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The strange-but-true tales of the rumors, idiosyncrasies, and feuds of literary legends—including Agatha Christie, F. Scott Fitzgerald, William Shakespeare, and more This fascinating—and shocking!—tour through the lives of classic literature icons is the perfect stocking stuffer for book lovers and fans of little-known history. With outrageous and uncensored profiles of everyone from William Shakespeare to Thomas Pynchon, Secret Lives of Great Authors tackles all the tough questions your high school teachers were afraid to ask: What’s the deal with Lewis Carroll and little girls? Is it true that J. D. Salinger drank his own urine? How many women—and men—did Lord Byron actually sleep with? And why was Ayn Rand such a big fan of Charlie’s Angels? Classic literature was never this much fun in school! Authors included: William Shakespeare Lord Byron Honoré de Balzac Edgar Allan Poe Charles Dickens The Brontë Sisters Henry David Thoreau Walt Whitman Leo Tolstoy Emily Dickinson Lewis Carroll Louisa May Alcott Mark Twain Oscar Wilde Arthur Conan Doyle W.B. Yeats H.G. Wells Gertrude Stein Jack London Virginia Woolf James Joyce Franz Kafka T.S. Eliot Agatha Christie J.R.R. Tolkien F. Scott Fitzgerald William Faulkner Ernest Hemingway Ayn Rand Jean-Paul Sartre Richard Wright William Burroughs Carson McCullers J.D. Salinger Jack Kerouac Kurt Vonnegut Toni Morrison Sylvia Plath Thomas Pynchon
As with novelists and short story writers, the job of poets and playwrights is to elicit emotion and generate thought. The difference is that the latter authors do so while adhering to rules different than those governing standard prose works. Where poets create rich verses loaded with subtext, playwrights rely largely on dialogue to create poignant scenes that become all the more powerful when performed onstage. This captivating collection of biographies profiles some of the greatest writers of poetry and drama, from Aeschylus to Diane Ackerman, Sophocles to David Mamet.
The Great William is the first book to explore how seven renowned writers—Samuel Taylor Coleridge, John Keats, Virginia Woolf, Charles Olson, John Berryman, Allen Ginsberg, and Ted Hughes—wrestled with Shakespeare in the very moments when they were reading his work. What emerges is a constellation of remarkable intellectual and emotional encounters. Theodore Leinwand builds impressively detailed accounts of these writers’ experiences through their marginalia, lectures, letters, journals, and reading notes. We learn why Woolf associated reading Shakespeare with her brother Thoby, and what Ginsberg meant when referring to the mouth feel of Shakespeare’s verse. From Hughes’s attempts to find a “skeleton key” to all of Shakespeare’s plays to Berryman’s tormented efforts to edit King Lear, Leinwand reveals the palpable energy and conviction with which these seven writers engaged with Shakespeare, their moments of utter self-confidence and profound vexation. In uncovering these intense public and private reactions, The Great William connects major writers’ hitherto unremarked scenes of reading Shakespeare with our own.
Explore the fascinating lives and loves of the greatest novelists, poets, and playwrights. From William Shakespeare and Jane Austen to Gabriel García Márquez and Toni Morrison, Writers explores more than 100 biographies of the world’s greatest writers. Each featured novelist, playwright, or poet is introduced by a stunning portrait, followed by photography and illustrations of locations and artifacts important in their lives – along with pages from original manuscripts, first editions, and their correspondence. Trace the friendships, loves, and rivalries that inspired each individual and affected their writing, revealing insights into the larger-than-life characters, plots, and evocative settings that they created. You will also uncover details each writer’s most famous pieces and understand the times and cultures they lived in – see how the world influenced them and how their works influenced the world. Writers introduces key ideas, themes, and literary techniques of each figure, revealing the imaginations and personalities behind some of the world's greatest novels, short stories, poems, and plays. A diverse variety of authors are covered, from the Middle Ages to present day, providing a compelling glimpse into the lives of the people behind the page.
Here is the revised and expanded edition of Daniel S. Burt's fascinating assessment of the 100 most influential novelists, playwrights, and poets of all times and cultures now with 25 additional entries and some reassessments as well as 25 new black-and-white photographs and illustrations. From Doris Lessing and Gabriel Garc a M rquez to Homer and Marcel Proust, the entries provide a compelling, accessible introduction to significant writers of world literature. All of the writers selected have helped to redefine literature, establishing a standard with which succeeding generations of writers and readers have had to contend. The ranking attempts to discern, from the broadest possible perspective, what makes a literary artist great and how that greatness can be measured and compared. Each profile distills the essence of the writer's career and character to help prompt consideration of literary merit and relationships by the reader.
A close friend of Tennessee Williams during his early years as a writer gives an account of the literary great's early career, critiques his work, and reflects on the later, more successful time of Williams' life.
Shakespeare, National Poet-Playwright is an important book which reassesses Shakespeare as a poet and dramatist. Patrick Cheney contests critical preoccupation with Shakespeare as 'a man of the theatre' by recovering his original standing as an early modern author: he is a working dramatist who composes some of the most extraordinary poems in English. The book accounts for this form of authorship by reconstructing the historical preconditions for its emergence, in England as in Europe, including the building of the commercial theatres and the consolidation of the printing press. Cheney traces the literary origin to Shakespeare's favourite author, Ovid, who wrote the Amores and Metamorphoses alongside the tragedy Medea. Cheney also examines Shakespeare's literary relations with his contemporary authors Edmund Spenser and Christopher Marlowe. The book concentrates on Shakespeare's freestanding poems, but makes frequent reference to the plays, and ranges widely through the work of other Renaissance writers.