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World-famous series of neoclassical illustrations depicts everything from headdresses and sandals to a warrior's armor and a priestess' robes. Clothing styles as well as helmets, chariots, musical instruments, and other objects are shown. Ideal for craftwork, this rich collection will also be valued by artists, designers, students, and enthusiasts of antiquity. 380 black-and-white illustrations.
Artists and illustrators in search of motifs brimming with classical elegance and panache will welcome this convenient, royalty-free collection of 110 designs. Adapted from ancient Greek vases, red-figure plates, votive reliefs, clay figures, statuary, and other authentic sources, the meticulously rendered images depict graceful Grecian women, handsome gods and goddesses, sturdy warriors, an array of weapons, mythical figures, bacchantes, musical instruments, floral and foliated designs, and much more.Perfect for adding decorative grace and style to a wide range of graphic assignments, classroom projects, and assorted arts and crafts, these splendid illustrations also serve as an enduring source of design inspiration.Original Dover (2000) publication.
This work guides readers through the splendours of Greek architectural style, from around 1700 to the mid-20th century. It covers a range of buildings including small, simple churches and rural homes, as well as strikingly decorated mansions and public buildings.
Introduced by Susan Woodford, this book is a `visual anthology of over 300 designs and patterns' from Greek art. Designs and images are taken from Greek vases, friezes, coins and a number of other objects and ornaments, and include a wide range of subjects, animal, vegetable and mineral.
This richly illustrated volume offers a fascinating introduction to ancient Greek vases for the general reader. It presents vases not merely as beautiful vessels to hold water and wine, but also as instruments of storytelling and bearers of meaning. The first two chapters analyze the development of different shapes of pottery and relate those shapes to function, the evolution in vase production techniques and decoration, and the roles of potters, painters, and their workshops. Subsequent chapters focus on vases as the primary source of imagery from ancient Greece, offering unique information about mythology, religion, theater, and daily life. The author discusses how to identify the figures and scenes depicted in vase paintings, what these narratives would have meant to the people who lived with them and used them, and how they therefore reflect the cultural values of their time. Also examined is the impact Greek vases had on the art, architecture, and literature of subsequent generations. Based on the rich collections of the British Museum and the J. Paul Getty Museum, the exquisite details of the works offer the reader the opportunity for an intimate interaction with the graphic beauty and narrative power of ancient vases often not available in a gallery setting.
Taking an unusual approach to his subject, J. J. Coulton examines ancient Greek architecture from the point of view of the practicing architects. He discusses their ideas and technical achievements from the early seventh century B.C. to the first century B.C. Drawing on surviving written evidence from antiquity as well as on the evidence of the buildings themselves, Mr. Coulton provides answers to such questions as: What must it have been like to build a Greek temple? Who did the building? What training was required? How did the Greeks begin? What problems did they face? The first chapter considers the relations of architects to patrons and clients and the role of architects in ancient society generally. Subsequent chapters explore a series of architectural problems and their solutions. In his final chapter Mr. Coulton assesses the architects' techniques and their contributions to structural design, evaluating their theoretical knowledge of mechanics and their practical understanding of structural concepts. Generously illustrated and lucidly written, this volume will appeal to all who are interested in architecture, architectural history, and archaeology.
A kaleidoscopic and visually-inspiring volume that will transport readers to the colorful and eclectic world of the young British art and design mega talent Refined English traditions intermingle with idealized motifs of ancient classicism; while delightful elements such as nautical stripes, safari animals, martini glasses, and ice cream cone patterns can be found alongside dreamy, Greek-inspired portraiture and architecture Engaging travel writings by the author and lively excerpts from literature reveal the worldly and personal artistic inspirations of Luke Edward Hall�s imagination With over 70,000 followers on Instagram, Luke Edward Hall is a social media influencer and a favorite among interior design and art aficionados around the world
Alexander 'Greek' Thomson is at last being recognised as an architect of genius, comparable in stature to Charles Rennie Mackintosh. Now in paperback, this is the first book in which a team of distinguished architectural commentators and historians use the latest research in the area to illuminate the full range of Thomson's talents. Thomson emerges not just as a great architect, but as a towering intellect whose theory and practice synthesised the best thought of his time in architectural history, aesthetic philosophy and, not least, theology. His ventures into urban planning are explored, and his approaches to facade design and interiors are examined in detail, while rare colour plates complete a portrait which brings this outstanding architect to life. With an Introduction by the late Sir John Summerson this volume celebrates the work of arguably the greatest exponent of the Greek Revival.
This well-known book was prepared a century ago by two British architects, and its reputation has grown steadily since. The Audsleys' rendering of designs from a wide variety of sources are national traditions, and their excellent sense of space and proportion and their straightforward interpretations of these ornaments have made this collection among the most valuable of its kind. The 60 plates contain over 250 large-scale line drawings, mostly executed by the authors. The designs and patterns shown are derived from architectural decorative motifs, textile designs, patterns from ceramics, etc. A brief text specifies sources for many of the designs, and captions identify national origin and often the original color schemes. The illustrations include ancient Egyptian patterns from painted tomb ceilings, borders from Greek vases, Celtic designs, Japanese ornaments, Moorish decorations, eleventh-century Italian textile designs, and architectural elements from the cathedral of Notre-Dame and other buildings. This partial list of contents gives an idea of the many styles of design reproduced in the book, and the applications to which the designs can be put. Commercial artists, architects, crafters, designers, scene designers, and others will find these pages a rich source of decorative designs.