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A unique, illustrated book that will change the way you see medieval history The Middle Ages: A Graphic History busts the myth of the 'Dark Ages', shedding light on the medieval period's present-day relevance in a unique illustrated style. This history takes us through the rise and fall of empires, papacies, caliphates and kingdoms; through the violence and death of the Crusades, Viking raids, the Hundred Years War and the Plague; to the curious practices of monks, martyrs and iconoclasts. We'll see how the foundations of the modern West were established, influencing our art, cultures, religious practices and ways of thinking. And we'll explore the lives of those seen as 'Other' - women, Jews, homosexuals, lepers, sex workers and heretics. Join historian Eleanor Janega and illustrator Neil Max Emmanuel on a romp across continents and kingdoms as we discover the Middle Ages to be a time of huge change, inquiry and development - not unlike our own.
"The history of wine is the history of civilization. It is the religious drink par excellence. In Greek mythology, references to wine abound. In the Bible, after the Flood, Noah plants a vineyard. In the Middle Ages, it was in the monasteries and churches that the syrupy drink of antiquity, unpalatable if not diluted, was transformed into the wine we know today. Wine expert Benoist Simmat and artist Daniel Casanave trace the story of wine from its origins in the Mediterranean to the globalized industry of the 21st century, spanning the innovations that have punctuated wine's long history, from oak-barrel aging to the invention of the bottle."--
The suite of forty prints published in Geneva in 1570 depicting the wars, massacres and troubles of the French Wars of Religion may have been the first picture history made in woodcuts or etchings that promised a geenral public a true view of great events of the recent past. This richly illustrated study reconstructs the gradual elaboration of this experimental work, situating it within the previously untold story of the use of the graphic arts to report the news in the fist centuries of European printmaking. Successive chapters explore the pictorial traditions that inspired the printmakers, examine how they gathered their information, assess the reliability of the scenes, and analyze the historical vision informing the series. Part 2 reproduces the full suite with commentary in double page fold-outs. Through the study of a single print series, lost chapters in the history of jorunalism, of the graphic arts, and of Protestant historical consciousness re-emerge.
When it comes to recounting history, issues arise as to whose stories are told and how reliable is the telling. This collection of fourteen essays explores the unique ways in which graphic novels can aid us in addressing those issues while shedding new light on a variety of texts, including those by canonical North American and European writers Art Spiegelman (Maus, In the Shadow of No Towers), Alan Moore (From Hell, The League of Extraordinary Gentlemen), Frank Miller (The Dark Knight Returns), Chris Ware (Jimmy Corrigan), Chester Brown (Louis Riel), and Harvey Pekar. Recognizing the global appeal of graphic novels, this collection also provides a fresh look at history seen through the eyes of canonical non-Western writers Marjane Starapi (Persepolis) and Yoshihiro Tatsumi (A Drifting Life) and the highly vexed relationship of the West and the Middle East. The array of contributors (from the fields of art, literature, history, and cultural studies) is matched by the array of theoretical perspectives and by the depth and breadth of subjects, ranging from the sixteenth century voyages of Sebastian Cabot to Jack the Ripper, from the Chicago World’s Columbian Exposition of 1893 to lynching in the early twentieth-century American South, and from post-war Japan to the fall of the Shah in Iran.
'Every witch uses her magic differently. I use mine to heal people, while others ...' 'What do the others do!? Are there many different types of witches!?' 'Oh yes! Many ...' Join Lindsay, a young and curious 19th-century lady, as she meets Biddy Early, the famous 'wise woman of County Clare', and learns all about the magickal arts—from which plants can be used to make healing poultices and potions, to how people dealt with the social and political stigma of practicing witchcraft. Biddy Early, who lived from 1798–1874 in Ireland, was by no means the first-ever witch, but she was the first to appear on the historical record. Before her, fears and superstitions surrounding practitioners of 'the nameless art' were too strong. It is said that Biddy took an apprenticeship with the 'good folk', sidhe or faeries, when she was very young, and it was from them that she learned her skill as a healer. Never one to accept monetary payment for the help she offered, Biddy would often swap home-brewed alcohol for her services, which in turn, made her ramshackle cottage in Feakle a hub for the local community. When her little corner of the county drew the attention of the Catholic Church and the local authorities, things became very difficult for this unusual woman… Encompassing self-empowerment, feminism, dealing with stigma, and eco-spirituality, as well as plant magic, traditions, and green wisdom, Witchcraft: A Graphic History is a fresh take on an endlessly fascinating subject.
I have tried to write about history of Electronics. The present book is created in different ways with photos, graphics and writing text. I have completed the work with delightful assistance and encouragement from many people. I have tried to give my best of best to you. Present book is for education purpose and also for all those readers, who are interested in history of Electronics. Till no any book is available on the history of Electronics in this way. In this book At the starting a flow chart is given which shows how Electronics history developed.
The origins & early battles of WWII IIlustrated Created as a training booklet for the War Department Orientation course, this book shows the roots of conflict leading up to the outbreak of Second World War. Every page has maps or charts showing the progression of the war in Europe and the German Blitzkreig all the way to the French coast. The Battle of the Atlantic, convoy warfare and the Invasion of Russia are all covered in detail. Japan's early aggression in China and the rest of Asia is illustrated step-by-step. Surprisingly heavy on facts and light on propaganda for this era. This little-known gem would make a great reference / teaching aid for middle grade or high school history courses.
Exploring the breadth and complexities of history as a field of study, History in Practice demystifies what historians actually do and the tasks they take on. This study, written by one of the most acute practitioners in the field, examines not only the academic discipline but also engages with the use of historical ideas in the wider world. The new edition features: - A new chapter on history in the digital age, covering the use of information technology in historical practice - Extended coverage of the relationships between history and other disciplines - Fresh material on current trends in the practice of history - Over 35 new illustrations spread throughout the book drawn from around the world This book is essential reading for all students seeking an understanding of history as a discipline.
In the early 1970s, a group of Colombian intellectuals led by the pioneering sociologist Orlando Fals Borda created a research-activist collective called La Rosca de Investigación y Acción Social (Circle of Research and Social Action). Combining sociological and historical research with a firm commitment to grassroots social movements, Fals Borda and his colleagues collaborated with indigenous and peasant organizations throughout Colombia. In Cowards Don’t Make History Joanne Rappaport examines the development of participatory action research on the Caribbean coast, highlighting Fals Borda’s rejection of traditional positivist research frameworks in favor of sharing his own authority as a researcher with peasant activists. Fals Borda and his colleagues inserted themselves as researcher-activists into the activities of the National Association of Peasant Users, coordinated research priorities with its leaders, studied the history of peasant struggles, and, in collaboration with peasant researchers, prepared accessible materials for an organizational readership, thereby transforming research into a political organizing tool. Rappaport shows how the fundamental concepts of participatory action research as they were framed by Fals Borda continue to be relevant to engaged social scientists and other researchers in Latin America and beyond.