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This is an engrossing account of Greek Americans--their history, strengths, conflicts, aspirations, and contributions. This is the story of immigrants, their children and grandchildren, most of whom maintain an attachment to Greek ethnic identity even as they have become one of this country's most successful ethnic groups.
Since the beginning of the 20th century, St. Louis' Greek-American community has been a vibrant part of the city's fabric. Through a series of vivid personal accounts of growing up in two worlds during the post-WWII era, Growing Up Greek in St. Louis explores the challenges faced by Greek-Americans as they sought to preserve a rich cultural heritage while assimilating to American ways. From a detailed account of her Grandmothers' struggles during the occupation of Greece during WWII and the Asia Minor Holocaust to the first hand experiences faced by Greek-American children in Greek school, the celebration of name days, and the ever-present "evil eye," the book captures the sense of tradition, history, hospitality (philotimo), and community so vital to the Greek experience.
So what does a guy do when most of his mates get married? For Roland, a 27-year-old public servant who lives with his parents, it results in a solo overseas trip that triggers a life-long obsession. Roland wanders the globe, through the continents of Europe, Africa, Asia and the Americas. His journeys range from painstaking itinerant travel to the serendipity of spontaneous adventures and involve a plethora of unique experiences that enrich his knowledge, augment his appreciation of different cultures, impact his attitudes and uplift his spirits. However, approaching middle age, Roland feels it may be time for his travels to come to an end. Is it time to open a new chapter in his life and settle down to a comfortable existence in Australia? it is a question he wrestles with until circumstances ultimately decide his course.
For nearly two thousand years, historians have treated the subject of homosexuality in ancient Greece with apology, embarrassment, or outright denial. Now classics scholar James Davidson offers a brilliant, unblushing exploration of the passion that permeated Greek civilization. Using homosexuality as a lens, Davidson sheds new light on every aspect of Greek culture, from politics and religion to art and war. With stunning erudition and irresistible wit–and without moral judgment–Davidson has written the first major examination of homosexuality in ancient Greece since the dawn of the modern gay rights movement. What exactly did same-sex love mean in a culture that had no word or concept comparable to our term “homosexuality”? How sexual were these attachments? When Greeks spoke of love between men and boys, how young were the boys, how old were the men? Drawing on examples from philosophy, poetry, drama, history, and vase painting, Davidson provides fascinating answers to questions that have vexed scholars for generations. To begin, he defines the essential Greek words for romantic love–eros, pothos, philia–and explores the shades of emotion and passion embodied in each. Then, exploding the myth of Greek “boy love,” Davidson shows that Greek same-sex pairs were in fact often of the same generation, with boys under eighteen zealously separated from older boys and men. Davidson argues that the essence of Greek homosexuality was “besottedness”–falling head over heels and “making a great big song and dance about it,” though sex was certainly not excluded. With refreshing candor, humor, and an astonishing command of Greek culture, Davidson examines how this passion played out in the myths of Ganymede and Cephalus, in the lives of archetypal Greek heroes such as Achilles, Heracles, and Alexander, in the politics of Athens and the army of lovers that defended Thebes. He considers the sexual peculiarities of Sparta and Crete, the legend and truth surrounding Sappho, and the relationship between Greek athletics and sexuality. Writing with the energy, vitality, and irony that the subject deserves, Davidson has elucidated the ruling passion of classical antiquity. Ultimately The Greeks and Greek Love is about how desire–homosexual and heterosexual–is embodied in human civilization. At once scholarly and entertaining, this is a book that sheds as much light on our own world as on the world of Homer, Plato, and Alexander.
Investigating the history behind color as a method of gender differentiation in ancient Greek and Egyptian art
The Greeks have made an enormous contribution to Australian cultural and social life, and this book vividly tells their story. Beginning with an examination of the conditions in Europe that led to migration, it details the role of the Greeks in Australian settlement, the two large waves of Greek migration in the nineteenth and twentieth centuries, and the ways in which the Greeks have maintained a solid sense of Greek cultural expression. Numbering approximately half a million, the Greek community in Australia comprises the second largest ethnic minority after the Italians. The contribution of Greek settlers to the large industrial cities and other major urban centres modernised them by injecting new ideas into the economic, social and political life of their new environment. The role of Greek settlers has been vital in building the nation we have today.
TRAVELING BACKWARD is a highly original philosophic romp beyond the youth of old age with a quixotic ‘journalist turned mom turned academic turned peasant.’ It’s a kind of light-hearted guide to the wisdom of the ages—from Socrates to existentialism and beyond—gleaned during a struggle to recover the images that fi rst touched her heart and to answer two questions: Who am I really? Where does the world come from? It’s a colorful, occasionally poignant, journey that could help you look at life through the reverent eyes of a child again. GLIMPSES OF ‘TRAVELING BACKWARD’ : “You two remind me of Peter Pan. Trouble is, I’m not sure which one of you is Peter Pan. Well, I was taken aback. But my mate took action. Muttering something negative about fairy stories, he headed for the door and disappeared down the hall. I started to follow him but changed my mind. Instead, I headed for the public library to reread Peter Pan. Had I missed something?” (Elayne Wareing Fitzpatrick) “Human life – indeed all life – is poetry. It’s we who live it, unconsciously, day by day. . . Yet in its inviolable wholeness it lives us, it composes us. . . We are works of art, but we are not the artist. . . Dare everything, need nothing.” (Lou Andreas—Salome) “I relate to [Andreas—Salome’s] passionate struggle for truth, to her ultimate reverence for all life, and to her desire to enjoy intellectual friendships with a variety of men, free of sexual overtones.” (Fitzpatrick) “I was discovering that, deep down, I didn’t really ‘take’ to popular culture, crowds, and bustling cities, regardless of my curiosity, regardless of my journalist’s delight in writing about all of it.” (Fitzpatrick) “If you can’t change the world, change worlds.” (St. Francis of Assisi) “If I were ever to choose a place away from my country, it would surely be a Greek island, outside Athens. . . In Greece, I feel completely at home. Maybe that’s because, as the poet Shelley said, ‘We’re all Greeks. Our laws, our literature, our religion, our arts have their roots in Greece.” (Fitzpatrick) “Back straight and head held high, he would place his left arm on my right shoulder, snap his fingers and lead me in the graceful, deliberate movements of the Zorba dance, accompanied by a recording of Mozart’s 40th played on the bouzouki. This against a backdrop of tinkling goat bells and singing monks gathered in a distant church.” (Fitzpatrick) “Many of the highs and lows in my life. . . have resulted from conflict born of the struggle between my own strong loving, nesting needs and my equally strong needs for freedom to think, to adventure, to discover, to express myself.” (Fitzpatrick) “All parts of this one organic whole – this one God – are different expressions of the same energy, and they are all in communication with each other, influencing each other, therefore parts of one organic whole.” (Robinson Jeffers) “How did matter happen that makes the stars and cool planets and living beings? And how did the space happen that contains the stars and planets?. . . Much is still very hypothetical. Much is still unknown. Much, we will never know. . . Life is struggle, pain and suffering. But it is also extraordinarily glorious creativity.” (Dr. Kai Woehler) “Like Socrates, I’ve experienced an inner voice that usually let’s me know when I’m about to go off-track, and I’ve come to believe, with Kant, in a moral law within.” (Fitzpatrick) “Nature’ – wonderful and awe-inspiring as it is – can’t participate in a verbal dialogue, can’t exchange and explore ideas with the human mind. We can relate to the animals, the birds, the insects, the fish, and the flora with our most primitive instincts and feel joy, spiritual ecstasy in so recognizing our kinship. Yet nothing in Nature can compare with the human need for a warm