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Jeremy Paxman's magnificent history of the First World War tells the entire story of the war in one gripping narrative from the point of view of the British people. *** We may think we know about it, but what was life really like for the British people during the First World War? The well-known images - the pointing finger of Lord Kitchener; a Tommy buried in the mud of the Western Front; the memorial poppies of Remembrance Day - all reinforce the idea that it was a pointless waste of life. So why did the British fight it so willingly and how did the country endure it for so long? Using a wealth of first-hand source material, Jeremy Paxman brings vividly to life the day-to-day experience of the British over the entire course of the war, from politicians, newspapermen, campaigners and Generals, to Tommies, factory workers, nurses, wives and children. It shows how both British life and identity were utterly transformed - not always for the worst - by the enormous upheaval of the war. Rich with personalities, surprises and ironies, this lively narrative history paints a picture of courage and confusion, doubts and dilemmas, and is written with Jeremy Paxman's characteristic flair for storytelling, wry humour and pithy observation. *** "A fine introduction to the part Britain played in the first of the worst two wars in history. The writing is lively and the detail often surprising and memorable" Guardian "He writes so well and sympathetically, and chooses his detail so deftly, that if there is one new history of the war that you might actually enjoy from the very large centennial selection this is very likely it" The Times
Many troops passed through Southampton on their way to the Western Front and it played a vital role as a staging post for departing troops and those returning badly injured.??Many of men from Southampton also joined up and the enormity of human sacrifice that the families of Southampton were committed to as the war stretched out over the next four years was immense. ??The Great War affected everyone. At home there were wounded soldiers in military hospitals, refugees from Belgium and later on German prisoners of war. There were food and fuel shortages and disruption to schooling. The role of women changed dramatically and they undertook a variety of work undreamed of in peacetime. Meanwhile, men serving in the armed forces were scattered far and wide. Extracts from contemporary letters reveal their heroism and give insights into what it was like under battle conditions.
The seven-year campaign that saved Europe from Napoleon told by those who were there. What made Arthur Duke of Wellington the military genius who was never defeated in battle? In the vivid narrative style that is his trademark, Peter Snow recalls how Wellington evolved from a backward, sensitive schoolboy into the aloof but brilliant commander. He tracks the development of Wellington's leadership and his relationship with the extraordinary band of men he led from Portugal in 1808 to their final destruction of Napoleon at the Battle of Waterloo seven years. Having described his soldiers as the 'scum of the earth' Wellington transformed them into the finest fighting force of their time. Digging deep into the rich treasure house of diaries and journals that make this war the first in history to be so well recorded, Snow examines how Wellington won the devotion of generals such as the irascible Thomas Picton and the starry but reckless 'Black Bob' Crauford and soldiers like Rifleman Benjamin Harris and Irishman Ned Costello. Through many first-hand accounts, Snow brings to life the horrors and all of the humanity of life in and out of battle, as well as shows the way that Wellington mastered the battlefield to outsmart the French and change the future of Europe. To War with Wellington is the gripping account of a very human story about a remarkable leader and his men.
Assesses how America’s film industry remembered World War I during the interwar period. This is the definitive account of how America’s film industry remembered and reimagined World War I from the Armistice in 1918 to the outbreak of World War II in 1939. Based on detailed archival research, Michael Hammond shows how the war and the sociocultural changes it brought made their way into cinematic stories and images. He traces the development of the war’s memory in films dealing with combat on the ground and in the air, the role of women behind the lines, returning veterans, and through the social problem and horror genres. Hammond first examines movies that dealt directly with the war and the men and women who experienced it. He then turns to the consequences of the war as they played out across a range of films, some only tangentially related to the conflict itself. Hammond finds that the Great War acted as a storehouse of motifs and tropes drawn upon in the service of an industry actively seeking to deliver clearly told, entertaining stories to paying audiences. Films analyzed include The Big Parade, Grand Hotel, Hell’s Angels, The Black Cat, and Wings. Drawing on production records, set designs, personal accounts, and the advertising and reception of key films, the book offers unique insight into a cinematic remembering that was a product of the studio system as it emerged as a global entertainment industry. “Hammond’s intelligent and insightful account of the formation of cinematic treatments of the Great War in America constitutes a major addition to the critical literature on film. It acts as a prism through which to see refracted multiple themes central to the social and cultural history of the interwar years.” — Jay Winter, author of War beyond Words: Languages of Memory from the Great War to the Present
This scholarly study of the Royal Navy’s WWII light cruisers presents extensive design, performance, and engagement analysis of each ship. When the Second World War began, the ten British ‘Town’ class cruisers were the most modern vessels of their type in the Royal Navy. Primarily designed for the defense of trade, they played decisive roles in victories such as the Battle of the Barents Sea and the destruction of the German Scharnhorst at the North Cape. They also paid a heavy price: four of the ships were lost and the other six sustained serious damage. In this major study, Conrad Waters provides a technical evaluation of the ‘Town’ class design and its subsequent performance. He outlines the class’s origins in the context of inter-war cruiser policy, explains the design and construction process, and describes the characteristics of the resulting ships and how these were adapted in the light of wartime developments. An overview of service focuses on major engagements and presents detailed assessments of action damage. Concluding chapters explore the the modernization program that kept the remaining ships fit for service during the Cold War era. Heavily illustrated with contemporary photographs and expert drawings, British Town Class Cruisers provides a definitive reference to one of the Royal Navy’s most important warship designs.
The declaration of war in August 1914 was to change Britain and British society irrevocably as conflict came to dominate almost every aspect of civilian life for the next four years. Popular, weekly magazines such as The Tatler, The Sketch and The Queen, recorded the national preoccupations of the time and in particular, the upper class experience of war. Targeted at a well-heeled, largely female audience, these magazines were veteran reporters of aristocratic balls, the latest Parisian fashions and society engagements, but quickly adapted to war-like conditions without ever quite losing their gossipy essence. Fashion soon found itself jostling for position with items on patriotic fundraising, and Court presentations were replaced by notes on nursing convalescent soldiers. The result is a fascinating, at times amusing and uniquely feminine perspective of life on the Home Front during World War One.
This is a major new history of the British army during the Great War written by three leading military historians. Ian Beckett, Timothy Bowman and Mark Connelly survey operations on the Western Front and throughout the rest of the world as well as the army's social history, pre-war and wartime planning and strategy, the maintenance of discipline and morale and the lasting legacy of the First World War on the army's development. They assess the strengths and weaknesses of the army between 1914 and 1918, engaging with key debates around the adequacy of British generalship and whether or not there was a significant 'learning curve' in terms of the development of operational art during the course of the war. Their findings show how, despite limitations of initiative and innovation amongst the high command, the British army did succeed in developing the effective combined arms warfare necessary for victory in 1918.