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At the time of the great tulip speculation of the 1630s in Holland, the most desirable tulip bulbs were auctioned for more money than the most expensive houses in Amsterdam. At the same time flower paintings which were remarkable for their apparent realism were produced all over Holland and purchased by Dutch families as enduring substitutes for the real thing. This beautiful book reveals the fascinating genesis and growth of a whole genre of paintings that has rarely been studied. Paul Taylor begins by discussing Holland's 'tulipomania' and its effect on the way people thought about floral still lifes. He then considers the religious messages associated with the flower paintings, exploring how religious writers spoke of flowers as moral signposts from God and how some flower paintings were meant to remind viewers of the transience of earthly existence. Flower paintings were not bought only as records of luxury objects or for moral edification, however. They were also enjoyed as works of art, as masterpieces of illusion, composition and colour harmony, so Taylor analyses the art-theoretical writings of the time in order to understand how artists and connoisseurs responded to flower pieces. He concludes by analysing the paintings themselves, tracing the development and refinement of the actual practice of flower painting.
Charles Reid says you don't have to be a botanist to paint flowers beautifully. Rather than produce anatomical paintings, it's far more important to capture the quality, the feeling, and the spirit of the flowers. In this book, Reid turns his skillful eye and clear, helpful teaching methods to painting flowers in oil paints. Beginning with a detailed discussion of materials and palettes, you will go on to learn a bit about flowers and flower parts in general, as well as brush techniques like drybrushing, scumbling, and pointillism. Then, with plenty of examples and guided assignments, you will learn to paint a wide variety of leaf forms before moving on to specific flower types and arrangements. As the chapters progress, you'll learn to properly mix values and colors for specific effects; compositional lessons about boundaries, lessons on subject placement and horizons; and how to uses edges, lighting, and patterns to bring your flower paintings to life. From formal still-life arrangements to wildflower landscapes, this book has everything you need to know about painting flowers. Accessible to students of all skill levels, Flower Painting in Oil is ideal for intermediate or advanced students who are interested in studying the forms, colors, and textures of flowers. By learning to truly "see" flowers, you'll learn to paint them like never before. Readers interested in related titles from Charles Reid will also want to see: Painting by Design (ISBN: 9781626543218), Painting What (You Want) to See (ISBN: 9781626543782), Pulling Your Paintings Together (ISBN: 9781626543843), The Natural Way to Paint (ISBN: 9781626543829).
Billy Showell is a well-respected contemporary artist whose watercolour flower portraits have earned her the respect of watercolour artists all over the world. Worked to the same degree of accuracy as traditional botanical paintings, Billy's compositions are given a more contemporary twist, combining her unique eye for design with her love of flowers. In this book, 40 flower portraits are presented, arranged in alphabetical order, each one accompanied by small studies, details, step-by-step instructions and the colour mixes used to accomplish the finished work. At the start of the book there are useful sections on the materials and equipment needed and the main techniques used, including wet-into-wet, colour blending, lifting out, layering glazes, dry brushing and colour mixing, and at the end of the book Billy gives her own unique slant on composition and discusses the importance of creating a sketchbook. Whether you love to paint, or simply love flowers, this book will delight and inspire you.
Learn the Art of Gouache with Easy-to-Paint, Stunning Floral Designs Let your creativity bloom with this inspiring step-by-step guide to painting lush roses, delicate daisies, blossoming cacti and more. Gouache makes it easy to create rich, bright colors for an impressive impact in just a few strokes. This forgiving medium is great for beginners, as well as watercolor artists looking for a bold, new way to create stunning artwork that pops. Vidhi Khandelwal, founder of The Ink Bucket art and stationery brand, guides you each step of the way through simple techniques to recreate her signature florals. Use your new skills to begin a daily art habit, create stunning compositions to brighten up your home and add a personal touch to homemade cards and gifts. With a trove of traceable flower sketches right in the book, you can focus on your painting journey without worrying about how to draw every line. Along with the essential strokes, you’ll learn simple shading methods for realistic petals, and lovely layering techniques to add fullness and texture in each blossom. Bring your project to life with fun details like veined leaves and colorful backgrounds, and even venture into floral hand lettering. Whether you’re looking to boost your painting skills or enjoy a relaxing new hobby, this book provides a refreshing creative escape.
Adopting a naturalistic approach to painting, the artist Coral G. Guest talks in this book about how best to achieve not only the colours but also the textures and shadings that are so important in painting flowers. She chooses a wide variety of plants to illustrate this step-by-step guide.
Clear, step-by-step instructions give guidance on every aspect of flower painting from choice of materials to special techniques which will enable yo to portray the essence of your subject matter and all it glorious colour--Cover.
In the winter of 1880 Edouard Manet, then 49, was dying. In the last months of his life he funnelled his waning energy into a series of remarkable still lifes - 16 small paintings of flowers - which are brought together in this book. An essay by Andrew Forge pays tribute to the artist's struggle and his legacy, and Robert Gordon's selections from Manet's letters add poignancy to this last glow of a brilliant artistic flame.
This is a book on teaching you how to paint flowers with watercolor. It talks about materials, equipment, composition. direct painting, drybrush, using opaque, wash-over-wash, different types of flowers, lighting etc.--
This visually stunning book will be a revelation to admirers of Northwest visionary artist Morris Graves (b. 1910) who know him chiefly through his profoundly original, metaphysically charged paintings of chalices, birds, snakes, and other small creatures. Graves’s national reputation began with the Museum of Modern Art’s exhibitions "Americans 1942--18 Artists from 9 States." Throughout his long career as one of America’s most highly regarded painters of the transcendental, Graves has been less well known for his later flower paintings, represented here in more than fifty full-page color plates encompassing selected works from 1938 through 1992. A number of these paintings first captures public attention in 1983-84, during the course of a retrospective, " Morris Graves, Vision of the Inner Eye," organized by the Phillips Collection, Washington, D.C., which travelled to six major American museums. In the past decade, Graves’s flower paintings have continued to command increasing critical and public acclaim. In the view of noted art critic Theodore Wolff, whose superb analysis informs this presentation, Graves has created several dozen of the finest American flower paintings of the century. A product of Graves’s later years, these serene and radiantly beautiful paintings show distinct compositional parallels with a significant number of his early symbolic and metaphoric works. At the same time, they incorporate the dramatic shift in emphasis that took place in his art during the 1970s, when flowers and light began to embody his evolving sense of what color could be and could do. To a very real degree, notes Wolff, the flower paintings are Graves’s culminating work, epitomizing and summarizing his lifelong attempts to translate the spiritually ineffableinto pictorial form. In addition to Theodore F. Wolff’s inspired and insightful essay, Morris Graves: Flower Paintings features an excellent introduction by John Yau, art critic and author of recent book on A.R. Penck and Andy Warhol. The book will be of significant interest to collectors as well as to art historians.