the ancient originals, beautifully complement the text. View a mulitmedia presentation and listen to an interview of the author here.
Medusa, the Gorgon, who turns those who gaze upon her to stone, is one of the most popular and enduring figures of Greek mythology. Long after many other figures from Greek myth have been forgotten, she continues to live in popular culture. In this fascinating study of the legend of Medusa, Stephen R. Wilk begins by refamiliarizing readers with the story through ancient authors and classical artwork, then looks at the interpretations that have been given of the meaning of the myth through the years. A new and original interpretation of the myth is offered, based upon astronomical phenomena. The use of the gorgoneion, the Face of the Gorgon, on shields and on roofing tiles is examined in light of parallels from around the world, and a unique interpretation of the reality behind the gorgoneion is suggested. Finally, the history of the Gorgon since tlassical times is explored, culminating in the modern use of Medusa as a symbol of Female Rage and Female Creativity.
Nearly all of us have studied poetry and been taught to look for the symbolic as well as literal meaning of the text. Is this the way the ancients saw poetry? In Birth of the Symbol, Peter Struck explores the ancient Greek literary critics and theorists who invented the idea of the poetic "symbol." The book notes that Aristotle and his followers did not discuss the use of poetic symbolism. Rather, a different group of Greek thinkers--the allegorists--were the first to develop the notion. Struck extensively revisits the work of the great allegorists, which has been underappreciated. He links their interest in symbolism to the importance of divination and magic in ancient times, and he demonstrates how important symbolism became when they thought about religion and philosophy. "They see the whole of great poetic language as deeply figurative," he writes, "with the potential always, even in the most mundane details, to be freighted with hidden messages." Birth of the Symbol offers a new understanding of the role of poetry in the life of ideas in ancient Greece. Moreover, it demonstrates a connection between the way we understand poetry and the way it was understood by important thinkers in ancient times.
The contributions to this book offer a broad vision of the relationships that were established between Greek Philosophy and the Mystery Cults. The authors centre their attention on such thinkers as Plato, Aristotle, and the Stoic and the Neoplatonist philosophers, who used – and in some cases criticised – doctrinal elements from Mystery Cults, adapting them to their own thinking. Thus, the volume provides a new approach to some of the most renowned Greek philosophers, highlighting the influence that Mystery Cults, such as Orphism, Dionysianism, or the Eleusinian rites, had on the formation of fundamental aspects of their thinking. Given its interdisciplinary character, this book will appeal to a broad academic readership interested in the origin of Hellenic thinking and culture. It will be especially useful for those eager for a deeper approach to two fundamental domains that attract the attention of many Antiquity scholars: Greek philosophy and religion.