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"The Paintings Collection (Gemaldegalerie) of the Kunsthistorisches Museum in Vienna is one of the few truly internationally famous collections of art. Over 160 masterpieces ranging from the 15th to the 18th centuries have been selected for this book and carefully reproduced in colour. Together with art-historical comments they provide a magnificent overview."--BOOK JACKET.
This stunning compilation of the work Pieter Bruegel, the 16th century's most famous Netherlandish artist, is being published in anticipation of the 450-year anniversary of the artist's death.
Famous for having elevated the status of landscape painting, Pieter Bruegel the Elder is also considered to be the greatest 16th-century Flemish master of scenes from ordinary life. This volume presents a collection of his work, including 12 masterpieces.
One of the most gifted painters of the Dutch Golden Age, Johannes Vermeer captured memorable scenes from everyday life in 17th-century Delft. Printed on high-quality, laminated stock, these 24 highlights from his career include Girl with a Pearl Earring, View of Delft, The Love Letter, The Milkmaid, The Music Lesson . . . and many more. Meticulously reproduced and ready to mail, these 4 1/4 x 6 cards are also suitable for framed displays.
Visual refences to paintings from Ancient Egyptian wallpaintings to contemporary Western canvases
KEYNOTE: Featuring ffty masterworks by Mantegna, Giorgione, Titian, Veronese, and Tintoretto, this stunning book examines the brilliant painters who transformed the art of Renaisssance Venice. Featuring fifty masterworks by Mantegna, Giorgione, Titian, Veronese, and Tintoretto, this stunning book examines the brilliant painters who transformed the art of Renaissance Venice. Among the singular moments in the evolution of Western art, the Venetian Renaissance forged an artistic vocabulary of dazzling virtuosity. Celebrating the poetic potential of color and beauty observed in nature, Venetian painters of the fifteenth and sixteenth centuries transcended the spatial, textural, and emotional realism of their predecessors to create works unsurpassed in their sensual depictions, velvety surfaces, and unique and glorious treatment of light. Focusing on canonical works from Vienna's Kunsthistorisches Museum (one of the world's four great imperial museums, along with the Hermitage, the Louvre, and the Prado), this book's lavish illustrations and illuminating essays offer a rich introduction to the treasures of the Venetian Renaissance. Among the spectacular artworks are Mantegna's tortured Saint Sebastian, Titian's enigmatic Bravo (The Assassin) and sumptuous Danäe, and a rare group of paintings by the elusive Giorgione, including Portrait of a Young Woman (Laura) and The Three philosophers. The book also includes exemplary works by Veronese, Palma ecchio, Bordone, and Bassano, among others, revealing the full range of Venetian accomplishment in the Renaissance era. AUTHOR: Sylvia Ferino is director of the Gemaldegalerie of the Kunsthistorisches Museum, Vienna, and an expert on Italian painting. Lynn Federle Orr is curator in charge of European art at the Fine Arts Museums of San Francisco. Among her recent publications is The Cult of Beauty: The Aesthetic Movement 1860-1900 100 colour illustrations
In Jacopo Strada and Cultural Patronage at the Imperial Court: Antiquity as Innovation, Dirk Jansen provides a survey of the life and career of the antiquary, architect, and courtier Jacopo Strada (Mantua 1515–Vienna 1588). His manifold activities — also as a publisher and as an agent and artistic and scholarly advisor of powerful patrons such as Hans Jakob Fugger, the Duke of Bavaria and the Emperors Ferdinand I and Maximilian II — are examined in detail, and studied within the context of the cosmopolitan learned and courtly environments in which he moved. These volumes offer a substantial reassessment of Strada’s importance as an agent of change, transmitting the ideas and artistic language of the Italian Renaissance to the North.
This study begins with an introduction to Velazquez's life. The authors then examine how the artist devised his techniques and how they changed over time. The photographs aim to demonstrate how Velazquez realised his vision of man and nature through a highly allusive, economical manner of painting.